Lijiang Old Town (丽江古城), a small town brimming with historical charm and unique character, is not only home to ancient architecture and winding cobblestone streets but also hides a wealth of colorful entertainment activities waiting to be explored. Whether you’re passionate about immersive traditional cultural experiences or eager to snap photos at popular attractions, Lijiang Old Town has something for everyone.
Among the many tie-dyeing workshops in Lijiang Old Town, Jingzhe (惊蛰) is a great choice. The shop displays a dazzling array of tie-dyed products—aprons, shirts, scarves, handkerchiefs—each radiating the charm of traditional craftsmanship. Visitors can purchase these directly or try their hand at creating their own unique piece.
The entire experience takes about an hour, starting with a detailed introduction to the history of tie-dyeing and basic techniques. After the explanation, you can choose your favorite pattern and, under the guidance of the staff, begin your creative journey, ultimately taking home a one-of-a-kind souvenir. Additionally, the shop offers woodblock printing (版画) experiences, another intangible cultural heritage worth exploring.
Dongba script, the world’s only surviving pictographic writing system, is even more primitive than oracle bone script. It can be seen everywhere in Lijiang Old Town—on restaurant signs, shop fronts, and buildings. At the Naxi Pictographic Script Experience Hall (纳西象形文字体验馆), you can delve into the charm of this ancient script.
The process is simple: tell the staff which Chinese character you’d like to write, and a teacher will translate it into Dongba script. You’ll then practice with pen and paper before transcribing it onto durable Dongba paper, creating a lasting keepsake.
Though the author didn’t have time to try Dongba paper-making, this activity is equally fascinating. According to online sources, the craft embodies the ancient wisdom of the Naxi people. Participating in this traditional handmade art offers a profound cultural experience—hopefully, those who’ve tried it can share their insights!
In Lijiang and Dukezong Old Town (独克宗古城), Thangka painting opens a window into Tibetan culture. The intricate, vibrant process is rich in cultural and religious significance. Participating in a Thangka workshop not only teaches painting techniques but also deepens your understanding of the stories and meanings behind this art form—stay tuned for the author’s follow-up details.
By day, it’s a lively fresh produce market; by night, it transforms into a vibrant night market with dazzling lights, food stalls, and souvenir vendors. The lively atmosphere makes it a perfect spot to experience local life.
A symbol of Lijiang, the Big Waterwheel has witnessed the town’s changes over time. After three years of quiet, it’s bustling once again. A photo here, with the flowing water and ancient architecture in the background, is a must for every visitor.
Located at the entrance of Dayan Flower Lane (大研花巷), the Lijiang Eye offers a stunning vantage point to admire the old town’s glittering nightscape. From here, you can see the Lion Mountain (狮子山), Wangu Pavilion (万古楼), and the entire illuminated town.
The heart of the old town, Sifang Street hosts nightly bonfire parties and traditional dances. Visitors join hands, singing and dancing around the fire, immersing themselves in the Naxi people’s warmth and energy.
Since opening for night tours, Mufu has revealed a new charm. Lit by lanterns at night, the ancient mansion feels even more solemn, as if echoing with history, transporting you back in time.
One of the busiest streets in the old town, East Street is lined with shops and bustling with tourists. Here, you can buy souvenirs, sample local snacks, and soak in the vibrant atmosphere.
With flowers beneath the bridge and a gently flowing stream, the Big Stone Bridge offers a picturesque scene. Photographers love capturing the trees on the bridge from below, creating poetic compositions.
Next to Sifang Street, Xianwen Alley (现文巷) dazzles by day with colorful umbrellas embodying Yunnan’s vibrant culture. At night, under warm lights, it exudes a nostalgic charm. Walking beneath the dense canopy of umbrellas feels like stepping into a romantic Jiangnan water town—every shot is postcard-worthy.
Yichi Lane isn’t just about performances—you can also join in traditional dances. Here, you’ll immerse yourself in Lijiang’s culture, mingling with locals and fellow travelers in a lively celebration.
Lijiang Old Town is also perfect for themed team-building, such as the “Old Town Treasure Hunt Challenge.” The activity kicks off with fun icebreakers before participants receive exploration tasks.
Through “mission card challenges,” teams search for clues around the town, uncovering its charm and earning gold coins for each completed task. Side missions encourage photo ops at popular spots, capturing memorable moments. Finally, teams use their collective coins in a blind auction for fun prizes, blending cultural exploration, teamwork, and excitement.
Lijiang Old Town offers a diverse range of entertainment—whether cultural immersion, nighttime exploration, or creative team-building. Each experience deepens your connection to this ancient town, leaving you with unforgettable memories.
Lijiang Ancient Town, this shining pearl located in the Gucheng District of Lijiang City, Yunnan Province (云南省丽江市古城区), is also known as Dayan Town (大研镇). Situated in the middle of the Lijiang Basin (丽江坝) at an altitude of approximately 2,416 meters, it was built in the late Song and early Yuan dynasties (late 13th century). After centuries of weathering storms, it was successfully inscribed on the UNESCO World Heritage List in 1997, becoming one of only two ancient towns in China to achieve this status as an entire ancient city.
The architecture of Lijiang Ancient Town blends the essence of multiple ethnic groups, including the Han, Bai (白族), Yi (彝族), Tibetan (藏族), and Naxi (纳西族), forming a distinctive style. The town lacks imposing city walls, reportedly because the hereditary rulers of Lijiang bore the surname Mu (木), and building walls around “Mu” would form the character “Kun” (困, meaning “trapped”).
The town’s layout features three mountains as a natural screen and a river connecting the area. Its water system consists of three rivers flowing through the town, with nearly every household having access to flowing water. The streets are arranged in a winding, secluded, narrow, and well-connected style, oriented northwest to southeast. The residential buildings are distinctive, often following layouts such as “three rooms with a screen wall” (三坊一照壁) and “four courtyards with five skylights” (四合五天井), as well as front and rear courtyards or multi-courtyard designs. These structures are vital heritage for studying Chinese architectural and cultural history.
The town’s alleys crisscross, with streets mostly paved in stone slabs and houses primarily built with wooden structures, preserving the ancient town’s rustic charm.
Water is the core and soul of Lijiang Ancient Town, shaping its unique canal-based spatial layout. The town is renowned for its dense concentration of bridges, with over 340 stone and wooden bridges of various designs. The Yu River (玉河), Dong River (东河), and Zhong River (中河) flow through the town, providing water for daily use, firefighting, and environmental beautification, creating a distinctive waterscape that imbues the town with a lively beauty.
An essential part of ancient Naxi culture, Dongba Culture is named after the Dongba religion and has a history of over 1,000 years. It encompasses Dongba script (东巴文字), Dongba scriptures (东巴经), Dongba paintings (东巴绘画), Dongba music (东巴音乐), Dongba dance (东巴舞蹈), Dongba ritual objects (东巴法器), and various sacrificial ceremonies. Dongba script is the world’s only surviving pictographic writing system, even more primitive than oracle bone script (甲骨文). Traces of it can be seen throughout Lijiang Ancient Town, adding a mysterious and ancient charm.
The chants and instrumental accompaniments performed by Dongba (Naxi priests) during religious rituals are a key component of Dongba Culture. Its unique melodies carry the Naxi people’s beliefs and emotions, conveying reverence for deities and prayers for life.
A legacy of ancient music from Dayan Ancient Town and surrounding Naxi settlements, Lijiang Ancient Music consists of three parts: Benshi Xili (白沙细乐, “Baisha Fine Music”), Lijiang Dongjing Music (丽江洞经音乐), and ritual music. Primarily instrumental ensemble music, it also includes songs and dance tunes, some incorporating lyrics from the Tang, Song, and Yuan dynasties. Its unique melodies have earned it the title of a “living fossil of music,” as its soothing tunes seem to recount the Naxi people’s long history and legends.
A product of the Naxi society’s openness during the Ming Dynasty, these murals are mainly found in Dabaoji Palace (大宝积宫) and Liuli Hall (琉璃殿). During the Ming Dynasty, the Mu chieftains (木氏土司) of Lijiang flourished, with stable politics and a prosperous economy. To display their wealth, they constructed grand palaces, and mural painting continued for over 300 years. These murals blend elements of multiple religious cultures, showcasing the era’s multicultural integration and possessing immense artistic value.
Some say, “If you haven’t visited Mu Residence, you haven’t truly been to Lijiang,” highlighting its cultural significance. The Mu chieftains ruled across the Yuan, Ming, and Qing dynasties, and Mu Residence features magnificent and intricate architecture, with grand halls like the Assembly Hall (议事厅), Wanxuan Tower (万卷楼), Guardian Hall (护法殿), and Guangbi Tower (光碧楼) arranged along a central axis.
It was a filming location for Mu Residence: The Storm (木府风云) and bears witness to the Naxi people’s development. From the first Lijiang chieftain, A Cong A Liang (阿琮阿良), enfeoffed during the Yuan Dynasty, to A Jia A De (阿甲阿得), who submitted to the Ming Dynasty and was granted the surname Mu, to the Qing Dynasty’s policy of replacing native chieftains with state-appointed officials, Mu Residence’s history reflects half of the Naxi people’s ethnic history.
The wooden archway “Tian Yu Liu Fang” (天雨流芳) in the residence is a homophone for the Naxi phrase meaning “go study,” reflecting the Naxi people’s reverence for knowledge. The Loyalty Archway (忠义牌坊) bears the words “Loyalty” (忠义) bestowed by the Wanli Emperor and is a masterpiece of Chinese stone architecture. Wanxuan Tower houses rare books and was where Mu descendants studied. The Jade Sound Tower (玉音楼) was used to receive imperial edicts and host banquets.
Mu Residence also preserves many stories, such as the deep friendship between the Mu chieftains and the traveler Xu Xiake (徐霞客), the scholar Yang Shen (杨升庵) inscribing the plaque “Guardian of the Nation” (为国干城) for the Guardian Hall, and Mu Zeng (木增) overseeing the printing of the Kangyur (甘珠尔) Buddhist scriptures. These stories highlight the Mu chieftains’ promotion of Central Plains culture and their interactions with renowned Central Plains scholars.
A key cultural courtyard where traditional Naxi art returns to the ancient town, it showcases the UNESCO Memory of the World-registered “Dongba Script” and “Dongba Paintings.” Here, visitors can learn and write pictographic characters under the guidance of instructors, deeply experiencing the unique charm of Dongba Culture.
An excellent place to listen to Naxi Ancient Music. The music’s unique melodies, performed by elderly musicians, transport listeners through time, allowing them to appreciate the Naxi people’s historical legacy as if hearing echoes of ancient times.
Comprehensively displays the origins, development, and applications of Dongba Culture, offering deep insights into this unique and mysterious Naxi tradition, as if touching the veins of an ancient civilization.
Preserves the traditional residential style of Lijiang, exhibiting local ethnic minority clothing, weapons, tobacco pipes, and various cultural artifacts and handicrafts. Its rich cultural atmosphere immerses visitors in the charm of traditional Lijiang life.
As night falls, this event gathers authentic Naxi cuisine, along with ethnic song and dance performances and bonfire parties, allowing visitors to savor delicious food while fully experiencing the Naxi people’s warmth and cultural allure.
Lijiang Ancient Town’s culture is rich and diverse, from its architecture and water systems to its ethnic customs and historical attractions. Every corner exudes unique charm, attracting visitors from around the world to explore and savor its beauty. It is a dazzling gem in the treasury of human civilization.
The town has a history going back more than 1,000 years and was once a confluence for trade along the “Old Tea Horse Caravan Trail” (茶马古道).
The Dayan Old Town (大研古镇) is famous for its orderly system of waterways and bridges. However, this system is fast becoming but a memory as the underground water table drops—likely due to over-building in suburban areas.
Lijiang’s culture combines traditional Nakhi (纳西族) culture with elements learned from Ming dynasty (明朝) Han Chinese traders who settled here centuries ago.
Culture of Lijiang Old Town
Lijiang (丽江) Baisha (白沙) Ancient Town, an integral part of the Old Town of Lijiang (丽江古城), is like a hidden pearl in the long river of time, radiating unique natural and cultural charm. Here, visitors can not only explore rich cultural heritage but also participate in distinctive entertainment activities, immersing themselves in the town’s enchanting ambiance.
The Baisha (白沙) Murals, located in Dabaoji Palace (大宝积宫) and Liuli Hall (琉璃殿), are artistic treasures that blend Han (汉), Tibetan (藏), and Naxi (纳西) painting styles, primarily depicting religious themes.
At the home of Mr. He Xipeng (和锡鹏), the 34th-generation inheritor of Dongba (东巴) culture in Baisha (白沙), you can participate in a unique cultural immersion.
Enjoy a performance of Baisha (白沙) Fine Music (白沙细乐), a traditional Naxi (纳西) musical art form.
Practice delicate Naxi (纳西) embroidery or create your own tie-dye masterpiece.
At Jishan Copper Art Gallery (积善铜艺馆), you can experience the Naxi (纳西) copper forging technique.
The street retains traditional Naxi (纳西) architectural styles.
Enjoy views of Jade Dragon Snow Mountain (玉龙雪山) in the distance.
This historic Tibetan Buddhist temple boasts unique architecture.
Dedicated to Sanduo (三多), the Naxi (纳西) people’s guardian deity.
Baisha (白沙) Ancient Town was once a vital stop on the ancient Tea Horse Road (茶马古道).
Lijiang Baisha (白沙) Ancient Town, as an integral part of the Lijiang Old Town, resembles a dazzling pearl carved by time, radiating a rich and unique cultural charm. It is not only the birthplace of Naxi (纳西) culture but also carries a thousand years of historical changes and profound cultural heritage.
Tracing back to ancient times, the Mosuo (么些) people and the “Puxi Barbarians” (濮西蛮) engaged in a fierce battle on this land. The intensity of the conflict resulted in heavy casualties on both sides, leaving the ground littered with bones. The Naxi (纳西) people referred to the “Puxi Barbarians” (濮西蛮) as “Beng” (崩), and “stone” (石) meant “death.” Thus, Baisha (白沙) was called “Bengshi” (崩石) in the Naxi (纳西) language. This poignant history has cast a mysterious veil over Baisha (白沙) Ancient Town.
As one of the iconic structures of Baisha (白沙) Ancient Town, Dading Pavilion (大定阁) holds a deeply moving story. It was built by the Tusi (土司, chieftain) Mu Zeng (木增). His mother, a kind and wise woman, provided immense support during his upbringing. To express his gratitude, Mu Zeng constructed this pavilion and named it “Dading Pavilion” (大定阁), symbolizing his mother’s peace and happiness. This reflects the Naxi (纳西) people’s traditional culture of filial piety.
Legend has it that in ancient times, Baisha (白沙) was a serene and beautiful place where people lived simple, happy lives. The Naxi (纳西) leader A Liang (阿良) received divine inspiration in a dream, learning of a distant treasure trove containing the most enchanting music in the world. Upon waking, he embarked on a journey, overcoming countless hardships. At the foot of a mountain, he met an elderly man with white hair who told him that only those with a pure heart and unwavering faith could find the treasure. Undeterred, A Liang (阿良) succeeded in reaching the summit and discovered the treasure. After studying there for a long time, he returned to Baisha (白沙) and taught the music to the locals. Thus, Naxi Ancient Music was passed down, becoming a cultural treasure of the Naxi (纳西) people and a testament to their relentless pursuit of beauty.
With a history spanning over a thousand years, Baisha (白沙) Ancient Town saw the Mu (木) family ancestors construct Baisha Street (白沙街) and Beiyue Temple (北岳庙) during the Tang Dynasty. From the Song and Yuan Dynasties to the early Ming Dynasty, it became the settlement of the Mu (木) family and the political, economic, and cultural center of Lijiang (丽江). This long history has endowed the town with a deep cultural foundation.
These artistic treasures, painted from the early Ming to early Qing Dynasty over 300 years, are primarily located in Dabaoji Palace (大宝积宫) and Liuli Hall (琉璃殿). The murals skillfully blend Han (汉), Tibetan (藏), and Naxi (纳西) painting styles, focusing on religious themes. They hold immense artistic value and serve as a vital window into Dongba (东巴) culture and the fusion of ancient ethnic cultures.
A traditional Naxi (纳西) musical performance with a long history, its melodious tunes carry the emotions and memories of the Naxi (纳西) people. It is a key pathway to understanding Naxi (纳西) culture, akin to a musical chronicle of their history.
The town’s buildings, mostly constructed with local stone and wood, exude a rustic charm. The narrow alleys and cobblestone streets bear the marks of time, with many two-story blue-brick and wooden structures. The Baisha (白沙) ancient architectural complex, built during the peak of the Mu (木) Tusi (土司) regime in the Ming Dynasty—including Dabaoji Palace (大宝积宫), Liuli Hall (琉璃殿), and Wenchang Palace (文昌宫)—showcases distinctive layouts and embodies the architectural artistry of the Naxi (纳西) people, reflecting their wisdom and creativity.
Located on Zhishan (芝山) Mountain west of Baisha (白沙), Fuguo Temple (福国寺) is one of the largest Tibetan Buddhist temples in Lijiang (丽江) and the ancestral temple of the Naxi (纳西) Mu (木) Tusi (土司). Its grand and solemn architecture, coupled with thriving incense offerings, makes it a vital symbol of local religious culture. It highlights the Naxi (纳西) people’s reverence for Tibetan Buddhism and the profound influence of religious culture, offering visitors an excellent opportunity to explore local beliefs.
This temple venerates “Sanduo” (三多), the protective deity of the Naxi (纳西) people, holding a significant place in local religious culture. During important festivals or rituals, locals gather here to express their reverence and prayers, allowing visitors to deeply feel the Naxi (纳西) people’s religious devotion and traditional beliefs.
Visitors to Baisha (白沙) Ancient Town can immerse themselves in the charm of Naxi (纳西) traditional music and dance. The unique melodies and rhythmic beats, paired with passionate dance movements, vividly portray the life and spirit of the Naxi (纳西) people, creating an enchanting ethnic cultural atmosphere.
Characterized by blue-and-white hues, Naxi (纳西) tie-dye evokes the imagery of clear skies and white clouds captured on fabric. At Dongba Tie-Dye (东巴扎染) workshops, visitors can try their hand at this traditional craft, creating their own tie-dye pieces and experiencing the wonder of Naxi (纳西) folk art.
Featuring exquisite patterns and craftsmanship, these carvings come in various shapes and symbolic meanings, suitable for decoration or collection. Each piece embodies the skill and wisdom of Naxi (纳西) artisans, representing a perfect blend of culture and artistry.
With diverse designs combining traditional Naxi (纳西) elements and modern aesthetics, these finely crafted pieces boast distinct ethnic characteristics, making them ideal for wearing or gifting.
Vibrant in color and delicate in stitching, Naxi (纳西) embroidery often depicts mythological tales and natural landscapes. Items like shawls and handkerchiefs are not only beautiful and practical but also rich in cultural significance.
As the heart of Baisha (白沙) Ancient Town, Sifang Street (四方街) served as the prototype for similar streets in Shuhe (束河) Ancient Town and Lijiang (丽江) Old Town. Once a bustling trade hub, it is now surrounded by historic buildings and traditional shops. Here, visitors can savor local delicacies like jidou liangfen (鸡豆凉粉, chickpea jelly), Naxi (纳西) grilled fish, cured pork ribs, and yak meat hotpot, while shopping for handicrafts and soaking in the lively atmosphere of traditional Naxi (纳西) market culture.
Baisha (白沙) Ancient Street retains the traditional Naxi (纳西) architectural style, with rows of old wooden houses lining the roads, offering a perfect setting for strolls and photography. Qiben Lane (栖本巷), less crowded and brimming with local life, allows visitors to experience the authentic daily scenes of the town and feel its tranquility and harmony.
Lijiang Baisha (白沙) Ancient Town, like an ancient pearl embedded in the northwest of Yunnan (云南), radiates a unique and enchanting historical brilliance. Located about 10 kilometers north of Lijiang (丽江) city, it is bordered by the Jade Dragon Snow Mountain (玉龙雪山) to the north, Longquan (龙泉) to the south, and Zhishan (芝山) to the west. Its privileged geographical location carries the profound historical heritage and cultural traditions of the Naxi (纳西族) people.
As early as the Tang Dynasty (唐朝), Baisha Ancient Town began to emerge. When the Nanzhao (南诏) king designated the Jade Dragon Snow Mountain as the “Northern Sacred Peak (北岳),” the ancestors of the Mu (木氏) family (then the rulers of Lijiang) built Baisha Street and the Northern Sacred Peak Temple (北岳庙) here, marking a crucial beginning for the town’s development. At that time, Baisha began to attract settlers, gradually forming a community and laying the foundation for its future prosperity.
From the Song (宋) and Yuan (元) dynasties until the early Ming Dynasty (明初) in 1383, the Mu family resided in Baisha Ancient Town. During this long period, the town entered its golden age, becoming the political, economic, commercial, and cultural hub of Lijiang.
The Mu family established governance here, effectively administering the Lijiang region. Their political influence extended to surrounding areas, making Baisha a crucial site for regional political decision-making.
The town’s commerce and handicraft industries flourished, making it a center for bronze casting, textiles, and embroidery. Skilled bronze craftsmen produced exquisite copperware that not only met local needs but was also sold afar, bringing substantial economic gains. The textile and embroidery industries thrived as well, with Naxi women weaving vibrant fabrics and stitching intricate patterns. These products became highly sought-after trade goods, attracting merchants and boosting the town’s commercial prosperity.
The Mu family’s emphasis on culture fostered its vigorous development in Baisha. Traditional Naxi culture was preserved and promoted here while blending with other ethnic cultures, laying the groundwork for the region’s unique cultural landscape.
According to legend, the ancient Mosuo (么些) people clashed violently with the “Puxi Barbarians (濮西蛮)” in Baisha, resulting in heavy casualties. The Naxi referred to the Puxi as “Beng (崩),” and “shi (石)” meant “death”—thus, the site was called “Bengshi (崩石)” (the place where the Puxi died). This legend not only records a fierce historical conflict but also reflects the Naxi people’s primal memory and unique understanding of this land, becoming part of Baisha’s historical culture.
Dading Pavilion was built by Tusi (土司, chieftain) Mu Zeng (木增) in gratitude for his mother’s kindness and wisdom, which greatly aided his upbringing. Named “Dading” to symbolize his mother’s peace and happiness, this legend embodies the Naxi culture of filial piety and imbues the pavilion with deep emotional significance, making it a symbolic landmark of the town.
Long ago, Baisha was a beautiful and peaceful place where people lived simple, happy lives. Naxi leader A Liang (阿良) dreamed of a divine revelation about a mystical musical treasury hidden in distant mountains. After a arduous journey, he met an elderly man who told him only those with pure hearts and unwavering faith could find it. A Liang persevered, reached the summit, and studied the music before returning to teach it to the locals. Thus, Naxi ancient music was passed down. This legend reflects the Naxi people’s yearning for beautiful music and highlights the art’s importance in their cultural heritage.
In the Ming Dynasty (明朝), Baisha Ancient Town became home to the famous “Baisha Murals (白沙壁画).” These religious murals, created from the early Ming to early Qing (清初) dynasties over 300 years, blend Han (汉), Tibetan (藏), and Naxi artistic styles. Renowned for their exquisite craftsmanship, rich religious themes, and multicultural fusion, they hold immense artistic and historical value. Serving as vital artifacts for studying ethnic cultural exchange and religious dissemination, they also testify to Baisha’s cultural and artistic prosperity during the Ming and Qing periods.
After a millennium of history, Baisha Ancient Town stands like a heavy tome, each page inscribed with the wisdom, courage, and creativity of the Naxi people. From its origins to its zenith as a political, economic, and cultural center, and through its artistic and cultural legacy, Baisha’s unique historical narrative has made it a vital cradle of Naxi culture and a core bearer of Lijiang’s historical heritage, endlessly drawing visitors to explore its ancient charm.
Jizushan Mountain is a national AAAA grade scenic zone, the famous Buddhist shrine known throughout South and Southeast Asia, one of China’s top ten famous Buddhist mountains, a major attraction of the national scenic area of Dali, and a multi functional scenic zone based on exhibiting Buddhist-based cultures and ecological landscape, integrating Buddhist pilgrimage, Buddhist studies, tourism, and science expedition.
Jizushan Mountain sits high within Binchuan County, Bai Autonomous Prefecture of Dali, in the northwest of Yunnan, on Yunnan-Guizhou Plateau. Its highest peak Tianzhu Peak (the “pillar of the sky”) is 3,248 meters high. Since there were three peaks in a row in the front, and a ridge dragging in the rear which overall looks like a foot of the chick, it is therefore call “Jizushan” (the “Chick Foot”) Mountain. In the mountain there are 40 strange hills, 12 perilous peaks, 34 palisades, 45 tranquil caverns, and more than a hundred brooks and springs. In addition, there are more than 500 kinds of advanced plants in more than 80 species; there is well preserved pristine ecology; ancient millennium trees can be seen everywhere; and there are dozens of rare birds and animals.
Since nearly 1300 years the Jizu Mountain (Jizushan or Jizu Shan) attracts Buddhist pilgrims from all over China, including Tibet. Jizu Mountain (Jizushan or Jizu Shan) ranks amongst the 5 most important Buddhist Mountains in China. It is said that back in history, Mahakasyapa, a scholar of Sakyamuni (Siddarta Gautama) came to Jizu Shan for meditation.
The first temples and pavilions where built during the Three Kingdom Period (220-264) but most temples came into existence during the heydays of Jizu Shan during the Ming and Qing Dynasties. Unfortunately, most of the once over 300 magnificent Temples, Pagodas and Pavilions vanished during the Cultural Revolution only to be partially reconstructed in recent years. A 3 hours walk past several interesting temples through a dense pine tree forest leads up from the Zhusheng Temple to the summit at 3’280 Metres above sea level, where the lovely, 13 storey high Jinding Temple can be found, which was first built during the 11th century.
1.Orient Vienna KTV(东方维也纳KTV)
Tel:0872-7333188
Address:AroundDianxi Fruit Trade Maket, Binchuan County
2.Fodu BayBerry(佛都杨梅园)
Address: 20 kilometers from the county city
3.Xinkang Citrus Orchard(鑫康柑桔园)
Address:East of the county city,near Xiangning Road
4.Jiahong Gardening and Ecological Orchard(佳泓园艺生态园)
Address:East of the county city,near Xiangning Road
5.Shuangxin Pomegranate Orchard(爽馨石榴园)
Address:Gandian Village of Jinniu Town,8km from the county city
6.Fangwu Bayberry and Winter Peach Orchard(方武杨梅冬桃园)
Address:South of Jizu Mountain,30km from the county city
Culture of Binchuan County in Dali
According to the Chinese government: “Due to complex historical reasons, the slave system of the Yis in the Liangshan Mountains lasted till 1949. Before 1949, the Yis in the Liangshan Mountain areas were stratified into four different ranks — “Nuohuo,” “Qunuo,” “Ajia” and “Xiaxi.” The demarcation between the masters and the slaves was insurmountable. The rank of “Nuohuo” was determined by blood lineage and remained permanent, the other ranks could never move up to the position of rulers.
“Nuohuo,” meaning “black Yi,” was the highest rank of society. Being the slave-owning class, Nuohuo made up 7 per cent of the total population. The black Yis controlled people of the other three ranks to varying degrees, and owned 60 to 70 per cent of the arable land and a large amount of other means of production. The black Yis were born aristocrats, claiming their blood to be “noble” and “pure,” and forbidding marriages with people of the other three ranks. They despised physical labour, lived by exploiting the other ranks and ruled the slaves by force.
“Qunuo,” meaning “white Yi,” was the highest rank of the ruled and made up 50 per cent of the population. This rank was an appendage to the black Yis personally and, as subjects under the slave system, they enjoyed relative independence economically and could control “Ajia” and “Xiaxi” who were inferior to them. “Qunuo” lived within the areas governed by the black Yi slave owners, had no freedom of migration, nor could they leave the areas without the permission of their masters. They had no complete right of ownership when disposing of their own property, but were subjected to restrictions by their masters. They had to pay some fees to their masters when they wanted to sell their land. The property of a dead person who had no offspring went to his master. Though the black Yi slave owners could not kill, sell or buy Qunuo at will, they could transfer or present as a gift the power of control over Qunuo. They could even give away Qunuo as the compensation for persons they had killed and use Qunuo as stakes. So, Qunuo had no complete personality of their own, though they were not slaves.
“Ajia” made up one third of the population, being rigidly bound to black Yi or Qunuo slaveowners, who could freely sell, buy and kill them. “Xiaxi” was the lowest rank, accounting for 10 per cent of the population. They had no property, personal rights or freedom, and were regarded as “talking tools.” They lived in damp and dark corners in their masters’ houses, and at night had to curl up with domestic animal to keep warm. Supervised by masters, Xiaxi did heavy housework and farm work all the year round. They wore rags and tattered sheepskins, and lived on wild roots and leftovers. Slave owners inflicted all sorts of torture on those who were rebellious, fettered them with iron chains and wooden shackles to prevent them from escaping. Like domestic animals, Xiaxi could be freely disposed of as chattels, ordered about, insulted, beaten up, bought and sold, or killed as sacrifices to gods.
“Corvee was the basic form of exploitation by the slave owners. Qunuo and Ajia must use their own cattle and tools to cultivate their masters’ land. Qunuo had to perform five, six or more than 10 days of corvee each year. They could send their slaves to do it or pay a sum of money instead. Corvee performed by Ajia took up one third to one half of their total working time. They often had to neglect their own land because of cultivating the land of their masters. Besides corvee, Qunuo and Ajia had to take usurious loans imposed by their black Yi masters.
“Ordered about to toil like beasts of burden, the slaves had no interest in production at all. To win freedom, slaves in the Liangshan Mountain areas resorted to measures like going slow, destroying tools, maltreating animal, burning their masters’ property and even committing suicidal attacks on their masters. Though it was hard for slaves in remote mountain areas to run away, they still tried to escape at the risk of their lives. Spontaneous and sporadic rebellions staged by slaves against slave owners never ceased. Organized and collective struggle for personal rights also grew, and collective anathema often turned into small armed insurgence.”
Name:Huangjinhaian KTV(哈黄金海岸KTV)
Address:Around Yangjiang Road,Yangbi County,Dali
Name:Kele KTV(可乐KTV)
Address:Around Cangshan Western Road,Yangbi County,Dali
Name:Tianshi Tea House(天使茶楼)
Address:Ankang Street,Yangbi County,Dali
Name:Judian Bar(聚点酒吧)
Address:Around Meixi Street,Yangbi County,Dali
Name:Longquan Tea Bar(龙泉茶吧)
Address:No.42,Ankang Street,Yangbi County,Dali
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