Towers and Pagodas
Towers & Pagodas in Yunnan
The Dedesi Temple (大德寺) and its renowned Twins Pagodas (双塔) are located on Huashan East Road (华山东路), atop Zupian Mountain (祖遍山) on the eastern side of Wuhua Mountain (五华山), within the premises of the Yunnan Provincial Animal Husbandry Bureau (云南省畜牧局院内).
Originally built in the fifth year of the Yuan Dynasty (元大德五年, 1301), the temple was initially named “Palace of Ultimate Bliss” (极乐宫) before being renamed Dedesi. During the early Ming Dynasty, most of the temple’s buildings were destroyed, leaving only the front hall and the entrance. In the first year of the Tianshun era (明天顺元年, 1457), the recluse He Zhongyuan (何仲渊) oversaw significant renovations. Today, the temple is situated on Pingzheng Street (平政街). In 1983, it was approved by the Kunming Municipal People’s Government (昆明市人民政府) and designated as a city-level key cultural heritage site. Along with the East and West Pagodas (东、西寺塔), it serves as a symbol of Kunming’s ancient civilization.
The Twins Pagodas (双塔) of Dedesi Temple are famous Buddhist towers within Kunming City (昆明市). Following the construction of the pagodas, Dedesi Temple became known as the Twins Pagoda Temple (双塔寺). Zupian Mountain, where Dedesi Temple is situated, is celebrated for its stunning scenery. The mountain is lush with ancient cypress trees, providing dense shade. From the top, visitors can enjoy panoramic views of the city, the charming forested hills, and the clear waters of Dianchi Lake (滇池).
Throughout the Ming and Qing Dynasties (明清), the temple underwent several renovations, becoming one of the largest Buddhist temples in Kunming City.
The Twins Pagodas were constructed in the thirteenth year of the Chenghua era of the Ming Dynasty (明成化十三年) and were modeled after the Small Wild Goose Pagoda (西安小雁塔) in Xi’an. They are located between the Hall of Reception (接引殿) and the Mahavira Hall (大雄宝殿). Each tower stands 21 meters tall, with a distance of 27 meters between them. They are solid square pagodas with a tiered eave design, featuring Buddha niches on all four sides of each level to house statues of Buddha, along with inscribed steles.
The pagodas have an unadorned yet dignified appearance, maintaining their integrity despite enduring over five hundred years of changes. In the late Qing Dynasty, the site of Dedesi Temple housed a mining school. During the Republic of China period, several educational institutions, including a Normal School, a Senior High School, an Agricultural School, Kunhua Women’s Teacher Training College, and Qiushi Middle School, were established there. The original structures of Dedesi Temple no longer exist, leaving only the Twins Pagodas.
During repairs in 1957, the entire tower was coated with cement, obscuring its original appearance. The top of the tower was also altered to a gourd shape made of cement, although the structure of the pagoda itself remained unchanged.
In Kunming City, the East and West Pagodas stand to the south, while the Twins Pagodas gaze at them from a distance. The original Small Green Water River (小绿水河) and Large Green Water River (大绿水河) flowed beneath the pagodas, reflecting their beauty, earning them the title of “Green Reflecting Twins Pagodas” (绿映双塔). Along with the saying “Twins Pagodas in the Clouds, One Floor Touching the Sky” (双塔云中,一楼天际), they were praised as one of the top ten scenic spots in Kunming during the Ming and Qing Dynasties. Unfortunately, the original Songzi Tower (松子楼) no longer exists, leaving the Twins Pagodas standing tall.
The Qing Dynasty poet Zhu Xiaoyuan (朱筱园) wrote a poem titled “Twins Pagoda Temple” (《双塔寺》):
“Ancient temple set in the spiral peaks,
Exceedingly strange beyond Wuhua.
Two stupas float in the sky,
Bowing down to receive the worship of the chaotic mountains.
After many tribulations, the city still stands tall,
Enduring and unbroken.”
The Twins Pagodas are a prominent Buddhist tower within the city. Following their construction, Dedesi Temple gained the name of Twins Pagoda Temple. Zupian Mountain, where the temple is located, is known for its extraordinary scenic beauty, featuring dense ancient cypress trees that provide shade. From the top, visitors can admire the city’s layout, the beautiful forest scenery, and the clear waters of Dianchi Lake, all visible in one sweeping view.
Throughout the Ming and Qing Dynasties, the temple underwent multiple renovations and became one of the larger Buddhist temples in Kunming. The temple connects to the Yalong Shrine (盐龙祠) on the west side, attracting numerous worshippers and tourists throughout the year, making it one of the most popular ancient temples with active incense offerings.
The Golden Pagoda Temple (金塔寺) is a folk temple that was originally built during the Tang Dynasty. It has undergone numerous reconstructions during the Ming and Qing Dynasties. The scenic area covers an area of 109.2 acres, with more than 40% of it designated as green space. It features several key attractions, including the statue of Master Lotus (莲花大师法像), the Guanyin Hall (观音殿), the Hall of Thousand Buddhas and Ten Thousand Lamps (千佛万灯殿), the Ashoka Pillar (阿育王柱), the Maitreya Buddha (弥勒佛), and the Great Hall of 81 Wealth Gods (合18路81尊财神坛城大殿).
The iconic East Treasure Victorious Tower is a stupa personally authorized by the Buddha and is the only golden stupa in Chinese Tibetan Buddhism. The tranquil and beautiful tower can only be witnessed by the Bodhisattva on Earth; ordinary people cannot see it. It is said that during the years the tower was destroyed, natural disasters were frequent, and human calamities were incessant. Villagers near the old site of the tower are aware that those who destroyed it met with terrible fates, suffering from sickness and disasters in subsequent generations. Those who took the tower’s bricks home also faced misfortune. After the tower was rebuilt, rain fell all around it, yet the tower itself remained illuminated by sunshine.
The Victorious Tower stands proudly atop Snake Mountain (蛇山), bringing favorable weather, prosperous livestock, abundant harvests, cultural flourishing, and the emergence of distinguished individuals, all contributing to the well-being of the people.
The Golden Pagoda Temple is strategically located about 4.5 kilometers from the ancient city of Lijiang, near Lijiang Airport, Lijiang Railway Station, the Dali Highway (Airport Expressway), and the southern bypass of Lijiang, providing convenient transportation. It is a landmark site on the tourism route connecting Lijiang, Dali, and Shangri-La.
The Heavenly Kings Hall is dedicated to the Four Heavenly Kings: the Eastern Guardian King (东方持国天王) holding a pipa, the Southern Growth King (南方增长天王) wielding a sword, the Western Wide-Eyed King (西方广目天王) entwined in a red dragon, and the Northern Many-Listen King (北方多闻天王) holding a precious umbrella. Each represents various virtues: responsibility, wisdom, impermanence, and protection against worldly pollutants.
The prayer wheel, also known as the “Mani Prayer Wheel” (嘛呢转经筒), is inscribed with the six-syllable mantra “Om Mani Padme Hum” (嗡嘛呢呗咪吽). Inside the wheel is a scroll containing the mantra, and spinning the wheel symbolizes reciting it a thousand times. Tibetan Buddhism teaches that the more one recites this mantra, the greater the merits and benefits gained, potentially leading to liberation from the cycle of rebirth.
Maitreya Buddha is known as the Future Buddha. His golden body symbolizes wealth and joy. A verse describes him as follows: “开口便笑,笑古笑今,凡事付之一笑; 大肚能容,容天容地,于人何所不容。”
Guanyin Hall, representing Han Chinese Buddhism, is dedicated to the Great Compassionate Guanyin Bodhisattva. Statues of Master Xu Yun (虚云大师) and Elder Ben Huan (本焕长老) flank the hall. The interior walls are painted with various forms of Guanyin, signifying her responsiveness to the needs of sentient beings. Master Xu Yun and Elder Ben Huan significantly contributed to the deep exchange between Han and Tibetan Buddhism.
The Hall of Thousand Buddhas and Ten Thousand Lamps is the most characteristic structure in the scenic area, housing a thousand Buddha statues and ten thousand lamps. Buddha once said, “如染香人,身有香气.” Offering three lamps to the Buddha symbolizes dedication to the Three Jewels (Buddha, Dharma, Sangha), enhancing moral discipline, meditation, and wisdom, while eliminating greed, anger, and ignorance.
Master Padmasambhava is a principal figure in esoteric Buddhism. His statue, imported from Myanmar, is carved from a single block of white jade, weighing 200,000 kg and valued at over 11 million yuan. He is known for his mastery of both “spiritual techniques” and “mantras,” symbolizing great wisdom and the ability to conquer desire, anger, and ignorance.
The White Elephant Treasure, one of Tibetan Buddhism’s seven treasures, symbolizes good fortune and wealth. In ancient India, elephants were essential transport animals, representing Buddhist treasures. The White Stupa houses relics and treasures, showcasing the typical architectural structure of Tibetan Buddhism, which comprises 108 parts, symbolizing the completion of Buddhist teachings.
Under a starry sky, the Golden Pagoda majestically stands atop Snake Mountain, illuminated by moonlight and artificial lights. From a distance, it resembles translucent glass, illuminating the entire Lijiang area and guarding the good people with blessings of peace and prosperity.
The Ashoka Pillar, made of granite and standing 13 meters tall, is valued at over 7 million yuan. It contains Buddhist scriptures inscribed on its surface, specifically the “Heart Sutra” (般若波罗密多心经), which encapsulates the essence of the Prajna teachings in just 260 words. It is said that King Ashoka, influenced by Buddhism, erected lion statues on four-sided pillars wherever Buddhism spread, known as the “Ashoka Pillars.”
The East Treasure Victorious Tower (Golden Pagoda) was founded based on the teachings of the Buddha Shakyamuni (释迦摩尼佛) around 2500 years ago. Initially built during the Tang Dynasty, it underwent numerous reconstructions during the Ming and Qing Dynasties. In 2004, under the blessing of the 17th Karmapa, the stupa was rebuilt atop Snake Mountain, making it the fourth documented restoration. The construction required 208 kg of gold, rendering it splendid and radiant.
The first floor of the tower houses the Lotus Master’s stupa, featuring 81 Wealth Gods, embodying the cultural essence of Confucianism, Buddhism, and Taoism. The second floor enshrines the fifth Karmapa’s golden statue and numerous precious scriptures and treasures, serving to bless all sentient beings.
The Golden Pagoda Temple is easily accessible by various means of transportation. If you are arriving by air, the Lijiang Airport (丽江机场) is the nearest airport, located about 30 minutes away by car. The Lijiang Railway Station (丽江火车站) is also nearby, providing convenient train services. You can take the Dali Highway (大丽公路) or the southern bypass road to reach the scenic area. Local taxis and ride-sharing services are available for a hassle-free journey.
Guanmenkou Gate Tower, built by the Mu family (木氏) in Lijiang (丽江), serves as a central hub for tourism products in the ancient city. In 2009, Lijiang City (丽江) renamed “Guangmenkou” to “Guanmenkou” to enhance tourism development. This gate, known as the main entrance to Lijiang, is filled with a dazzling array of goods and has become a vital distribution center for ancient city tourism products. Lijiang Ancient Town, also known as Dayan Town (大研镇), is located in the central part of Lijiang Basin in Yunnan Province (云南省) and was established in the late Song Dynasty to the early Yuan Dynasty (13th century). It is situated on the Yungui Plateau, covering an area of 7.279 square kilometers.
Chinese Name: 官门口
Geographical Location: Lijiang Ancient Town (丽江古城)
Guanmenkou was constructed by the Mu family, a historical feudal lord of the Naxi ethnic group (纳西族) in Lijiang. The Mu family were the owners of the land, forests, and rivers in the region and held political power as rulers. They maintained their interests mainly through forced labor and substitution labor from ordinary citizens. Historically, Guanmenkou served as a boundary between the wealthy and the poor—inside the gate represented wealth, while outside indicated poverty. This gate symbolizes power, wealth, and might, and it stands as a sign of inviolability.
In 2009, in an effort to promote tourism, Lijiang City officially changed the name from “Guangmenkou” to “Guanmenkou,” making the gate’s meaning more concrete and adding an air of mystery to its significance. Today, Guanmenkou is filled with an array of products and has become a crucial distribution center for tourism goods. Almost every tourist visiting Lijiang Ancient Town will walk through this gate, making it an essential part of the travel experience in Lijiang.
To reach Guanmenkou Gate Tower in Lijiang Ancient Town, you can take a taxi from Lijiang Airport (丽江机场) or Lijiang Railway Station (丽江火车站). It is also accessible by local buses and can be reached by foot if you are staying in or near the ancient town. The journey from Lijiang Airport takes approximately 30 minutes, while the railway station is about 20 minutes away.
Guangbi Tower (光碧楼) is situated on the central axis of the Mu Palace (木府), which served as the residence of the Mu chieftains (木氏土司) during the Ming Dynasty (明代). Originally a library for the Mu family, historians have described Guangbi Tower and its associated buildings as “the finest in western Yunnan” (称甲滇西).
Located at the northern end of Lijiang Old Town (丽江古城), beneath the Xiangshan Mountain (象山), the Black Dragon Pool Ancient Architecture Complex (黑龙潭古建筑群) is a grand collection of ancient buildings from the Ming and Qing dynasties (明、清), notable for their extensive scale, historical significance, meticulous craftsmanship, and breathtaking scenery. In 2007, it was designated a National Key Cultural Relic Protection Unit (全国重点文物保护单位) by the State Council.
Guangbi Tower was originally the library of the Mu Palace, featuring intricately carved beams and painted rafters, showcasing its stunning beauty. The Mu Palace is a historical palace complex within Lijiang Old Town, serving as the residence for the Lijiang chieftains during the Ming Dynasty. It is a cultural and political center of the region with over 340 years of history, often referred to as “the Forbidden City of the South” (南有木府).
On the central axis of the Mu Palace, key buildings are arranged sequentially: the Conference Hall (议事厅), Wanjun Building (万卷楼), Guardian Hall (护法殿), Guangbi Tower (光碧楼), Yuyin Tower (玉音楼), and Sanqing Hall (三清殿). On either side of the central axis, over 160 rooms including annexes, lofts, corridors, and guesthouses are constructed.
Originally located within the Lijiang Prefecture Office (丽江知府衙署), this building dates back to the Ming Dynasty. The tower has a width of five bays (14.5 meters) and a depth of four bays (7.8 meters), with a ridge height of 7.97 meters. It features a double-eaved hipped roof structure and was relocated to its current site later.
Dengjue Temple and its Twins Pagodas巍山县等觉寺和双塔, also known as Baoguosi Twin Pagodas (报国寺双塔), are located at the northeastern corner of Weishan County, Dali (大理巍山县城东北隅报国街). In 1988, these sites were designated as one of the first key cultural relic protection units at the state level in Dali Prefecture (大理州). The Twins Pagodas are nine-tiered, solid brick structures standing approximately 10 meters tall, with the eastern tower preserving only two tiers, reaching a height of about 5 meters. Constructed during the Ming Dynasty (around 1465), the pagodas were built by a local governor from the Zuo family, serving as a prominent feature of Dengjue Temple.
Dengjue Temple (等觉寺), situated on the east side of Baoguojie in Nanzhao Town, Weishan County (巍山县南诏镇报国街东侧), was established during the Nanzhao Kingdom (南诏). It is the oldest Buddhist temple in Weishan and served as the residence for the Buddhist management institution during the Ming and Qing Dynasties. The temple underwent significant expansion during the Yongle period of the Ming Dynasty. The main hall, the Sun Palace (太阳宫), boasts impressive dimensions with a single eave and hip roof, measuring five bays wide (approximately 18.2 meters) and four bays deep (approximately 16.1 meters). The hall is surrounded by a corridor adorned with intricate bracket sets (斗拱) and decorative flower boards (花板). This architectural style reflects a solemn and ancient aesthetic, embodying elements of Song Dynasty (宋代) architecture.
During the Xianfeng period of the Qing Dynasty, the temple suffered extensive damage due to military conflicts, leaving only a few structures, including the Sun Palace. In 1939, the temple was repurposed as a health center, officially renamed the People’s Hospital of Weishan Yi and Hui Autonomous County (巍山彝族回族自治县人民医院) in 1958. In 1963, the Sun Palace was converted into a ward and was later used as a medicine warehouse for many years.
In the first year of the Chenghua period (明成化元年) in 1465, local governor Zuo Lin (左琳) and his mother, Zhang Gongren (张恭人), constructed the Twins Pagodas in front of Dengjue Temple as Buddhist towers. Each tower rises over five zhang (approximately 16.7 meters) and has a circumference of four zhang and eight chi (approximately 15.8 meters). These nine-tiered, square pagodas feature niches housing stone Buddhas, with bricks inscribed with Sanskrit characters. The pagoda tops are adorned with copper finials, each standing seven chi tall, crowned with a golden lotus. Additionally, each tower is equipped with 24 wind chimes representing the 24 solar terms and a copper gourd atop the lotus cover.
Each pagoda features a marble inscription detailing the construction by Zuo Lin. Unfortunately, during the Cultural Revolution, the pagodas suffered significant destruction, with their upper sections demolished. One tower was converted into a water reservoir for practical use.
Dengjue Temple (等觉寺), also known as Baoguosi (报国寺), is located at the northeastern corner of the ancient city of Weishan (巍山古城东北隅). It is the oldest existing Buddhist temple in the Weishan region and served as the residence for the Buddhist management office during the Ming and Qing Dynasties.
In the 16th year of the Yongle period (公元1418年), the monk Wuyong (无用) arrived from Yanshui, Jiangsu (江苏溧阳县), collaborating with local officials and benefactors to construct five courtyards with four rooms. By the second year of the Zhengtong period (公元1437年), the temple began to carve statues. The Twins Pagodas were built on both sides of the main gate in the first year of the Chenghua period (公元1465年), with benefactors contributing to the construction of additional halls. From 1599 to 1605, the Buddhist management office undertook repairs, adding new structures, including the rear halls and changing rooms, which featured sculptures of arhats (罗汉). This expansion marked the temple’s peak size; however, much was destroyed during military conflicts in the Xianfeng period, leaving only the Sun Palace and a few other structures. During the Guangxu period, a Lu Wei Shrine (禄位祠) was constructed to honor Lin Zexu (林则徐) on the left side of the Sun Palace, while the right side was transformed into a Zhao Zhong Shrine (昭忠祠) to commemorate those who died in battle.
Dengjue Temple faces south, with the Twins Pagodas in front and the Sun Palace behind. The eastern courtyard features the Lu Wei Shrine, while the western courtyard houses the Zhao Zhong Shrine, and a garden is located to the southwest. The Twins Pagodas, originally built in the first year of the Chenghua period (公元1465年), are nine-tiered, square solid brick structures. During the Cultural Revolution, they suffered significant damage, with the eastern tower reduced to two tiers and the western tower reduced to six tiers. The Sun Palace, constructed in the 16th year of the Yongle period (公元1418年), features a single eave, hip roof, and impressive dimensions, adorned with heavy brackets and vertical columns. The building materials are coarse and ancient, contributing to its historical charm. In May 1998, it was announced as a cultural relic protection unit by the Dali Bai Autonomous Prefecture People’s Government.
Address: No. 1 Baoguojie, Weishan County, Dali, Yunnan Province (云南省大理市巍山县城东北隅报国街).
In 1988, Dengjue Temple and the Twins Pagodas were designated as cultural relic protection units by the Dali Prefecture People’s Government.
To alleviate population and industrial pressure in the core area of the ancient city, restore ancient relics, and showcase the millennia-old culture of Nanzhao, the Weishan County government invested 63.63 million yuan in 2015 for the relocation of the county hospital and the establishment of the Nanzhao Museum (南诏博物馆). The museum integrates cultural heritage display, collection, academic exchange, and historical cultural research, greatly enriching the cultural life of local residents and promoting the development of related tourism industries. It has become a vital venue for Weishan’s external publicity, cultural exchange, tourism reception, and a key base for youth patriotism education and social science popularization.
To reach Dengjue Temple and the Twins Pagodas, you can take public transportation or drive to Weishan County. The nearest major city is Dali (大理), from which you can hire a taxi or take a local bus. The drive from Dali to Weishan takes about one hour, covering approximately 60 kilometers. Public buses run frequently between the two locations.
Location:
Tianjing Pavilion is situated on the eastern side of Erhai Lake, on Yuyan Mountain (玉案山). The mountain dramatically extends into the lake, flanked by water on three sides and featuring steep cliffs, making it a strategically important site with mountains surrounding the lake, creating a mirror-like surface.
Tianjing Pavilion, built during the Jin Dynasty (晋代), is a millennium-old structure that, along with Luoquan Temple (罗荃寺) and other attractions, serves as both a Buddhist holy site and a cultural landmark enhanced by the legend of “Wangfu Cloud” (望夫云), making it the best viewpoint for enjoying the beautiful scenery of Cangshan Mountain (苍山) and Erhai Lake.
Tianjing Pavilion stands prominently on Yuyan Mountain, where the terrain meets the waters of Erhai Lake, creating a stunning visual effect. The pavilion was originally built during the Ming Dynasty (明代) and has become one of the four famous pavilions around Erhai Lake. Although it was destroyed, the current Tianjing Pavilion has been rebuilt on the original site.
The pavilion is a four-story, eight-sided structure towering above the mountain’s peak, harmoniously complementing the renowned Luoquan Temple. Luoquan Temple features significant halls like the Mahavira Hall (大雄宝殿) and the Hall of Pilu (毗卢祖师殿).
Not far from the pavilion in the lake, there lies the “Stone Mule” (石骡子) from the Bai ethnic mythology “Wangfu Cloud.” According to legend, a hunter named Alang (阿龙) stole a precious robe from Master Luoquan to keep Princess Afeng (阿凤) warm. Unfortunately, he was struck down by Master Luoquan’s mat and transformed into the “Stone Mule.”
Every year during autumn and winter, floating clouds known as “Wangfu Cloud” appear atop Cangshan Mountain, stirring up waves in Erhai Lake, preventing boats from sailing. Locals refer to this phenomenon as “Wuduyun” (无渡云). Visitors often come to hear the stories of Luoquan Temple, the Stone Mule, and Wangfu Cloud, adding a unique charm to their experience.
The Dali Tianjing Pavilion Scenic Area is located on the Luoquan Peninsula (罗荃半岛) on the eastern shore of Erhai Lake. It is 25 kilometers from Dali Railway Station (大理火车站) by land and 10 kilometers from Dali Port (大理港) by water. The ancient town of Dali is 3 kilometers away, both by land and water.
During the Nanzhao (南诏) and Dali (大理国) periods, this area was a significant Buddhist holy site, and the legendary tale of “Wangfu Cloud” originated here. The rocks directly south of the scenic area are known as the Stone Mule, where the Nanzhao king had it inscribed with “National Gate Here” (国门在此).
Within the scenic area, you can find Tianjing Pavilion, Guanyin Pavilion, Prince Pavilion (太子阁), Eight Immortals Building (八仙楼), Luoquan Temple, the ruins of Luoquan Tower (罗荃塔), inscriptions at Eryan (洱岩), and poetry by Guo Moruo (郭沫若), each spot carrying ancient legends.
Historical records indicate that Tianjing Pavilion and Guanyin Pavilion were established as a monastery in the fourth year of Tianfu during the Jin Dynasty, dating back over a thousand years.
The famous couplet by a renowned figure reads: “The majestic peaks rise out of the water; East is water, West is water. The tower appears to be in the sky; Above is heaven, below is heaven” (逸峰斜插水中东是水西是水,杰阁遥临天外上有天下有天).
Inside Guanyin Pavilion, the “Guanyin of Nanhai” (南(洱)海观音) is worshipped, drawing many visitors seeking blessings and fortune. During major festivals like Guanyin Day, Buddha Day, Sea Festival, Star Festival, and Torch Festival, the area becomes lively with crowds of worshippers and tourists.
The Eight Immortals Building features the Upper and Lower Eight Immortals and reflects the local cultural phenomenon of combining three religions, with villagers’ deities also enshrined in Luoquan Temple. Visitors often adhere to vegetarianism on the 1st and 15th days of the lunar month, while enjoying the local delicacies throughout the rest of the month.
Today, this area has become a famous attraction in Dali, offering the best views of Cangshan Mountain and Erhai Lake. On fortunate days, you may also witness the remarkable phenomena of Wangfu Cloud and Yudai Cloud (玉带云).
If you take a boat ride on Erhai Lake, you can appreciate the profound meaning of the ancient saying, “This water can hold an army of a hundred thousand” (此水可当兵十万), and learn why the Nanzhao king ordered “National Gate Here” to be inscribed. You may ponder why the Nanzhao Dali Kingdom lasted for over 600 years and why ancient figures chose this location for temple construction.
According to legend, the Nanzhao king had a beautiful daughter, Princess Afeng, who fell in love with hunter Alang. When the king forbade their union, they eloped to Cangshan. To protect Afeng from the cold, Alang, with divine help, flew to the eastern sea to steal Master Luoquan’s robe. However, he was caught and transformed into the Stone Mule by Luoquan’s spell. Devastated by the news, Afeng died and turned into a white cloud atop Yujufeng (玉局峰), gazing longingly at Alang.
Guanyin took pity on them, providing a wind bottle to help Afeng see Alang, but despite the years passing, the winds and waves continued to rage, preventing their reunion. This cloud formation signifies the natural wonder that occurs every winter and spring, symbolizing the deep love and yearning of youth, highlighting their resistance against feudal oppression.
The scenic area provides dining and accommodation facilities. Visitors are warmly welcomed and can enjoy authentic Bai ethnic customs, including the famous “Three Teas” (三道茶) — one bitter, two sweet, and a lingering aftertaste. Folk artists perform charming Bai traditional music, and guests can savor “Eight Bowls” (海八碗) made with Erhai fish, a delightful culinary experience described as tasting “earthly delights in a celestial paradise.”
To reach Tianjing Pavilion, you can fly to Dali Airport (大理机场) and take a taxi or local bus to the Dali Erhai Lake Scenic Area. From there, it’s a short hike to the pavilion.
Yunhe Tower (云鹤楼) is located in the central part of Heqing County (鹤庆县), Dali Bai Autonomous Prefecture (大理白族自治州), Yunnan Province (云南省). Originally known as Anfeng Tower (安丰楼), it was built in the ninth year of the Zhengde era during the Ming Dynasty (明朝). Historical records indicate that it was destroyed in conflicts and underwent four reconstructions. After its fourth reconstruction in the twenty-seventh year of the Guangxu era (光绪二十七年), it was renamed “Yunhe Tower.”
Yunhe Tower is a wooden structured pavilion-style building, four stories high, with a height of 30 meters, an east-west length of 18.6 meters, and a north-south width of 14 meters. The archway passage is 16 meters long, surrounded by eaves and columns. The interior features intersecting dougong brackets, constructed without a single nail, showcasing high architectural craftsmanship.
Yunhe Tower is situated at the center of Heqing County, standing across a street. It was initially constructed in the ninth year of the Zhengde era (1514). After being destroyed in warfare, it was reconstructed in the fifty-first year of the Kangxi era (1712) by Tong Zhen, the local magistrate. During this reconstruction, bells and drums were installed, earning it the nickname “Belfry.” It was rebuilt again in the fifteenth year of the Daoguang era (1835) and subsequently in the twenty-seventh year of the Guangxu era (1901), when it was renamed “Yunhe Tower.”
Yunhe Tower features a brick-built city gate, topped with a wooden structure. The tower stands 19.4 meters tall, 18.6 meters wide, and 16 meters long. The lower gate passage is 16.7 meters long. The outer structure has three tiers of eaves, while the interior has four floors. The main columns are massive and straight, supporting the building from top to bottom without the use of nails. The topmost floor enshrines a statue of the Jade Emperor, with the middle tier dedicated to the “Three Stars” and accompanied by bells and drums.
The name “Heqing” (鹤庆) is related to local legends about cranes. It is said that the Heqing Basin was once a highland lake where flocks of white cranes gathered. The Bai language refers to Heqing as “Aokai,” meaning “double cranes.” The area has historical significance as a gateway between Dali and Lijiang.
Yunhe Tower is easily accessible from several transportation hubs:
The Yuhuang Pavilion (玉皇阁, Yù Huáng Gé) architectural complex was first constructed in the 52nd year of the Kangxi Emperor’s reign (1713 AD). This complex primarily includes Yuhuang Pavilion, Guanyin Temple (观音寺, Guān Yīn Sì), Sanchong Temple (三崇庙, Sān Chóng Miào), Caishen Hall (财神殿, Cái Shén Diàn), and the Zhengjie Archway of Zhang Sanniang (张三娘贞节牌坊, Zhāng Sān Niáng Zhēn Jié Pái Fāng). It integrates elements of Taoism (道教, Dào Jiào), Buddhism (佛教, Fó Jiào), and folk beliefs (本主教, Běn Zhǔ Jiào), showcasing immense artistic and aesthetic value.
The Yuhuang Pavilion architectural complex is located on a small hill not far from the northwest outskirts of Caojian Town. According to the “Stele of Yuhuang Pavilion” (玉阁常住碑记, Yù Gé Cháng Zhù Bēi Jì), the construction of Yuhuang Pavilion began in 1713, making it nearly 300 years old today. This ancient complex includes several significant structures that collectively represent the grandeur of local religious architecture.
The main structures of the complex are:
In recent years, the local government has adhered to the principle of “repairing the old as the old” to restore and reconstruct these ancient buildings, maintaining their original scale and style. Significant restoration work has been completed for both Yuhuang Pavilion and Guanyin Temple, transforming these historical sites into popular destinations for relaxation and tourism.
Yuhuang Pavilion is accessible from Dali City. You can take a bus or hire a taxi to reach Caojian Town, which is approximately a 30-minute drive from the city. The nearest bus station provides regular services to Caojian Town, making it convenient for travelers.
The Jade Emperor Pavilion (玉皇阁), located in Shengquan Village (胜泉村), Laojie Town (老街镇), Yongping County (永平县), is a key cultural relic protection unit at the county level. Originally built during the Ming Dynasty (明朝), it served as a Daoist (道教) site. Over time, it was gradually replaced by Buddhism (佛教) and has become an important artifact for studying the integration and development of Daoism and Buddhism in Dali (大理).
The Jade Emperor Pavilion is situated on Linghua Mountain (灵化山) in Shengquan Village, bordering Laojie Town and Longmen Township (龙门乡), approximately 7 kilometers from the county seat. The mountain is steep on three sides.
According to legend, during the Ming Dynasty, a local man named Dong Tiantai (董天台) from Yunlong (云龙) brought back a jade statue of the Jade Emperor (玉皇天尊) from Myanmar. When he passed through Shengquan Village, the bridge there began to sway uncontrollably. Despite several attempts to cross, he was unable to do so. Dong Tiantai then knelt before the Jade Emperor and prayed, saying that if the Jade Emperor did not wish for him to cross the bridge, he would stop trying, and indeed, the bridge ceased to sway. Believing this was a sign from heaven, he carried the jade statue up to Linghua Mountain. Upon seeing the ancient trees and beautiful scenery surrounded by mountains, he advocated for the construction of a temple at the mountain’s summit and enshrined the jade statue there, naming it “Jade Emperor Pavilion.”
One of Yongping’s famous “Eight Scenic Views” (八景) refers to the “Linghua Huai Shadow” (灵化槐影), which symbolizes the Jade Emperor Pavilion and the Tang (唐) Sophora tree.
Located below the Jade Emperor Pavilion is the Fengshui Tower (风水塔). This six-tiered, six-faced structure stands approximately 15 meters tall and is constructed of concrete. It was restored after 1982.
The Jade Emperor Pavilion (玉皇阁) is located in Yongzeng Village (永增村), Xinjie Town (新街镇), Midu County (弥渡县), Yunnan Province (云南省). Originally constructed in the tenth year of the Yongzheng reign (雍正十年, 1731 AD), it underwent significant expansion in the second year of the Guangxu reign (光绪二年, 1876 AD) with funds raised by twenty villages. The expansion was completed in the third year of Guangxu (光绪三年, 1877 AD), earning it the nickname “Twenty Village Jade Emperor Pavilion” (二十村玉皇阁).
The Jade Emperor Pavilion is a significant cultural relic, recognized as a Provincial Cultural Heritage Site by Yunnan Province. Covering an area of 3,866 square meters, with a construction area of 1,400 square meters, it features a complex architectural layout typical of Qing Dynasty (清) buildings, characterized by a three-courtyard axial arrangement. The site is described as “majestic,” with “towering structures that lock in the feng shui of twenty villages and provide a view of the beautiful scenery of the Midu Basin (弥川).”
In 1983, it was designated as a cultural protection unit at the county level, and in 1998, it was recognized as a provincial cultural protection unit, making it one of the three provincial-level protected sites in Midu County.
The Yongzeng Jade Emperor Pavilion is a well-preserved Taoist architectural complex, nestled against the mountains and facing the Midu Basin. The layout is symmetrical along a central axis, comprising three courtyards:
The architectural design cleverly integrates the mountain gate and theater, creating a harmonious structure. The theater serves as a place of entertainment for the gods, creating a visual connection with the Jade Emperor Pavilion. The pavilion rises dramatically toward the sky, with a three-tiered roof transitioning from four to six corners, showcasing complex and exquisite structural design. The rear courtyard features an octagonal Dragon Pool (龙池), reflecting the Taoist Bagua (八卦) orientation. This entire ensemble represents a balance of yin and yang, forming the “eye” of the Taiji (太极).
As a historical structure, the Yongzeng Jade Emperor Pavilion embodies the social development and changes over hundreds of years, showcasing the exquisite architectural artistry of the Dali region and the wisdom of ancient craftsmen. It is regarded as a precious pearl in the cultural heritage of China.
The pavilion, also known as the Twenty Village Jade Emperor Pavilion, is composed of one main shrine, two side halls, one pavilion, six side rooms, three main halls, and includes the mountain gate and internal theater. Initially, only a Dragon Shrine and two side rooms were built. By the second year of Guangxu (光绪二年, 1876 AD), the complex was expanded through the collective funding of twenty villages and completed in 1877 (光绪三年). Despite suffering through several calamities, the structure has been preserved. It was recognized as a second batch cultural protection unit at the county level by the Midu County People’s Government in 1983, and as a fifth batch provincial cultural protection unit by the provincial government in 1998.
To visit the Jade Emperor Pavilion, you can travel from Dali City (大理市) to Midu County. The most convenient way is to take a bus or drive, which takes approximately 1 hour. Follow signs to Xinjie Town and then to Yongzeng Village.
The Jade Emperor Pavilion is not only an architectural marvel but also a significant cultural heritage site, providing insight into the history and traditions of the region.
Wenbi Pagoda (文笔塔), also known as Huilong Pagoda (回龙塔), is situated atop Huilong Mountain (回龙山) in Midu County (弥渡县), Yunnan Province (云南省). Constructed during the Ming Dynasty (明朝) under the reign of Emperor Wanli (万历), it boasts over 400 years of history, dating back to between 1573 and 1620.
The pagoda stands approximately 16 meters tall and is designed as a solid brick hexagonal tower with a hipped roof. It features ten tiers, each adorned with decorative blue bricks protruding in a tooth-like pattern, giving it a sturdy and rustic appearance. The body of the tower is finished with white lime plaster, earning it the nickname “White Tower” (白塔) as noted in the Wanli edition of the Zhao Prefecture Gazetteer (《赵州志》).
On August 19, 1639, during the twelfth year of the Chongzhen reign (崇祯), the famous traveler Xu Xiake (徐霞客) set out from Menghua (蒙化, present-day Weishan) and entered Midu via Longqing Pass (隆庆关). In his travel journal, he noted: “I bought rice in the city, exited through the north gate, turned east along the wall for about a mile, where a peak curves from the southeast to the north, with a small pagoda atop it.”
During the Wanli period, local gentry observed that Huilong Mountain, towering to the east, harmonized with the southern flow of the river while the county’s geography sloped from north to south. They believed that “Midu is like a boat; building a tower would enhance its shape and strength,” aiming to promote cultural prosperity and seek divine assistance for success in examinations. They wished to merge their devotion to Buddhism with aspirations for secular honors.
Geomancers predicted that Midu would gather vitality and talent, and indeed, Wenbi Pagoda stands like a towering pen, inspiring cultural growth and fostering educational development. From the Ming to the Qing dynasties, Midu experienced a flourishing literary atmosphere, producing numerous talented individuals, highlighting the coexistence of cultural richness and local governance.
Huilong Mountain, Midu County, Dali Prefecture, Yunnan Province (云南省大理州弥渡县回龙山)
To reach Wenbi Pagoda, visitors can take a bus or drive from Dali City (大理市) to Midu County. The journey takes approximately 1 to 1.5 hours. Follow signs toward Huilong Mountain, and once in the area, look for the pagoda atop the mountain.
Wenbi Pagoda is not just a historical site but a testament to the cultural heritage of Midu County, making it a significant destination for visitors interested in history and architecture.
Towers & Pagodas in Yunnan
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Overview The Yuhuang Pavilion (玉皇阁, Yù Huáng Gé) architectural complex was first constructed in the 52nd year of the Kangxi Emperor’s reign (1713 AD). This complex primarily includes Yuhuang...
Overview The Jade Emperor Pavilion (玉皇阁), located in Shengquan Village (胜泉村), Laojie Town (老街镇), Yongping County (永平县), is a key cultural relic protection unit at the county level. Originally...
Overview The Jade Emperor Pavilion (玉皇阁) is located in Yongzeng Village (永增村), Xinjie Town (新街镇), Midu County (弥渡县), Yunnan Province (云南省). Originally constructed in the tenth year of the...
Overview Wenbi Pagoda (文笔塔), also known as Huilong Pagoda (回龙塔), is situated atop Huilong Mountain (回龙山) in Midu County (弥渡县), Yunnan Province (云南省). Constructed during the Ming Dynasty (明朝)...
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