Yan Cong – Inheritor of Wa Folk Dance in Ximeng County, Puer
普洱市西盟县佤族民间舞蹈传承人 – 岩聪
http://www.ynich.cn/view-ml-13111-2953.html
Na Huan – Inheritor of Wa Folk Song and Dance in Ximeng County, Puer
普洱市西盟县佤族民间歌舞传承人 – 娜唤
http://www.ynich.cn/view-ml-13111-2954.html
Chen Yufa (陈玉发) is a folk inheritor of Hani ethnic song and dance from Pugui Village (铺贵村), Yinyuan Town (因远镇), Yuanyang County (元江县), Yuxi City (玉溪市). He was born in 1952 and has loved Hani folk song and dance since childhood. At the age of 15, he became a disciple of the elder Chen Jiaobo (陈较波), systematically learning the Hani sacrificial dance. As a bearer of Hani culture, Chen Yufa not only mastered the traditional techniques of Hani song and dance, but also actively participated in efforts to preserve and promote them.
Characteristics of the Hani Palm Fan Dance
Origins and Cultural Significance
Ritual Origins:
The palm fan dance (棕扇舞) originated as part of the Hani funeral ritual called “Mo Cuocuo” (莫搓搓), intended to guide the soul of the deceased with the auspicious image of the silver pheasant bird.
Totem Worship:
It stems from ancient Hani totemic worship, with many dance movements imitating animal behaviors, such as “goat grazing,” “eagle catching chick,” and more.
Cultural Transmission:
The dance embodies Hani perspectives on history, ethics, values, and ways of thinking, preserving the cultural DNA of the Hani people.
Dance Movements and Style
Animal Imitation:
The choreography heavily imitates animal movements, including “bear washing its face,” “monkey bowing,” “monkey holding a melon,” and “eagle catching chick,” all vividly portrayed.
Movement Characteristics:
The dance features a dynamic yet grounded style: “steady on top, lively below; heavy but not loose; elevated but not floating; a balance of hardness and softness.” It has a rustic, vigorous, and humorous quality, often involving leg trembles, rising and falling stances, and swinging of both small and large arms.
Performance Forms:
There are solo, duet, and group formats. During performances, participants freely form circles — men on the inside, women on the outside. Elders dance first, followed by the younger generation.
Props and Accompaniment
Props:
Dancers hold palm leaves shaped like fans. Some performances also use a pair of bamboo tubes filled with rice, corn, buckwheat, silver chains, and copper coins, as well as several pine branches.
Accompaniment Instruments:
Instruments include mang (铓), drums (鼓), cymbals (钹), suona (唢呐), and sanxian (三弦), among others.
Inheritance and Evolution
Transmission Methods:
Passed down through master-apprentice and family traditions, often led by respected elders to younger generations.
Evolution:
Originally a funeral and sacrificial rite, the dance has evolved into a cultural tourism experience, blending ethnic customs with song and dance performances.
The Hani palm fan dance is not just a form of art—it reflects the Hani people’s remembrance of their ancestors, reverence for nature, and longing for a beautiful life.
Chen Yufa’s Efforts in Promoting Hani Culture
1. Master-Apprentice Training and Teaching Activities
Having studied Hani ritual dance under Chen Jiaobo (陈较波), Chen Yufa has passed on these skills to the younger generation through the traditional master-apprentice model. He not only teaches Hani song and dance locally but also participates in cultural programs, training new inheritors in multiple batches.
2. Participation in Cultural Performances and Promotion
Chen Yufa actively takes part in cultural performance events, showcasing traditional dances like the Hani palm fan dance to reveal the unique charm of Hani culture. These performances are not limited to local stages—they have reached wider audiences, helping more people appreciate Hani traditions.
3. Bringing Hani Culture into Schools and Communities
He promotes Hani culture in schools and communities by organizing lectures and dance workshops, allowing more people to learn about Hani cultural traditions. These efforts have strengthened local identity and inspired more young people to participate in cultural preservation.
4. Innovation Through Integration with Modern Culture
Chen Yufa experiments with integrating Hani culture into modern formats. By innovating the performance styles and content—such as incorporating modern music into traditional songs and dances—he brings new life and relevance to Hani heritage.
5. Participation in International Cultural Exchanges
Chen Yufa also engages in international cultural exchanges, bringing Hani culture to the global stage. Through collaborations and dialogues with international friends, he not only promotes Hani traditions worldwide but also brings back advanced ideas on cultural preservation and transmission.
For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-2919.html
Li Shengfang – Inheritor of Hani Manggu Drum Dance in Jianshui County, Honghe
Lǐ Shēngfāng is a representative inheritor of the Hānízú Chángǔwǔ (哈尼族铓鼓舞) project in Pōtóu Xiāng, Jiànshuǐ Xiàn, Honghe Prefecture. Below is a detailed introduction about him:
Background and Inheritance
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Early Exposure: Lǐ Shēngfāng was born into a Hānízú family in Jiànshuǐ Xiàn. At the age of eight or nine, he began learning Chángǔwǔ by observing and imitating the performances of his elders.
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Mastery of Skills: He has comprehensively and systematically mastered the various techniques and routines of Chángǔwǔ. His performances are characterized by a combination of strength and grace, showcasing the deep cultural roots and historical traditions of the Hāní people.
Heritage Activities
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Promotion and Performance: Lǐ Shēngfāng has actively promoted Chángǔwǔ through performances at local and regional events, including cultural festivals and traditional ceremonies. His efforts have helped raise awareness of this traditional art form.
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Cultural Exchange: He has participated in cultural exchange activities, collaborating with other cultural workers to enhance the recognition and influence of Chángǔwǔ, fostering mutual learning and inspiration between different cultures.
Artistic Achievements
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Unique Style: Lǐ Shēngfāng has developed a unique style in his performances, characterized by a blend of ruggedness and elegance. His contributions to the preservation and promotion of Hāní culture have earned him recognition as a national-level representative inheritor of intangible cultural heritage.
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Awards and Recognition: His performances have been widely acclaimed, and he has been honored with various awards, including recognition at national cultural events.
Heritage Methods
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Training Apprentices: Lǐ Shēngfāng has trained numerous apprentices, passing on the skills and knowledge of Chángǔwǔ to younger generations. His efforts have ensured the continuation of this cultural heritage.
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Community Engagement: He actively participates in community cultural activities, organizing performances and training sessions to promote Chángǔwǔ within his community. His work has helped keep this traditional art form alive and thriving among the local population.
Lǐ Shēngfāng’s dedication to preserving and promoting Hānízú Chángǔwǔ has made him a significant figure in the field of intangible cultural heritage.
http://www.ynich.cn/view-ml-13111-2920.html
Qian Wenming – Artist of Dai Folk Music and Dance in Tengchong City, Baoshan
宝山腾冲市荷花乡傣族民间音乐舞蹈艺人 – 钱文明
http://www.ynich.cn/view-ml-13111-2928.html
Profile:
He Guowei (和国伟) was born in 1951, and he is Naxi ethnic minority, a member of Laoding village Daju Township, Lijiang City.(丽江大具乡劳丁村人).
Personal Experiences
He was a ninth-generation ancestor of Dongba and began to learn art at the age of twelve. Grandfather A Chong’an, father He Yuhe, uncles and grandfather are all famous old Dongba in the area. As a child, he loved the traditional culture and art of his own nation. Under the influence of the hereditary Dongba family and his diligent learning process, he mastered many singing tunes, dance performances and ritual performances of “sacrifice to heaven”, “sacrifice to god” and “sacrifice to wind” in Dongba Hall.
Achievements
- Yunnan intangible cultural heritage inheritor;
- Lijiang Dongba inheritance Association executive director;
- Lijiang Civil Artists Association executive director.
Chinese Version: http://www.ynich.cn/view-ml-13111-2931.html Translated by Lynette Fu/ 付云锐
Keep Reading
He Guoyao (和国耀) is a Naxi Dongba culture inheritor from Da Ju Township (大具乡), Yu Long County (玉龙县), Lijiang City (丽江市). Born into a family with a long-standing tradition of Dongba culture, he has been deeply influenced by this cultural heritage since childhood. Dongba culture is a comprehensive cultural system of the Naxi ethnic group, encompassing Dongba script, scriptures, paintings, music, dances, and various sacrificial rituals. The Dongba script is particularly notable as a “living fossil of writing,” with a history older than that of oracle bone script.
Preserving and Promoting Dongba Culture
He Guoyao has not only mastered a wide range of skills related to Dongba culture, such as Dongba papermaking, sacrificial rituals, dances, and paintings, but also actively promotes this unique culture. He has set up a cultural exhibition room in his home to showcase Dongba culture to tourists and scholars. Additionally, he has participated in numerous cultural exchange activities both domestically and internationally, with his footprints spread across 12 countries. These efforts have played a significant role in introducing Dongba culture to the global stage.
Moreover, He Guoyao is committed to training the next generation of Dongba culture inheritors through teaching and mentorship programs. He believes that preserving and promoting this ancient culture requires more attention and support from society. In recent years, local governments and cultural institutions have also been actively involved in the protection and inheritance of Dongba culture. Initiatives such as establishing training centers and organizing workshops have been implemented to help more people understand and learn about Dongba culture.
As an inheritor of Dongba culture, He Guoyao shoulders the responsibility of passing down this ancient cultural heritage. Through his dedication, he has enabled more people to appreciate the charm of Dongba culture and has shown the world the unique value of Naxi culture.
http://www.ynich.cn/view-ml-13111-2932.html
Pan Mi Tuoding (潘米拖丁) is one of the few remaining inheritors of the Mosuo Daba culture in Yong Ning Township (永宁乡), Ning Lang County (宁蒗县), Lijiang City (丽江市). Daba culture is an integral part of the traditional Mosuo culture, which has been passed down through generations. Daba, as the spiritual leaders and custodians of traditional knowledge, play a crucial role in preserving the Mosuo people’s history, myths, rituals, and customs.
The Challenges of Preservation
Pan Mi Tuoding learned the Daba rituals and traditions from his grandfather. He is one of the last practitioners of this ancient tradition in Yong Ning Township, where the number of Daba has dwindled significantly. The Daba culture, which includes oral scriptures, shamanistic rituals, and traditional medicine, is transmitted orally, making it vulnerable to loss. With the passing of older Dabas and the lack of younger generations willing to learn, the continuity of this unique cultural heritage is at risk.
Efforts to Revitalize Daba Culture
Despite the challenges, efforts are being made to preserve and revitalize Daba culture. Local cultural institutions and individuals are working to document and record Daba rituals and oral traditions through modern means such as audio and video recordings. These efforts aim to create learning materials for future generations and raise awareness about the importance of Daba culture within the Mosuo community and beyond.
Pan Mi Tuoding and other cultural custodians continue to perform traditional rituals and ceremonies, ensuring that the spiritual and cultural practices of the Mosuo people are kept alive. Their dedication is essential in maintaining the connection between the past and the present, and in passing on the invaluable knowledge and wisdom of the Daba tradition to future generations.
http://www.ynich.cn/view-ml-13111-2893.html
Li Mingfa (李发明) is an inheritor of the Yi Suona performance art in Ren He Town (仁和镇), Yong Sheng County (永胜县), Lijiang City (丽江市). He has left a solid and profound mark in the protection and inheritance of the traditional Yi music culture. Born into a Yi family in Ren He Town, Li Mingfa developed a strong interest in Yi traditional music at a young age. Immersed in the rich local ethnic cultural atmosphere, he was exposed to the passionate, lively, and uniquely ethnic melodies of Yi Suona from an early age. As a teenager, he actively followed local veteran artists to learn Suona playing skills, from the basic flute-holding posture and breathing methods to complex tune playing and emotional expression. After years of persistent effort, Li Mingfa has become proficient in various techniques of Yi Suona performance and is a well-known Suona player in the local area.
The Art of Yi Suona Performance
The Yi Suona performance art has a long history in Ren He Town, Yong Sheng County. It is an artistic crystallization formed by the Yi people in their long-term production, life, and folk activities. On important occasions such as weddings, funerals, and festivals, the sound of Suona is always indispensable. It conveys the joys and sorrows of the Yi people through its unique musical language and carries rich ethnic emotions and cultural connotations. The performance style is passionate and unrestrained, with a brisk and changeable rhythm and highly infectious melody, often bringing the atmosphere of the scene to a climax. Li Mingfa can perfectly perform traditional classic pieces and also innovate by combining modern musical elements, giving new vitality to the ancient Yi Suona performance.
Commitment to Inheritance
In order to pass down the Yi Suona performance art, Li Mingfa has spared no effort. He actively participates in various local folk activities and cultural performances, allowing more people to feel the charm of Yi Suona performance through live performances and attracting the attention of the younger generation to this traditional skill. He also takes on apprentices and patiently passes on his accumulated performance experience and skills to the young people. In the teaching process, he tailors his teaching methods to each student’s characteristics, providing careful guidance from theoretical knowledge to practical operation.
Challenges and Efforts
However, under the impact of modern diversified culture, the inheritance of Yi Suona performance art faces many challenges. Young people are more influenced by popular culture, and their interest in traditional skills is gradually decreasing, with fewer people learning to play the Suona. Faced with these difficulties, Li Mingfa has not been discouraged. He actively communicates and collaborates with local governments and cultural departments to bring Yi Suona performance art into schools, conduct relevant cultural lectures and interest classes, and let children get in touch with and understand this traditional skill from a young age. He also tries to use new media platforms to record performance videos and share teaching courses to expand the dissemination of Yi Suona performance art.
A Lifelong Dedication
Li Mingfa, driven by his passion and commitment to Yi Suona performance art, continues to forge ahead on the path of inheritance and development. He is contributing his own strength to the protection and promotion of the excellent traditional Yi culture, striving to let this ancient skill shine with new vitality in the new era.
http://www.ynich.cn/view-ml-13111-2896.html
Yu Xianjun (余仙君), a member of the Lisu ethnic group (傈僳族), is a representative inheritor of the “Achimu Gua” (阿尺目刮) cultural heritage project in Yezhi Township (叶枝乡), Weixi County (维西县), Diqing Tibetan Autonomous Prefecture (迪庆藏族自治州). Having grown up in Yezhi Town (叶枝镇), the birthplace of “Achimu Gua”, she was deeply influenced by this traditional art form from a young age. She learned its traditional vocal techniques, lyrics, and various dance forms from her elders and has actively participated in cultural events to showcase its charm and inspire wider interest and learning.
Teaching and Mentorship
As a bearer of intangible cultural heritage, Yu Xianjun has taken her role seriously, training a new generation of young inheritors. She passes on the skills of “Achimu Gua” (阿尺目刮) through oral instruction and close mentorship, ensuring the authenticity and vitality of this traditional art form.
Cultural Activities
Yu Xianjun frequently participates in local ethnic festivals and cultural events such as Spring Festival, the Torch Festival, weddings, and religious ceremonies. These occasions provide vibrant stages for her to demonstrate the unique appeal of “Achimu Gua” and deepen public appreciation of Lisu cultural traditions.
Artistic Characteristics
Meaning and Origin
“Achimu Gua” (阿尺目刮), meaning “Dance and Song of the Goat” or “Song Imitating Goat Sounds,” is a traditional self-entertaining folk dance of the Lisu people (傈僳族), widely practiced in Tongle (同乐) and Xinle (新乐) villages of Yezhi Town (叶枝镇), Weixi County (维西县).
Music and Dance
This art form uses no instrumental accompaniment. From beginning to end, participants dance and sing simultaneously. The musical structure consists of a lead singer and chorus, with lyrical themes that span from ancient myths to present-day life and work, making it rich in cultural expression.
Dance Movements
Both the movements and vocalizations mimic goats and scenes from nomadic life, exuding a strong sense of primal vitality and natural rhythm. The dance is passionate and uninhibited in style, retaining its traditional folk artistry and authenticity.
Social and Cultural Value
“Achimu Gua” (阿尺目刮) is not only a powerful medium for expressing the emotions and ideas of the Lisu people but also a vital link for enhancing ethnic cohesion and promoting social harmony. In 2009, it was officially listed in the Yunnan Province Intangible Cultural Heritage Directory.
Through her mentorship, cultural participation, and creative contributions, Yu Xianjun (余仙君) has made a significant impact on preserving and revitalizing the Lisu “Achimu Gua” (阿尺目刮), playing a key role in the ongoing protection and development of this intangible cultural heritage.
For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-2899.html
Profile of Li Shida
Li Shida, male, Lisu ethnicity, was born in 1945 in Xinglong Village (兴隆村), Jinjiang Town (金江镇), Shangri-La City (香格里拉市), Diqing Tibetan Autonomous Prefecture (迪庆藏族自治州), Yunnan Province (云南省). He is a renowned master of traditional Lisu musical instruments, specializing in performing and crafting the earth lute (“Jizi” (吉资) in Lisu language) and three-stringed lute (“Qiben” (起本)).
Artistic Background
Growing up in a multi-ethnic village inhabited by Pumi (普米), Han (汉), Naxi (纳西), Lisu (傈僳), Bai (白), Miao (苗), Yi (彝), Tibetan (藏), and Hui (回) groups, Li inherited his musical passion from his parents – celebrated local singers known for their improvisational folk songs. He began learning Lisu music and dance from his father during childhood.
Performance Skills and Contributions
Li has mastered multiple traditional instruments including:
- Jizi (吉资)
- Qiben (起本)
- Erhu
- Gourd Sheng
His repertoire encompasses diverse Lisu folk songs:
- Ancient ballads
- Love songs
- Competitive songs
- Ritual chants
- Funeral dirges
- Odes
As a lead performer of “Waqiqi” (瓦器器) dance (an 18-segment dance featuring “Twelve Steps” footwork), Li excels in both dancing and musical accompaniment.
His family band is highly sought-after for important local events. During agricultural off-seasons, they tour neighboring villages to promote Lisu folk arts. As a provincial-level intangible cultural heritage inheritor, Li actively teaches younger generations.
Cultural Preservation and Influence
Li’s work has significantly contributed to preserving Lisu culture by:
- Maintaining authentic performance styles
- Incorporating contemporary aesthetics
- Revitalizing traditional arts
His efforts have made Lisu music and dance vital components of Diqing’s (迪庆) intangible cultural heritage.
As a master performer, Li has achieved technical excellence while making outstanding contributions to sustaining and developing Lisu traditional arts in modern society.
For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-2901.html
Meet Li Xuehua: The Guardian of Lisu “Qiben” Music in Lushui City
In the heart of the Nujiang Valley, where the echoes of tradition meet the beauty of nature, lies Lushui City. Here, Li Xuehua, a revered master of Lisu “Qiben” music, continues to preserve and share the soulful melodies of his people.
A Lifetime of Musical Dedication
Born in 1952 in Lushui City, Li Xuehua has been deeply connected to Lisu music since his youth. Recognized as a National Representative Inheritor of Lisu Folk Songs, he has dedicated over 40 years to nurturing the next generation of musicians and singers. His efforts have not only preserved the ancient art of “Qiben” but also brought it to new audiences.
Born in 1952 in Lushui City, Li Xuehua has been deeply connected to Lisu music since his youth. Recognized as a National Representative Inheritor of Lisu Folk Songs, he has dedicated over 40 years to nurturing the next generation of musicians and singers. His efforts have not only preserved the ancient art of “Qiben” but also brought it to new audiences.
Master of the Art
Li Xuehua is a true master of the Lisu “Qiben” technique, a unique musical tradition that combines singing, storytelling, and instrumental performance. His performances are a captivating blend of tradition and innovation, showcasing the rich cultural heritage of the Lisu people.
Li Xuehua is a true master of the Lisu “Qiben” technique, a unique musical tradition that combines singing, storytelling, and instrumental performance. His performances are a captivating blend of tradition and innovation, showcasing the rich cultural heritage of the Lisu people.
A Cultural Ambassador
Beyond his musical prowess, Li Xuehua is a cultural ambassador. He has trained numerous talented musicians, including Li Xinming, Li Xinhua, and Hu Xuezhong, ensuring that the legacy of Lisu music continues to thrive. His dedication has earned him the title of “song god” among the local Lisu community.
Beyond his musical prowess, Li Xuehua is a cultural ambassador. He has trained numerous talented musicians, including Li Xinming, Li Xinhua, and Hu Xuezhong, ensuring that the legacy of Lisu music continues to thrive. His dedication has earned him the title of “song god” among the local Lisu community.
Experience the Magic of Lisu Music
Join Li Xuehua as he brings the soulful melodies of Lisu “Qiben” music to life. Whether you’re a music lover or simply curious about the rich cultural heritage of the Nujiang Valley, his performances offer a window into the heart and soul of the Lisu people. Don’t miss the chance to witness this living cultural treasure—a performance by Li Xuehua is an unforgettable journey into the world of Lisu traditions.
Join Li Xuehua as he brings the soulful melodies of Lisu “Qiben” music to life. Whether you’re a music lover or simply curious about the rich cultural heritage of the Nujiang Valley, his performances offer a window into the heart and soul of the Lisu people. Don’t miss the chance to witness this living cultural treasure—a performance by Li Xuehua is an unforgettable journey into the world of Lisu traditions.
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Yan Cong – Inheritor of Wa Folk Dance in Ximeng County, Puer
Yan Cong – Inheritor of Wa Folk Dance in Ximeng County, Puer 普洱市西盟县佤族民间舞蹈传承人 – 岩聪 http://www.ynich.cn/view-ml-13111-2953.html...
Na Huan – Inheritor of Wa Folk Song and Dance in Ximeng County, Puer
Na Huan – Inheritor of Wa Folk Song and Dance in Ximeng County, Puer 普洱市西盟县佤族民间歌舞传承人 – 娜唤 http://www.ynich.cn/view-ml-13111-2954.html...
Chen Yufa – Inheritor of Hani Folk Song and Dance in Yuanjiang County, Yuxi
Chen Yufa (陈玉发) is a folk inheritor of Hani ethnic song and dance from Pugui Village (铺贵村), Yinyuan Town (因远镇), Yuanyang County (元江县), Yuxi City (玉溪市). He was born...
Li Shengfang – Inheritor of Hani Manggu Drum Dance in Jianshui County, Honghe
Li Shengfang – Inheritor of Hani Manggu Drum Dance in Jianshui County, Honghe Lǐ Shēngfāng is a representative inheritor of the Hānízú Chángǔwǔ (哈尼族铓鼓舞) project in Pōtóu Xiāng, Jiànshuǐ...
Qian Wenming – Artist of Dai Folk Music and Dance in Tengchong City, Baoshan
Qian Wenming – Artist of Dai Folk Music and Dance in Tengchong City, Baoshan 宝山腾冲市荷花乡傣族民间音乐舞蹈艺人 – 钱文明 http://www.ynich.cn/view-ml-13111-2928.html...
He Guowei – Inheritor of Naxi Dongba Culture in Yulong County, Lijiang
Profile: He Guowei (和国伟) was born in 1951, and he is Naxi ethnic minority, a member of Laoding village Daju Township, Lijiang City.(丽江大具乡劳丁村人). Personal Experiences He was a ninth-generation ancestor...
He Guoyao – Inheritor of Naxi Dongba Culture in Yulong County, Lijiang
He Guoyao (和国耀) is a Naxi Dongba culture inheritor from Da Ju Township (大具乡), Yu Long County (玉龙县), Lijiang City (丽江市). Born into a family with a long-standing tradition...
Panmi Tuoding – Inheritor of Mosuo “Daba” Culture in Ninglang County, Lijiang
Pan Mi Tuoding (潘米拖丁) is one of the few remaining inheritors of the Mosuo Daba culture in Yong Ning Township (永宁乡), Ning Lang County (宁蒗县), Lijiang City (丽江市). Daba...
Li Faming – Inheritor of Yi Suona-playing Skill in Yongsheng County, Lijiang
Li Mingfa (李发明) is an inheritor of the Yi Suona performance art in Ren He Town (仁和镇), Yong Sheng County (永胜县), Lijiang City (丽江市). He has left a solid...
Yu Xianjun – Inheritor of Lisu “Achi Mugua” in Weixi County, Diqing
Yu Xianjun (余仙君), a member of the Lisu ethnic group (傈僳族), is a representative inheritor of the “Achimu Gua” (阿尺目刮) cultural heritage project in Yezhi Township (叶枝乡), Weixi County...
Li Shida – Lisu “Jizi” and “Qiben” Player in Shangri-la County, Diqing
Profile of Li Shida Li Shida, male, Lisu ethnicity, was born in 1945 in Xinglong Village (兴隆村), Jinjiang Town (金江镇), Shangri-La City (香格里拉市), Diqing Tibetan Autonomous Prefecture (迪庆藏族自治州), Yunnan Province...
Li Xuehua – Inheritor of Lisu “Qiben”-playing Skill in Lushui City, Nujiang
Meet Li Xuehua: The Guardian of Lisu “Qiben” Music in Lushui City In the heart of the Nujiang Valley, where the echoes of tradition meet the beauty of nature,...
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