The Sangwang Festival, celebrated by the Yi ethnic minority in Nanjian County, Dali, is one of the most important traditional festivals for the Yi people. This festival is typically held in late autumn and is closely associated with agricultural practices, harvest celebrations, and cultural rituals. The Sangwang Festival is a time for community gathering, acknowledging the fruit of the year’s labor, and expressing gratitude to deities and ancestors.
The origins of the Sangwang Festival are deeply connected to the agricultural calendar of the Yi people, marking the end of the harvest season. “Sangwang” is translated to mean “to welcome the god of agriculture,” and the festival is centered around honoring the deities believed to ensure plentiful crops and protect against natural disasters.
In ancient times, it was customary for the Yi people to perform rituals and offer sacrifices to the land and agricultural gods to seek blessings for a good harvest. Over the years, the festival has evolved to encompass not just agricultural celebrations but also cultural performances and various community activities.
During the Sangwang Festival, a variety of activities take place that reflect the rich cultural heritage of the Yi people:
Overall, the Sangwang Festival in Nanjian County is not just a celebration of the agricultural cycle; it is a vibrant expression of Yi culture, tradition, and community spirit, attracting both locals and visitors who wish to experience the cultural richness of the Yi ethnic minority.
Ancient Iron Pillar Worship and Dage Festival is held in Midu County, local Yi ethnic people worhip Iron Pillar of Nanzhao Kingdom with traditional Dage Festival together. The festival is a unique cultural event celebrated in Midu County, Dali, primarily among the Yi ethnic minority. This festival combines elements of ancient religious rituals, community gatherings, and cultural performances, reflecting the rich heritage of the Yi people and their connection to nature and spirituality.
The Ancient Iron Pillar, known locally as “Geda,” is a significant cultural symbol among the Yi people. It is believed to represent strength, stability, and connection to the gods. Worshipping the Iron Pillar is rooted in ancient beliefs and practices that involve honoring deities, ancestors, and the forces of nature that are crucial for agricultural prosperity and community well-being.
The festival is deeply intertwined with pastoral and agricultural cycles, commemorating the relationship between the land, the community, and the divine. The rite of worship typically includes offerings to the Iron Pillar and various ceremonies that seek blessings for a good harvest, health, and happiness.
The Ancient Iron Pillar Worship and Dage Festival encompasses a range of activities that highlight the traditions, cultural expressions, and communal spirit of the Yi people:
Every year on the 15th day of the seventh lunar month, grand folk festival activities known as “Carrying the Lord” are held in places such as Xiazhuang Town and Yunnan Yi Town in Xiangyun County. It is said that this tradition has a history of over a hundred years. “Carrying the Lord” encompasses a rich array of traditional cultural elements, including Dongjing ancient music, paper-cutting, paper crafting, bamboo weaving, and straw weaving. Through these activities, it educates future generations to be kind to others, to understand gratitude, and to repay kindness, thereby conveying positive energy to society. The entire event is both ancient and refined, grand yet free from superstition, showcasing a strong regional character.
Chinese Name: 大理祥云县东山彝族乡傈僳族拼火节
English Name: Pinhuo Festival of Lisu Ethnic Minority in Xiangyun County, Dali
Location: 祥云县东山彝族乡小庄子村委会老里么村/Laolime Village, Xiaozhuangzi Village Committee, Dongshan Yi Ethnic Township, Xiangyun County
PinHuo Festival(拼火节) is held every year in Laolimo(老里么) Village, Xiaozhuangzi(小庄子) Village Committee, Dongshan(东山) Yi Nationality Township, Xiangyun(祥云) County. It has a history of several hundred years. According to legend, in ancient times, Lisu ancestors of today’s Laolimoers, in order to escape the war, moved and settled in the remote Laolimo, leading a hard life of farming and hunting. Because of the small number of people and the harsh living environment, every time the tribe hunts its prey, the prey must be, year after year, divided equally in the back mountains among men, women and children. In order to commemorate this tradition, every year on the eighth day of February in the lunar calendar, people gather together for dinner by bringing their most delicious dishes. Later, it gradually evolved into the traditional Lisu festival of PinHuo Festival.
What attracts people most are not only delicious foods for the festival with hundreds of history. The local dancing for praying with rich national characteristics and extremely mysterious stunt performances are the real tourism feast.
Dancing to Praying for Blessings from Door to Door
About 9 a.m. on the day of the festival, the DuanGon(端公), a person with special skills designated by villagers, begins organizing more than 10 men in the village to dance door-to-door to pray for blessings。
When the prayer team goes to the doors of each house, after firing firecrackers, the hosts will hide in the room to welcome the Duangong. The prayers begin dancing in each room and searching for people hiding inside. Once they find the middle-aged man, they will put a wooden knife around his neck, tie the man up with a chain, apply a layer of soot on his face, and then drag the middle-aged man to the courtyard to dance. At this time, the Duangong distributes the host’s prepared five-grain, melon seeds, candy and other things. After the blessing, the middle-aged who was tied up could move around. Finally, the prayer team goes to another family to dance to pray for blessings again.
The Amazing Unique Stunt
The 3:00 P.M is the busiest hour in the mountains behind the laolimo. Everyone begins to taste food and sing while dancing all night long. The mountains behind the laolimo are now the coliseum of the Lisu people from the surrounding area. Some perform couples’ duets, some sing love songs to the opposite sex, some people dance in a circle, Some show their unique acrobatics here.
The most notable thing on the stage is the ancient unique stunt of Mao Guocai(毛国才), the inheritor of intangible cultural heritage.His performance include putting hands in the oil pan, eating burning charcoal, licking a red plough with fire。
On the stage, two villagers carry out a pot with pliers. Under the pot is a red charcoal fire, and in the pot the oil sparks. After the pot is put in place, Mao GuoCai puts his hand in the pot and pulls some items out of it。Then he takes out burning charcoals and eats it with relish. Just as the audience is amazed at it, Mao Guocai’s next move is even more incredible. Only after the staff hands over the fiery iron plough does Mao sticks out his tongue and licks it.
According to his introduction, these special skills were taught by his father, and now he has also taught them to his son. For the intangible cultural heritage, the only people can perform the stunt in the village are from his family only. When asked about the know-how of it, his answer is that the know-how does exist as that of magic, but wound not allowed to be taught to others not from his family.
Chinese Version: http://news.ifeng.com/gundong/detail_2013_03/27/23562312_0.shtml
The Dragon Worship Festival is an important cultural event celebrated by the Lisu ethnic minority in Xiangyun County, Dali, Yunnan Province, China. This festival is typically held in the summer, often around the time of the summer solstice, and it is deeply rooted in the Lisu people’s agricultural practices and spiritual beliefs.
The Dragon Worship Festival is a celebration that expresses gratitude to the dragon, which is considered a symbol of rain and fertility in Lisu culture. It is believed that by worshiping the dragon, the Lisu people can ensure a good harvest and pray for abundant rainfall. The festival combines elements of animism, ancestor worship, and agricultural rituals.
During the Dragon Worship Festival, several unique activities and ceremonies take place, including:
On March 8, the second day of the second lunar month, the village comes alive with the Dragon Festival, known as “祭龙会” (Jì lóng huì) or “Dragon Worship Festival” in the Lisu language. The festival is celebrated with much enthusiasm and is believed to bring rain and blessings for the year. The village is adorned with festive decorations, and the villagers are busy preparing for the celebrations, including setting up the venue, slaughtering chickens and sheep, and making other arrangements for the guests.
The Dragon Festival is a traditional ritual held before the agricultural activities of the year begin, where the community prays for favorable weather, bountiful harvests, and general prosperity and safety. It combines rich agricultural culture, unique ethnic customs, and entertainment, and has been widely recognized and celebrated for many years.
Activities and Events:
Festival Significance:
The Dragon Festival has evolved from a local village celebration into a multi-ethnic cultural event, showcasing the rich traditions and vibrant culture of the Lisu people. It represents the unity and harmony of the local community and highlights the region’s prosperity and cultural richness.
Local Hospitality:
The Lisu people are known for their hospitality and warmth. Visitors are greeted with traditional Lisu wine and songs, reflecting the community’s genuine friendliness and eagerness to share their culture.
Visit Li Lame Village:
The Dragon Festival, held annually on March 11, offers a unique opportunity to experience the rich cultural traditions of the Lisu people. The festival promises an engaging blend of traditional rituals, cultural performances, and community celebrations. Li Lame Village warmly invites visitors to join in the festivities and experience the lively and welcoming spirit of the Lisu community.
Festival Schedule:
The Lisu people eagerly await your visit, extending their warm hospitality through traditional customs, music, and dance.
With a history of hundreds of years, Kaishan Festival(开山节)is Miao ethnic minority’s traditional festival which is passed on from generation to generation. In 2016, Kaishan Festival was listed as the county-level intangible cultural heritage reserve of Xiangyun County (祥云县). Kaishan Festival is held in Liziqing Miao Ethnic Village, Daying Village Committee, Hedian Town in Xiangyun County(祥云县禾甸镇大营村委会李子箐苗寨).
When you step into the Miao ethnic village, the etiquette you firstly get is the fragrant wine and enthusiastic toasting song. Beautiful Miao ethnic ladies will give you enthusiasm dyed with lantanas to show blessing and friendship for guests. The hanging basket feast(吊篮宴) will provide you with a chance to taste original ecology snacks of Miao ethnic village and feel lively spring coming from the high mountain.
Kaishan Festival of Miao Ethnic Minority is held in Liziqing Miao Ethnic Village in Xiangyun County on January 15 of lunar calendar every year .
Liziqing Miao Ethnic Village, Daying Village Committee, Hedian Town(禾甸镇大营村委会李子箐苗寨)
Overview:
The “Mountain Opening Festival” is a traditional Miao ethnic celebration that has been passed down through generations, with a history of over a hundred years. In 2016, it was included in the intangible cultural heritage list of Xiangyun County.
According to legend, the Miao people, who migrated for thousands of years and struggled against harsh natural conditions, once lived by hunting in remote mountain areas. On the fifteenth day of the first lunar month, Li Zijing Miao Village celebrates the festival with a ceremony to honor their ancestors and mark the beginning of a year’s labor and hunting activities. During the festival, the Miao people erect a mountain god altar, play traditional reed pipes, and gather from all directions to sing, dance, and drink sweet wine. They pray for a good harvest, favorable weather, and safe and successful hunting for the year.
Welcome Ceremony:
Mountain Opening Ceremony:
Festival Performances:
Hunting Activities:
Daily Life and Production:
Experience Li Zijing Village:
In Li Zijing Miao Village, the “Mountain Opening Festival” retains its traditional charm, reflecting the Miao people’s ideals and pursuits for life and their environment.
Charming Li Zijing Village:
Li Zijing Village is like a precious pearl, nestled on the eastern side of Daying Village in Hedian Town, Xiangyun County. The mountains, waters, and people here embody a poetic charm. The trees, wind, and air offer a lingering, irresistible comfort.
Visiting Li Zijing is like opening a magical book, where every visitor and reader will find their own story. The beauty here is a blend of misty and rustic elements, from leisurely chess games under trees to enjoying wine among flowers and savoring tea in courtyards.
Walking through Li Zijing, immerse yourself in the century-old history of the Miao people and their timeless grace. The warm and hospitable Li Zijing Village always welcomes you!
The ‘Lantern Festival’ is a traditional festival that has been passed down through generations in the Daying community of Hedian Town, Xiangyun County. It is solemnly held on the tenth day of the first lunar month each year in the natural village of Daying, and it is said to have a history of over a hundred years. The Lantern Festival is a folk tradition formed by the villagers of Daying through long-term agricultural labor and life customs, with the main content being the traditional Spring Festival lantern activities, and using traditional folk songs, dances, music, and material exchanges as its medium.
Through the Lantern Festival, it brings safety and peace, harmonious weather for crops, bountiful harvests, and prosperity for livestock to the people of Daying. It also brings a year of good fortune, safety, and luck to the visitors who participate in the festival. The Lantern Festival has become a gathering that integrates history, culture, economy, and art. As it undergoes the restoration and development of ethnic historical culture, it is being passed down and promoted, becoming more and more grand each year, transforming into a paradise for national unity and harmony.
The New Rice Festival, celebrated by the Yi ethnic minority in Xiangyun County, Dali, is an important cultural event that marks the harvest of new rice. This festival typically occurs in late autumn, after the rice harvest has been completed, and it serves as an occasion for the community to express gratitude for the harvest and celebrate their agricultural accomplishments. Here’s an overview of its origin and local activities:
The New Rice Festival has deep agricultural roots and is closely tied to the cycle of rice farming, which is a critical part of Yi culture and livelihood. Historically, the festival was established as a way for the Yi people to give thanks to nature and ancestral spirits for providing a bountiful harvest, and to pray for continued prosperity and good fortune in the future. The festival also reflects the Yi people’s respect for nature and agricultural traditions.
The New Rice Festival is marked by a variety of vibrant activities and rituals that demonstrate the rich cultural heritage of the Yi people:
Every year on the seventh day of the first lunar month, the traditional festival of the Lisu ethnic group is celebrated in Cunde Village, Xiangcheng Town—known as the “Qiren Festival” (Seven People Festival).
The origin of the “Qiren Festival” comes from the Lisu people’s primitive understanding of the relationship between heaven, earth, and humanity.
Starting from the first day of the lunar new year each year, the Lisu people categorize the elements of nature and the ecological chain as follows: one day, two earth, three pigs, four cows, five goats, six horses, seven people, eight grains, nine beans, ten wheat… This reflects the folk concept that “food is the primary necessity of the people.” The Lisu people celebrate the seventh day of the first lunar month as the birthday of all humans, a tradition that has been passed down to this day, forming the unique “Qiren Festival.”
The “Qiren Festival” features a rich variety of activities, including ancestral worship, traditional performances of extraordinary skills such as “Walking on the Knife Mountain” and “Crossing the Fire Sea,” exhibitions of ethnic costumes and dances, singing duels, and traditional pine needle banquet gatherings. Lisu people from the local area as well as from Yongping County, Fengyi Town in Dali City, Chuxiong, Baoshan, Lijiang, and other places come together to celebrate this festive occasion.
People from various ethnic groups around the Bailongtan area, as well as guests and tourists from both domestic and international locations, also join in the joyous festival activities.
During the traditional song and dance performances, a total of 18 exciting ethnic music and dance programs such as “Zhi Pei Duo,” “Qi Ben Gua Qi Qi,” and “Zhi Pei Ma Duo Ge Ma Sa” fill the venue with a joyful atmosphere.
The highlight of the event is undoubtedly the traditional Lisu skills performances featuring “Walking on the Knife Mountain” and “Crossing the Fire Sea.” The atmosphere is both tense and enthusiastic, as the audience is captivated by the bravery of the Lisu warriors, leading to continuous cheers and applause.
The Knife-Ladder-Climbing Festival of the Lisu ethnic minority, celebrated in Yangbi County of Dali Prefecture, is a unique and vibrant cultural event that reflects the traditions, values, and communal spirit of the Lisu people. Here’s a closer look at the festival, including its origins, significance, and local activities.The Knife-Ladder-Climbing Festival is not just an intense display of bravery; it is a vibrant celebration of Lisu culture, spirituality, and community spirit in Yangbi County. Through its rich traditions and activities, the festival nurtures a sense of belonging, preserves cultural identity, and fosters resilience among the Lisu people. By coming together to celebrate this unique event, the community honors its past while looking forward to a prosperous future.
The origins of the Knife-Ladder-Climbing Festival can be traced back to ancient agricultural practices and folk traditions of the Lisu ethnic group. The festival is believed to stem from early rituals related to farming, harvest celebrations, and ancestor worship, embodying the community’s connection to nature and their reliance on agricultural prosperity.
Historically, the knife ladder was created as a symbol of bravery; it represents overcoming challenges and fears. The practice of climbing the knife ladder has evolved from a rite of passage for young men into a broader communal celebration that honors courage and resilience. The festival typically occurs during the harvest season, serving as both a celebration of the year’s agricultural successes and a way to ensure continued favor from spiritual forces.
The Knife-Ladder-Climbing Festival features a variety of traditional activities that celebrate Lisu culture and community. Key activities include:
Chinese Name:大理漾濞县鸡街乡彝族手工刺绣
English Name: Yi Embroidery in Jijie Town of Yangbi County, Dali
The Yangbi Yi Ethnic Group Embroidery (大理漾濞彝族刺绣) is an essential cultural symbol of the Yi ethnic people in Yangbi County (漾濞县), Dali (大理), located in Yunnan Province (云南省). It stands out for its long history, distinctive stitching techniques, vibrant colors, and culturally significant designs. In June 2017, it was officially listed as part of the fourth batch of intangible cultural heritage projects in Yunnan Province (云南省). This recognition reflects the significant cultural value and artistic excellence of the craft.
The embroidery of the Yangbi Yi ethnic group is not merely ornamental; it carries deep cultural meanings and showcases extraordinary craftsmanship. Its unique charm lies in the intricate design and the meanings embedded in the patterns.
The Yi ethnic group (彝族) is known for its colorful and detailed embroidered garments. The most notable feature of Yangbi Yi embroidery is its extensive application in women’s clothing and various accessories such as bags, back wraps, and shoes. Every aspect of a traditional Yi woman’s attire is embellished with this embroidery, including the hat, clothing, apron, belt, trousers, and shoes. These pieces are not simply clothing items; they are wearable art that expresses a blend of the aesthetic beauty and the culture of the Yi people.
The embroidery is rich with patterns that reflect both natural elements and cultural symbolism. Common motifs include:
Nature-inspired designs: Flowers, birds, and the sun are among the most frequent subjects in the embroidery.
Symbolic patterns: The “continuous wealth” pattern (富贵不断头), which represents prosperity, is commonly used. This design is typically found on the belts, collars, and tobacco pouches of the Yi people, symbolizing endless good fortune and harmony.
Geometric motifs: These include cloud patterns and diamond shapes, which are often featured in the traditional embroidery.
The embroidery not only serves as a form of decoration but also symbolizes the values and wishes of the people, reflecting their deep connection to nature, spiritual beliefs, and hopes for a prosperous future.
The colorful threads used in the embroidery stand out due to their vividness and vibrancy. The craftsmanship is highly appreciated for its delicacy and beauty. The result is a series of functional and decorative items that are loved by people not only for their practical use but also for their visual charm. These embroidered pieces hold ethnic significance and cultural pride while also having substantial practical value as clothing and accessories.
The cultural impact of Yangbi Yi embroidery extends beyond everyday life; it is a key marker of identity for the Yi people, showcasing their cultural depth and aesthetic preferences. Moreover, the embroidery pieces often reflect the values of family, honor, and community.
In recent years, Yangbi Yi embroidery has transitioned from traditional uses to reach broader markets, gaining attention far beyond its geographic origins. This shift has been accompanied by efforts to protect and promote the craft, making sure it retains its unique characteristics while adapting to modern-day demands.
To protect and promote Yangbi Yi embroidery, Yangbi County (漾濞县) has made significant investments in research and documentation, ensuring that this craft is passed down through the generations. Comprehensive records have been created to preserve the techniques, patterns, and the history of this embroidery art form.
Simultaneously, there is a push to innovate the craft by incorporating modern designs and everyday applications. This balance between preserving tradition and modernizing the craft has led to wider popularity and greater demand, particularly from the younger generation, which values both the artistic beauty and cultural heritage of the embroidery.
One of the key figures in the preservation of this embroidery is Ji Zhenlin (吉珍林), a master embroiderer from Jijie Township (鸡街乡) in Yangbi County (漾濞县). Ji Zhenlin is part of a long lineage of Yi embroidery masters, being the sixth-generation inheritor of her family’s craft. Over the years, she has taught over one hundred students, passing down the techniques and philosophy of Yi embroidery. Her contribution to preserving and passing on the craft has been vital in ensuring its continued existence.
Today, Ji Zhenlin is mentoring the next generation, including her grandson, Zhang Qicheng (张启诚), who is a post-2000 generation Yi embroidery practitioner. With Ji Zhenlin’s guidance, Zhang Qicheng has become a recognized intangible cultural heritage inheritor in Yangbi County (漾濞县). He has expanded the traditional craft by creating the Yi Embroidery Experience Hall (彝族刺绣体验馆), where visitors can engage with the craft through hands-on experiences and cultural immersion.
In addition to the non-heritage experience center, Zhang Qicheng has expanded his business by opening multiple experience halls in Yangbi County (漾濞县), Shimen Pass Scenic Area (石门关景区), Dali Ancient City (大理古城), and Xizhou Ancient Town (喜洲古镇). These centers provide tourists with the chance to learn about the history, significance, and techniques of Yi embroidery and even try their hand at creating their own embroidered items.
His embroidery company has also employed over 200 full-time or part-time embroiderers, many of whom are local women, empowering them economically while helping to sustain the cultural heritage. Products from the embroidery company have been sold to major urban centers, including Beijing (北京), Shanghai (上海), and Guangzhou (广州), further establishing Yi embroidery as an admired cultural export.
The process of creating a piece of Yi embroidery is highly intricate and involves multiple stages. Embroiderers must learn to observe nature and the environment, as many patterns are inspired by the world around them.
To create a piece of embroidery, the following steps are typically involved:
Design: Observation of the world around them and sketching patterns, often inspired by nature, animals, and daily life.
Paper Cutting: Preparing a template for the embroidery design.
Flower Attachment: Applying the prepared design onto fabric.
Sewing: Using various stitches to bring the design to life.
Edge Stitching: Ensuring all edges of the embroidery are neatly finished.
Final Touches: Additional embellishments like beads or threads may be used to enhance the design.
There are 72 different stitching methods, such as Sash Needle Stitch, Bao Needle Stitch, Staircase Stitch, and Breast Milk Stitch, all of which have been passed down orally over generations. These techniques are integral to the craft, contributing to the rich variety of designs and the complexity of the embroidery.
The process can take anywhere from one day to a year to complete, depending on the size and detail of the piece.
The Yangbi Yi people (漾濞彝族) invite those interested in rural tourism and cultural exploration to experience the unique culture of the Yi ethnic group. Visitors can engage with this vibrant tradition, learn about its historical roots, and appreciate the beauty and cultural richness of Yi embroidery.
Yi embroidery is not just a craft; it is an essential part of Yi culture and Yunnan’s (云南省) intangible heritage. Through the work of master embroiderers like Ji Zhenlin (吉珍林) and Zhang Qicheng (张启诚), this ancient art form continues to thrive and evolve, ensuring its cultural significance for generations to come.
The Yi ethnic group is one of the major ethnic minorities in southwestern China, with a rich and ancient history. They primarily reside in Yunnan, Sichuan, Guizhou provinces, and the northwestern part of Guangxi Zhuang Autonomous Region. The Yi people generally exhibit a dispersed settlement pattern with small clusters.
In Sichuan, the Liangshan Yi Autonomous Prefecture and counties like Shilin Yi Autonomous County and Luquan Yi and Miao Autonomous County are significant areas of Yi concentration. Additionally, Yi populations are sporadically distributed from the Dadu River in the north to the Yunnan border in the south, the Wu River in the east, and the Lancang River in the west. In these regions, Yi communities often intermingle with Han Chinese and other ethnic minorities.
Outside China, there are also over 30,000 Yi people residing in countries such as Vietnam, Laos, Thailand, Cambodia, and Myanmar. Vietnam alone has more than 10,000 Yi individuals.
The Yi ethnic group celebrates numerous traditional festivals, each serving different social functions. Some of the most prominent Yi festivals include:
On this day, every household hangs wormwood and mugwort in front of their doors. Children wipe their faces with realgar wine, and young men and women pack zongzi, bring wine, and dried meat, and head to the picturesque mountain meadows for recreational activities such as wrestling, horse racing, bull fighting, sheep fighting, and dancing.
During the ceremony, the head of each household lights a torch made from dry bitter bamboo poles, which illuminates every corner of the house from above. They recite prayers such as “burn away all inauspicious things, may the family be safe, crops plentiful, and livestock thriving.” They then proceed through the cattle and sheep pens, joining the procession of torches in the village. Afterward, people gather around blazing bonfires to enjoy singing and dancing.
The festival features lively collective dances such as Dage and Mile from Weishan, Axisitao Yue from Yiliang, Datiao from Chuxiong, Dasanxian from Lounan, Luozuowu from Honghe, and Duoluohe from Liangshan. Today, the Fire Torch Festival has evolved to include a variety of entertainment activities such as bullfighting, wrestling, horse racing, beauty contests, singing competitions, dances, archery, and more. Some areas also engage in commercial trade activities.
The night of the Fire Torch Festival in Yi ethnic villages is extraordinarily beautiful and enchanting, as described in ancient poetry: “Clouds scatter, the red sun inclines towards the mountain, torches shimmering and competing, like myriad lotus flowers blooming in a bustling market under the starry sky.”
Singing Ox Festival颂牛节
Singing Ox Festival is a traditional festival of the Yi ethnic group in the northwestern mountainous regions of Yunnan. It is held annually on the day of the winter solstice. According to legend, this day marks the occasion when celestial oxen descended to serve humanity, thus activities are held to praise the oxen’s contributions. On this day, all households gather their working oxen onto the grassy field in front of Ox God Cliff. Twelve pine poles are erected on the field, adorned with various grains hung from red silk threads. At the center lies a large winnowing basket containing models of oxen made from potatoes (representing yellow cattle) and radishes (representing water buffaloes). These “oxen” have legs made of sorghum stalks or corn husks, eyes made of sorghum or corn kernels, wheat spikes for horns, and maize cakes and chopped oat stalks serve as their fodder. The festivities commence with an elder singer leading the way, as participants lead their oxen adorned with red silk around the winnowing basket, singing praises of the oxen’s contributions, commending those who diligently care for them, and celebrating those who have had good harvests in the past year. Finally, based on their performances, the elder singer rewards the “oxen” and “fodder” to their respective owners. The fodder is immediately used to feed the oxen, while the “oxen” are carried in colorful “ox sedan chairs” as everyone parades through villages and hamlets. The ox models are then placed as treasures in their respective household shrines.
33.Mizhi Festival密枝节
Mizhi Festival is a traditional festival of the Yi ethnic group in Guishan of Runan and Maitreya West Mountain in Yunnan Province, typically held around the 11th day of the twelfth lunar month. Each village has a dense forest called “Mizhi Forest”. During this festival, men from each village slaughter sheep and proceed to the sacred forest to worship the Mizhi deity, recite sacred scriptures, drive away epidemics, and pray for prosperity in both human and animal life, abundant harvests, and fertile crops. The sheep meat is distributed to households for further sacrificial offerings, and upon their return to the village, they chant “Hagou, Hagou” to warn those who do not abide by village rules or violate moral standards. The festival in Haiyi Village of Guishan District has distinctive characteristics. The festival schedule includes: Driving away evil spirits from the male Mizhi forest on the day of the winter solstice, performing sacrifices to the male Mizhi deity on the day of the Rat, driving away evil spirits from the female Mizhi forest on the day of the Tiger, and performing sacrifices to the female Mizhi deity on the day of the Rabbit. On the day of the Dog, there is hunting, and on the day of the Dog, villagers entertain each other by inviting guests.
34.Lao Nian Festival 老年节
Lao Nian Festival is a traditional festival of the Yi ethnic group in Shanta and Longjie areas of Weishan County, Yunnan, celebrated annually on New Year’s Eve. Before the festival, every household slaughters pigs and chickens, grinds tofu, makes noodles, brews white wine, and prepares festive foods. On the festival day, every household decorates with lanterns, door gods, couplets, and plants a tall pine tree with three or four branches in the center of the courtyard, known as “Heaven and Earth Pavilion.” A bundle of pine needles is tied to the trunk, and incense sticks are inserted into the pine needles. Below the tree, a table is set up with lamps representing the altar of Heaven and Earth, and offerings of pig heads and chickens are placed. Another pine tree, named “Mishi,” representing the stable deity, is planted on the rear wall of the house. Sacrifices are offered to the stable deity to pray for the prosperity of livestock. After worshiping the deities of Heaven, Earth, and the stable, ancestors are worshipped. In the evening, each family seals their doors with red paper, which is only opened on the second day of the lunar year when the young boys from other families come to “step on the door.” During the festival in Longjie, Yi people also spread pine needles inside and outside the hall. Yi people in Shanta bring their married daughters back home before the festival. At midnight, families gather for a reunion feast. The parents tell family stories and tales to their children throughout the night, known as “guarding the year.” Children aged five or six stand on the threshold to measure their growth rate.
35.Yang Nian羊年
Yang Nian is a traditional festival among the Yi ethnic group in Mouding, Yunnan. It is celebrated every Lunar New Year’s Eve and New Year’s Day, where local Yi people raise sheep for the New Year. In this region, every household raises sheep, and people hold sheep in high regard.
On Lunar New Year’s Eve, couplests are pasted on the sheep pen, and the sheep are fed with a special New Year’s meal made from a mixture of sorghum, millet, wheat flour, and other grains. During New Year’s Eve, the elders sing ancient songs about the origin of sheep to the younger generation.
On New Year’s Day, families bring food, set off firecrackers, and gather at the sheep pen to dine together with the sheep, feeding them their favorite tree leaves. After the Yang Nian festival, the sheep are driven to the hillsides for grazing on an auspicious day.
Overview Chinese Name:大理南涧县无量山桑王节 English Name: Sangwang Festival of Yi Ethnic Minority in Nanjian County, Dali Location: Nanjian County, Dali The Sangwang Festival, celebrated by the Yi ethnic minority in...
Overview Chinese Name:弥渡县千年铁柱踏歌会 English Name: Ancient Iron Pillar Worship and Dage Festival in Midu County, Dali Location: Midu County, Dali Ancient Iron Pillar Worship and Dage Festival is held in...
Basic Introduction Chinese Name: 大理祥云县抬老爷 English Name: Tailaoye Festival in Xiangyun County, Dali Location: 大理祥云县下庄镇刘营村/云南驿镇左所村、右所村、前所村/Liuying Village, Xiazhuang Town, Xiangyun County, Dali/Zuosuo Village, Yousuo Village, Qiansuo Village, ...
Overview Chinese Name: 大理祥云县东山彝族乡傈僳族拼火节 English Name: Pinhuo Festival of Lisu Ethnic Minority in Xiangyun County, Dali Location: 祥云县东山彝族乡小庄子村委会老里么村/Laolime Village, Xiaozhuangzi Village Committee, Dongshan Yi Ethnic Township, Xiangyun Count ...
Overview Chinese Name:大理祥云县米甸镇傈僳族祭龙会 English Name: Dragon Worship Festival (Jilonghui) of Lisu Ethnic Minority in Xiangyun County, Dali Location: Dragon Worship Festival in Xiangyun County is held in Lilame Village...
With a history of hundreds of years, Kaishan Festival(开山节)is Miao ethnic minority’s traditional festival which is passed on from generation to generation. In 2016, Kaishan Festival was listed as...
Overview Chinese Name: 祥云县禾甸镇大营村白族赶灯会 English Name: Gndenghui Festival in Xiangyun County, Dali Location: Xiangyu County, Dali Time: the tenth day of the first lunar month every year The ‘Lantern...
Overview Chinese Name:大理祥云县米甸镇自羌朗村彝族尝新节 English Name: Changxin Festival or New Rice Festival of Yi Ethnic Minority in Xiangyun County, Dali Location: Boluo Village of Ziqianglang Village of Midian Town in...
Short Introduction of the Festivtal Chinese Name: 大理祥云县祥城镇白龙潭村傈僳族七人节 English Name: Qiren Festival of Lisu Ethnic Minority in Xiangyun County, Dali Location: Bailongtan Village of Xiangcheng Town in Xiangyun County, Dali...
Basic Introduction of the Festival Chinese Name: 大理漾濞县傈僳族爬刀杆 English Name: Knife-ladder-climbing Festival of Lisu Ethnic Minority in Yangbi County, Dali Location: Yangbi County, Dali The Knife-Ladder-Climbing Festival of the Lisu...
Chinese Name:大理漾濞县鸡街乡彝族手工刺绣 English Name: Yi Embroidery in Jijie Town of Yangbi County, Dali The Yangbi Yi Ethnic Group Embroidery (大理漾濞彝族刺绣) is an essential cultural symbol of the Yi ethnic...
The Yi ethnic group is one of the major ethnic minorities in southwestern China, with a rich and ancient history. They primarily reside in Yunnan, Sichuan, Guizhou provinces, and...
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