English Name: Purple Pottery Firing Skill Protection in Wantao Village of Jianshui County, Honghe
Chinese Name: 云南省红河州建水县碗陶村紫陶烧制技艺
Jianshui, a traditional folk craft dating back to the late Yuan and early Ming dynasties, uses local five-color clay near Jianshui for shaping. These pieces undergo processes like painting, carving, kiln firing, and unglazed polishing to create finished products.
Jianshui pottery mainly consists of two types: white pottery and purple pottery, collectively known as Jianshui purple pottery. Originally practical items like steamers, stew pots, and flowerpots, they now include tea sets and decorative arts such as teapots, vases, and incense burners, known for their exquisite and classical designs.
Entering Wantao Village near Jianshui County, broken jars and shards litter the roadside like walls, and pottery fragments spread across the fields. Dragon kilns stretch across the hills, where richly colored clays await, marking the birthplace of purple pottery.
Wantao Village hosts over 20 identifiable ancient kiln sites, revealing fragments of Song dynasty celadon, Yuan dynasty blue-and-white, Ming dynasty coarse pottery, and Qing dynasty purple pottery upon excavation.
The brilliant development of purple pottery during the Yuan and Qing dynasties was no accident, as it is deeply rooted in the rich and diverse culture of southern Yunnan, interpreting its past and present.
Purple pottery, known for its fine clay texture, lustrous color, and robust forms reminiscent of ancient stone, produces a melodious sound when struck, embodying an elegant and refined aesthetic for appreciators.
Modern artisans integrate calligraphy, traditional Chinese painting techniques, and various artistic methods onto purple pottery, enriching the traditional carved and filled styles with deeper meanings and vibrant colors, pioneering an elegant style unique to Jianshui purple pottery.
Jianshui purple pottery’s cultural allure is unmistakable, embodying a serene beauty that transcends time, evoking cultural sentiments from different eras and nurturing a profound connection between the land and its people.
Engraving and filling with light grinding are the defining features of Jianshui purple pottery art. Contrary to belief, the exquisite paintings on purple pottery are not simply copied from artists’ sketches and directly fired.
After applying ink to the clay, craftsmen carve the ink into molds, fill the clay into them, and repeat this process multiple times to achieve layers. The process includes refining, drying, firing, and polishing, resulting in surfaces displaying weathered textures reminiscent of ancient charm and elegance.
This process involves six intricate steps: refining the clay slurry, hand-forming the pottery, decorating the wet clay, carving and filling with clay, high-temperature firing, and unglazed polishing. Jianshui purple pottery is undoubtedly a centuries-old comprehensive art form.
The meticulous craftsmanship of Jianshui’s female artisans gives purple pottery its distinctive and unconventional charm, yet their names are seldom left on their masterpieces.
Holding a freshly fired piece of Jianshui purple pottery, one marvels at how a small pebble can be polished to such a mirror-like shine.
Calligraphy and painting form the soul of Jianshui purple pottery art, where artisans’ souls are refined over time, making this clay and the people inseparable, bound by generations of passion and dedication.
During firing, temperatures in the kiln reach up to 1200°C, resulting in the mysterious transformation of purple pottery colors, ranging from black to crimson-purple or reddish-purple, a sought-after kiln effect.
The development of purple pottery is not just about extracting gold from the fire but a process of integrating ancient and modern techniques.
The Cuan Culture played a vital role in the evolutionary history of cultures in Yunnan by serving as a link between the Ancient Dian Culture and the Nanzhao-Dali Culture.
The Cuan Culture is a cover term for the local cultures that persisted in Yunnan for more than 500 years from the Three Kingdoms (220-280A.D) to the Tang Dynasty (618-907 A.D). It covers the whole area of Nanzhong (including province of modern Yunnan, Southwest Sichuan and West Guizhou) with Weixian County (presently Qujing) as its center.
Just as the Cuan people were a mixture, so the Cuan Culture was a composite of many elements. Indeed, it is generally accepted among scholars that the Cuan Culture should include a part of the Han Culture, a part of the indigenous culture, and combination of the two. The indigenous element of the Cuan Culture is chiefly embodied by the tadpole language (also known as the “right” language or the Bimo language), an invention of the Wu’man Sheik of the Eastern Cuan in which wizards of the Wu’mans wrote a large number of books on astronomy, geography, almanacs, Confucian works, medicine, literature and genealogy. The integration of the Han and the indigenous cultures has been manifested mainly in the “ethnic assimilation” of the distinguished Han families when there existed a combined worship of “host ghosts” of ancestors by different races, tribes, and villages, of primitive clan totems (such as tiger, ox, serpent, fire, rice), and varied primitive religious cults and folk customs.
History of the Cuan Culture
During the early Shu Han Dynasty, distinguished families from the upper class Han emigrants and ethnic commanders or chieftains of the local minorities took advantage of the internal troubles of the Shu Han government and launched rebellions against it. After Zhu Geliang suppressed the rebellions, Nanzhong gradually restored its unity and stability. In the third year of the Jianxing Period (225 A.D) when the seat of the local government was moved to Weixian County (now Qujing), the county became the political, economic and cultural center of the Nanzhong area. During the Eastern Jin Dynasty when wars broke out in the Central Plains, these defeated upper class families recovered and developed; of these the Cuan family became the most powerful. In the 5th year of the Xiankang Period (339 A.D), Cuan Chen managed to dominate Nanzhong; after that, the Cuan family ruled over this area for 409 years until the 7th year of the Tianbao Period (748 A.D) of the Tang Dynasty when the Western Cuan was terminated by Nanzhao.
The Cuan Culture in Yunnan played a significant role in the region’s cultural evolution, bridging the gap between the Ancient Dian Culture and the later Nanzhao-Dali Culture. Here are the key aspects and history of the Cuan Culture:
The Cuan Culture’s legacy persists in Yunnan’s rich cultural tapestry, reflecting a harmonious blend of indigenous traditions and Han Chinese influence. It serves as a pivotal link in the historical continuum of Yunnan’s cultural evolution, from ancient times to the present day.
Mo Meiyan,Zhuang nationality,born in 1967, And Mo Meiyan,one of the best skilled ethnic emboroidery masters in China,the best ethnic embroidery master of Yunnan Province, the embroidery preceptor of Baisha Naxi Embroidery Institute.
Mo loved and started embroidery since 8,she used to followed many masters,and had been tutored by quite a few traditional painters and culture scholars.She had exchanged in Suzhou Embroidery Institute, and could easily creat her own pattern with sketching.Mo combined the modern with the traditional ethnic style to form her own style.she is mastered in virous motifs such as flowers,portrait,animals and still-life etc.For a long time, she did not want to be reported and famed until rencent years by the persuassion of the local govement leaders and teachers from Baisha Naxi Embroidery institute.Many of her works won golden and silver awards rencent years in the provincial exhibitions and competitions.
“to embroidery with deep love and patience”,”to embroidery with understanding,imgenation and spirit but not fame and self-intrest.” “Many people collected my embroidery works is not for my fame but for my love and motive”.”We need to study and maintain the traditional embroidery and it’s culture with real action but not boast”. “Maters did not want to teach more people, but we really need to encourage and teach more, or not it will be losted.My happiness is all people get interest and culture be maintained.””One coule not succeed with out 10 years hard embroidering and creation……”
These are what she usually repeated to her students.
Mo is very kind,modest and creative.Her life is very simple and regular. Many of her works were all specially commetioned by art collectors from home and abroad.
Early Life and Artistic Beginnings
Mo Meiyan, born in 1967, is of Zhuang nationality and has become renowned as one of China’s most skilled ethnic embroidery masters. She is notably recognized as the best ethnic embroidery master in Yunnan Province and serves as the embroidery preceptor at the Baisha Naxi Embroidery Institute.
Artistic Journey and Mastery
From a young age, Mo Meiyan developed a passion for embroidery, starting at the age of 8. She studied under numerous masters and received tutelage from traditional painters and cultural scholars. Mo further honed her skills through exchanges at institutions like the Suzhou Embroidery Institute, where she learned to create her own patterns through sketching. Her style uniquely blends modern techniques with traditional ethnic motifs, specializing in various subjects such as flowers, portraits, animals, and still-life compositions.
Professional Recognition and Philosophy
Mo Meiyan initially shied away from fame but was persuaded by local government leaders and instructors from the Baisha Naxi Embroidery Institute to share her talents more widely in recent years. Her works have consistently earned golden and silver awards in provincial exhibitions and competitions.
Philosophy and Teaching Approach
Mo Meiyan emphasizes the importance of embroidery done with deep love, patience, understanding, imagination, and spirit, rather than for personal fame or self-interest. She stresses the preservation and study of traditional embroidery and its cultural significance through practical action rather than mere boasting. Mo passionately teaches her students with dedication, encouraging them to uphold and pass on these traditions.
Personal Traits and Legacy
Known for her kindness, modesty, and creativity, Mo leads a simple and disciplined life. Many of her works are commissioned by art collectors both domestically and internationally, reflecting her profound influence and dedication to the art of embroidery.
Born in December,1975, He Zhengwen is the 24th Generation Naxi Dongba(Shaman),the Dongba Culture tutor of Baisha NaxiEmbroidery Institute. Special invited Intangible expert of Zhuhai ChineseIntangible Cultural Museum, important oral history contributor of Yunnan ProvincialArchive, a member of Yunnan Artists Association. He was granted as the representative Intangible Inheritor by the Provincial Cultural Bureau.
Early Life and Cultural Heritage
He Zhengwen, born in December 1975, belongs to the 24th Generation of Naxi Dongba (Shaman) lineage. His family has preserved the Dongba culture for generations, despite challenges during the Cultural Revolution.
Educational Journey and Cultural Inheritance
Under the guidance of his grandfather, He Jigui, a renowned Dongba consultant, He Zhengwen immersed himself in studying Dongba Scripture, Dongba Pictograph, Dongba Painting, Rituals, and Worshipping ceremonies. He developed into a senior Dongba and a prominent intangible cultural inheritor in Lijiang.
Professional Achievements and Recognition
International Cultural Exchange and Promotion
He Zhengwen has been actively promoting Dongba culture internationally, participating in cultural exchanges and exhibitions in Mexico, Beijing, Shenzhen, and other cities and countries.
Biographical Background
Zhang Chunhe was born in Lijiang, Yunnan province, in 1958. He graduated from the Fine Art Department of Beijing’s Central Academy of National Minorities in 1987. Zhang has dedicated himself to the study of modern Dongba-style painting and is a prominent pioneer in this field.
Current Positions and Affiliations
Currently, Zhang works as a production designer at the August 1st Film Studio in Beijing. He holds several prestigious positions: he is a member of the China Artists Association, Director of the China Murals Association, Vice-Chairman of the Association for the Promotion of Dongba Art & Culture in Beijing, and Vice-Chairman of the International Society of Naxi Studies. Additionally, he serves as a member of the Murals Committee of the Architectural Society of China.
Career Highlights
Publications and Collections
Zhang has published several personal catalogues, including “Contemporary Dongba Paintings of Zhang Chunhe” and “A Collection of Zhang Chunhe’s Works.” His artworks are housed in prestigious collections such as the China National Museum of Fine Art, the Beijing International Yiyuan Art Museum, the Museum of Ethnology at the University of Zurich in Switzerland, and the Art Gallery at the University of Alabama in America.
Artistic Philosophy and Cultural Contribution
Zhang’s work revolves around modern Dongba painting, which he sees as a vital cultural transmission tool amidst the decline of Dongba pictography. He integrates ancient religious principles into his art, preserving and revitalizing Naxi cultural heritage through his unique artistic expression.
Autobiographical Reflections
Reflecting on his journey, Zhang emphasizes his deep connection to nature and the ancient Dongba culture. His creative process is a spiritual endeavor, aiming to bridge contemporary and ancient worlds through visual storytelling.
Tea eggs are a popular snack or appetizer enjoyed throughout China, including Yunnan province. Yunnan-style tea eggs often feature a unique blend of spices and seasonings, infusing the eggs with rich flavor and aroma. Here’s a basic recipe for making tea eggs with a Yunnan twist:
Ingredients:
Instructions:
Yunnan-style tea eggs are a flavorful and aromatic treat, perfect for enjoying as a snack or appetizer any time of day. The spices and seasonings used in the marinade infuse the eggs with a unique blend of savory, sweet, and aromatic flavors, making them a delightful culinary experience.
The Wa ethnic group is one of the many ethnic minorities residing in Yunnan province, China. Their food culture reflects their unique traditions, local ingredients, and culinary practices. Here’s an overview of Wa ethnic food culture in Yunnan:
1. Staple Foods:
2. Local Ingredients:
3. Cooking Techniques:
4. Flavor Profiles:
5. Traditional Dishes:
6. Food Customs and Festivals:
Overall, Wa ethnic food culture in Yunnan is characterized by its use of local ingredients, traditional cooking techniques, and bold flavors, reflecting the rich culinary heritage of the Wa people.
The Dai ethnic group, also known as the Thai people in China, boasts a rich and diverse food culture in Yunnan Province. Here’s an overview of Dai ethnic food culture, highlighting their staple foods, cooking techniques, traditional dishes, and cultural significance:
1. Staple Foods:
2. Local Ingredients:
3. Cooking Techniques:
4. Traditional Dishes:
5. Food Customs and Festivals:
Dai ethnic food culture in Yunnan is characterized by its vibrant flavors, fresh ingredients, and close ties to nature and community. Through their cuisine, the Dai people express their rich cultural heritage and traditions, inviting others to savor the tastes of their land and culture.
Yunnan Province in China is known for its rich biodiversity, which includes a vast array of mushroom species. Due to the region’s high humidity and large forested areas, it is one of the most important regions for mushroom diversity in the world. This has led to the development of several mushroom festivals throughout the province, celebrating the cultural, gastronomic, and economic importance of mushrooms.
While the exact number of mushroom festivals in Yunnan may vary from year to year, here are some of the most well-known and significant ones:
Kunming Wild Mushroom Festival: Held in the provincial capital, Kunming, this festival is perhaps the most famous. It typically features a large variety of wild mushrooms, including edible and medicinal species. Visitors can enjoy mushroom delicacies, attend cooking shows, and learn about the health benefits of different mushrooms.
Chuxiong Mushroom Festival: Chuxiong Yi Autonomous Prefecture, which is known for its rich variety of mushrooms, hosts a festival that includes mushroom picking, tasting events, and exhibitions. The festival also serves as a trade fair for mushroom growers and traders.
Yongren Mushroom Festival: In Yongren County, the mushroom festival includes a variety of activities such as mushroom exhibitions, academic exchanges, and cooking competitions. It is a platform for local farmers to showcase their mushrooms and for experts to discuss new findings and cultivation techniques.
Nanhua Mushroom Festival: Nanhua County is another location that celebrates its local mushroom diversity with a festival. This event often features the display of various mushroom species, cooking competitions, and discussions on sustainable mushroom harvesting.
Yunnan’s mushroom festivals are typically held during the rainy season, from June to August, which is the prime time for mushroom growth. These festivals serve multiple purposes:
Culinary Exploration: They provide a platform for locals and tourists to taste a wide variety of mushroom dishes prepared in traditional and modern ways.
Economic Opportunity: For local farmers and businesses, the festivals are an opportunity to sell a large quantity of fresh and processed mushrooms and to attract potential buyers from both domestic and international markets.
Cultural Exchange: The festivals are a celebration of the cultural significance of mushrooms in Yunnan’s diverse ethnic communities. They include traditional music, dance, and other cultural performances.
Education and Awareness: These events often have educational components, such as seminars on mushroom identification, sustainable harvesting, and cultivation techniques. They help in raising awareness about the ecological importance of mushrooms and the need to preserve their habitats.
Tourism: Mushroom festivals attract tourists from all over China and abroad, contributing to the local tourism industry and providing visitors with a unique cultural experience.
If you plan to attend any of these festivals, it’s advisable to check the specific dates and schedules, as they can change annually. Local tourism websites and cultural centers can provide the most current information. Remember that during festival times, accommodations can be in high demand, so it’s wise to book in advance.
Top Mushroom Hot Pot Restaurants in KunmingEvery year, from June to September, it is mushroom season in Yunnan province. This is when the fresh wild fungi finds an eager following all over the country but especially in the hotpot restaurants in the provincial capital Kunming. This is when timely visitors to Kunming will be treated to an all-natural feast.
The mushroom hotpot street in Kunming is along Guanxing Road, at Guanshang, near the old airport and Expo Center. The whole stretch is dotted with mushroom hotpot restaurants that serve only this specialty and are only open during this time of the year.
Some of the restaurants serve regular dishes at other times, but they, too, will be pushing the fresh mushrooms – all types, from the common porcini to the exclusive matsutake.
The seasonal popularity of these eateries can be seen by the number of cars double-parked on both sides of this four-lane road, which is also serviced by bus route No 122.
I was told in the old days, the varieties of mushrooms were always harvested wild from the mountains surrounding major towns in Yunnan. But because of the popularity of these fresh mushrooms all over China, they are now mostly cultivated to satisfy ever-growing consumer demands.
For someone not from Yunnan, the variety of mushrooms can be mind-boggling.
Their names are all strangely exotic and mostly derived from the physical characteristics of the mushrooms. Old man’s head mushrooms are reminiscent of an elderly gentlemen’s cropped scalp of white hair. Pig’s stomach and chicken drumstick are named for the tactile similarities to their namesakes, while the seafood mushroom supposedly tastes like, well, seafood.
There are other better-known and recognized varieties, like the lacy-white bamboo boletus and the highly prized and exorbitantly priced matsutake or pine mushrooms.
Matsutake were common both in price and quantity until Japanese tourists recognized them as a prized autumn delicacy. Pretty soon, prices went north.
Once, on a road trip from Yongsheng to Lijiang, we came across villagers by the roadside selling freshly picked matsutake wrapped in leaves. The ones that were not so well-formed were going for about 70 yuan ($11) per kilogram, but the better-looking mushrooms had an asking price of 120 yuan.
Our mushroom hotpot feast at Jin Chuan Wild Mushroom King in Kunming started with a huge pot of goose stock, into which was added sliced fresh arrowhead bulbs, day lily buds and sweet potato vermicelli. There were also leeks, lotus roots and Chinese lettuce, and a set assortment of mushrooms.
The hotpot restaurants take all precautions, and waitresses will cook the various mushrooms in careful order, and tell you when they are cooked and ready to eat. Trust them, because some of the wild mushrooms are mildly toxic until they are thoroughly cooked.
For a more substantial meal, we had steamed white rice, spring onion pancakes and pumpkin pancake with a red bean paste filling. It was all very affordable, but would have cost considerably more had we ordered additional plates of matsutake.
Visiting Kunming during mushroom season offers a unique opportunity to indulge in the region’s rich culinary heritage. Whether you’re a seasoned food lover or a curious traveler, exploring these mushroom hotpot restaurants promises a delightful and authentic taste of Yunnan.
English Name: Purple Pottery Firing Skill Protection in Wantao Village of Jianshui County, Honghe Chinese Name: 云南省红河州建水县碗陶村紫陶烧制技艺 Jianshui, a traditional folk craft dating back to the late Yuan and...
The Cuan Culture played a vital role in the evolutionary history of cultures in Yunnan by serving as a link between the Ancient Dian Culture and the Nanzhao-Dali Culture....
Mo Meiyan,Zhuang nationality,born in 1967, And Mo Meiyan,one of the best skilled ethnic emboroidery masters in China,the best ethnic embroidery master of Yunnan Province, the embroidery preceptor of Baisha...
Born in December,1975, He Zhengwen is the 24th Generation Naxi Dongba(Shaman),the Dongba Culture tutor of Baisha NaxiEmbroidery Institute. Special invited Intangible expert of Zhuhai ChineseIntangible Cultural Museum, important...
Born in Lijiang of the Naxi tribe, Yunnan province,in 1958 and graduated from the Fine Art Department of Beijing’s Central Academy of National Minorities in 1987.He always has been devoted to the study of modern Dongba-style painting and is ...
Xu Yunkui (徐云奎) is a highly acclaimed printmaking artist based in Lijiang, Yunnan Province. Born in 1956, he is renowned for his vibrant and intricate woodblock prints that blend...
Shaxi Aoding Courtyard in Dali is a boutique homestay blending Bai ethnic traditional architectural aesthetics with modern sojourn experiences, located in the core area of Shaxi Ancient Town, adjacent...
Tea eggs are a popular snack or appetizer enjoyed throughout China, including Yunnan province. Yunnan-style tea eggs often feature a unique blend of spices and seasonings, infusing the eggs...
The Wa ethnic group is one of the many ethnic minorities residing in Yunnan province, China. Their food culture reflects their unique traditions, local ingredients, and culinary practices. Here’s...
The Dai ethnic group, also known as the Thai people in China, boasts a rich and diverse food culture in Yunnan Province. Here’s an overview of Dai ethnic food...
Short Brief Yunnan Province in China is known for its rich biodiversity, which includes a vast array of mushroom species. Due to the region’s high humidity and large forested...
Top Mushroom Hot Pot Restaurants in KunmingEvery year, from June to September, it is mushroom season in Yunnan province. This is when the fresh wild fungi finds an eager...
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