Dao Yongguang – Inheritor of Dai Bamboo-weaving Craft in Jinggu County, Puer 

普洱市景谷县永平镇傣族竹编技艺传承人 – 刀永光

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Personal Background

Birth and Family:
Dai Baolian (代宝莲), female, Han ethnicity, was born in 1919 in Baiwuhe Village (白五合村), Matang Town (马塘镇), Wenshan City (文山市), Yunnan Province (云南省). She later married into Dazhai Village (大寨), Leshichong Township (乐诗冲乡). After her husband’s death, she remarried into a Li family in 1952 and had two sons and two daughters.

Skill Inheritance:
From a young age, Dai Baolian learned sewing and embroidery from her mother. She became highly skilled in creating traditional handmade crafts such as baby carriers, aprons, pillowcases, fabric sachets, children’s shoes, and hats.

Features of Embroidery and Fabric Art

Fabric Craftsmanship:
Her fabric creations often feature monkeys as the central motif, symbolizing the saying “monkeys picking beans drive away measles,” which conveys a wish for children’s health and protection against evil spirits.

Pattern Design:
Besides embroidery, she also excels in pattern design and can independently draw intricate floral, bird, and insect designs, showcasing her comprehensive artistic abilities.

Social Contributions

Helping Others Selflessly:
Most of her embroidery works were made to help neighbors and villagers rather than for commercial sale, embodying the simplicity and generosity of traditional folk artisans.

Cultural Preservation:
As a provincial-level intangible cultural heritage inheritor (recognized in 2017), Dai Baolian’s skills represent the unique style of folk embroidery in Wenshan (文山) and play a vital role in preserving and passing on local traditional culture.

Current Status and Influence

Although there is no recent public update on her personal status, her embroidery techniques continue to influence the local community. In recent years, new generations of embroidery inheritors, such as Wang Lufen (王陆芬), a National People’s Congress representative and Yi embroidery leader, have emerged in Wenshan Prefecture (文山州), pushing ethnic embroidery toward broader markets through industrial development.

Methods of Heritage Transmission and Promotion

Master-Apprentice Transmission:
Dai Baolian nurtured a group of young embroidery inheritors through traditional master-apprentice teaching. She not only taught embroidery techniques but also explained the cultural background and emotional significance of Zhuang (壮族) embroidery, ensuring the continuity of the craft.

Community Teaching and Activities:
She actively participated in community cultural activities, organizing villagers to learn Zhuang embroidery during the agricultural off-season. By holding embroidery competitions and folk activities, she sparked young people’s interest in embroidery.

School Education:
In collaboration with local schools, she carried out “Embroidery into Campus” programs. She regularly taught students, integrating Zhuang embroidery into school arts education through special interest groups.

Cultural Promotion and Innovation

Cultural Activities and Exhibitions:
Dai Baolian frequently participated in cultural activities, showcasing the unique charm of Zhuang embroidery and providing platforms for young apprentices to display their talents.

Innovation and Integration:
While maintaining the traditional characteristics of Zhuang embroidery, she also introduced modern design elements to make her works more appealing to contemporary aesthetics.

Combining Economy and Culture

Industrial Development:
Dai Baolian helped promote local economic development through her embroidery skills, transforming her artworks into commodities and increasing villagers’ income. She also utilized cooperative models to integrate resources and scale up embroidery industry development.

Intangible Cultural Heritage Protection and Rural Revitalization:
By actively participating in intangible cultural heritage protection activities and linking embroidery with rural revitalization efforts, she brought new vitality to Zhuang embroidery in modern society.

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Chen Shizhen (陈世珍), female, Han ethnicity, was born in 1921 in Leshichong Village (乐诗冲村), Leshichong Township (乐诗冲乡), Wenshan City (文山市), Wenshan Prefecture (文山州), Yunnan Province (云南省). She is a renowned master of panchui (盘绣) and kouhua (扣花, coiling embroidery) in the local area. Originally from Zhedi Village (者底村), Pingba Township (平坝乡), Wenshan City (文山县), she later married into Leshichong Village (乐诗冲村) and had two sons and two daughters.

Chen Shizhen received four years of formal education in her childhood, enabling her to read books and newspapers. Her embroidery, pattern design, and related skills were self-taught, primarily learning from her second aunt and by observing others. Driven by the necessities of life, she gradually mastered these crafts.

Craft Characteristics

Versatile Skills

Chen Shizhen is a versatile artisan, skilled in both embroidery and pattern drawing. Her main works include embroidered baby carriers, waistbands, apron flaps, and embroidered shoes. Among them, her signature creations are baby carriers made with the kouhua (扣花) technique.

Unique Kouhua Technique

Her kouhua method involves using two needles: one primary needle and another that wraps the thread around the main one, then secures it in place. This intricate coiling embroidery, known locally as kouhua (扣花), is highly time-consuming, with a single baby carrier taking about one month to complete.

Social Contributions

Chen Shizhen is not only excellent at needlework but is also adept at various rural tasks, making her a respected figure in the community. Her craftsmanship and works have earned great renown locally, significantly contributing to the inheritance and development of Zhuang (壮族) embroidery culture.

Transmission and Influence

Chen Shizhen’s embroidery skills have been passed down within her family and have influenced the local embroidery culture. Her works and techniques have become an important part of the Zhuang (壮族) embroidery heritage in Leshichong Village (乐诗冲村) and the broader Wenshan (文山) region.

Unique Aspects of Chen Shizhen’s Embroidery Art

1. Unique Kouhua Technique

Chen Shizhen excels in a distinctive kouhua (扣花) technique that involves using two needles to create coiled and secured stitches. This demanding and time-consuming method endows her works with exceptional artistic value and visual appeal.

2. Versatile Artistic Skills

Beyond embroidery, Chen Shizhen is highly skilled in pattern drawing and designing. Her main creations, such as baby carriers, waistbands, apron flaps, and embroidered shoes, demonstrate her mastery not only in technique but also in the artistic aspects of pattern and color coordination.

3. Unique Personal Style

Chen Shizhen’s works exhibit a distinctive personal style. Her pattern designs and color combinations blend traditional Zhuang (壮族) embroidery elements with modern design sensibilities, making her pieces both timeless and contemporary.

4. Integration of Tradition and Innovation

While faithfully preserving traditional embroidery techniques, Chen Shizhen also embraces innovation. She continuously experiments with new patterns and stitching methods, rejuvenating the traditional craft and enhancing both the functionality and aesthetic appeal of her works.

5. Contributions to Cultural Heritage

Chen Shizhen is not only a masterful embroidery artist but also an outstanding cultural inheritor. Through the “master-apprentice” model, she has trained a new generation of embroidery practitioners, ensuring the continuation of this traditional craft. Her reputation and contributions have played a vital role in preserving and promoting Zhuang (壮族) embroidery culture.

Chen Shizhen’s embroidery skills vividly showcase the unique charm of Zhuang (壮族) embroidery and have injected new vitality into the inheritance and development of this precious intangible cultural heritage.

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Introduction

Xiong Guangyuan (熊光元) is an inheritor of the woodcarving and painting traditions of the Yao ethnic group in Dongbo Township (洞波乡), Funing County (富宁县), Wenshan Prefecture (文山州). Dongbo Township (洞波乡) is one of the only two Yao ethnic townships in Wenshan Prefecture (文山州), home to Zhuang (壮族), Han (汉族), and Yao (瑶族) ethnic groups. Yao culture is rich and diverse, featuring unique woodcarving and painting techniques. As a cultural inheritor, Xiong Guangyuan (熊光元) not only preserved traditional Yao craftsmanship but also actively promoted its inheritance and development through his works and teaching activities.

Contributions of Xiong Guangyuan

Skills Transmission

Xiong Guangyuan (熊光元) has nurtured a group of young inheritors of woodcarving and painting through the traditional “master-apprentice transmission” method. He not only teaches technical skills but also explains the cultural background and emotional significance behind Yao woodcarving and painting.

Cultural Promotion

He actively participates in various cultural activities, showcasing the unique charm of Yao woodcarving and painting. His works and techniques enjoy a high reputation locally, making significant contributions to the inheritance and development of Yao culture.

Innovation and Integration

While maintaining the traditional characteristics of Yao woodcarving and painting, Xiong Guangyuan (熊光元) has also introduced appropriate innovations. He combines traditional techniques with modern design elements, making his works more aligned with contemporary aesthetic preferences.

Cultural Background of Dongbo Township

Dongbo Township (洞波乡) is located in the north-central part of Funing County (富宁县), and it is one of only two Yao ethnic townships in Wenshan Prefecture (文山州). Yao culture is vibrant and colorful, with unique woodcarving and painting skills. Yao villages practice the elder-led village system, and oral literature such as Bamboo Flute (《竹笛》), The Snail Girl (《田螺姑娘》), Legend of Fuxi (《伏曦传说》), and Three Sisters (《三妹》) are representative works of Yao oral traditions.

Conclusion

As a Yao ethnic woodcarving and painting inheritor in Dongbo Township (洞波乡), Xiong Guangyuan (熊光元) has made significant contributions to the inheritance and promotion of Yao culture through his exquisite craftsmanship and relentless efforts. His works not only showcase the unique charm of Yao culture but also inject new vitality into the inheritance and development of this intangible cultural heritage.

Speculated Innovations by Xiong Guangyuan

Although no specific details about Xiong Guangyuan’s (熊光元) innovative woodcarving works are currently available, based on common practices among other woodcarving artists, possible directions for his innovations can be inferred:

Integration with Modern Aesthetics

Xiong Guangyuan (熊光元) may combine traditional Yao woodcarving patterns with modern minimalist styles, creating pieces that better suit contemporary aesthetic preferences.

Introduction of New Technologies

He might use Computer-Aided Design (CAD) software to design intricate patterns, followed by precision machining through CNC (Computer Numerical Control) machines or laser cutting technologies, thereby improving production efficiency.

Fusion of Various Techniques

Xiong Guangyuan (熊光元) could integrate multiple carving techniques, combining traditional relief carving, openwork carving, and modern round carving methods to create works with enhanced three-dimensional and dynamic effects.

Innovation in Themes

He may incorporate elements from significant contemporary events or societal trends into his works, making his woodcarvings more reflective of the spirit of the times.

Practical and Artistic Integration

Xiong Guangyuan (熊光元) might create functional yet artistically valuable items, such as woodcarved furniture and decorative pieces, bringing woodcarving art into modern daily life.

Although specific examples of Xiong Guangyuan’s (熊光元) innovative woodcarving works are unavailable, it is reasonable to infer that, as a dedicated inheritor, he likely innovates appropriately while preserving the traditional essence of Yao woodcarving, in order to meet modern societal needs and aesthetic trends.

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Introduction to Quan Wankui

Quan Wankui (全万魁) is a Zhuang ethnic group (壮族) woodcarving artist from Nawei Village (纳尾村), Bangchang Village Office (蚌常村公所), Pingzhai Township (平寨乡), Qiubei County (丘北县), Wenshan Prefecture (文山州), Yunnan Province (云南省). He is a provincial-level inheritor of intangible cultural heritage, specializing in traditional furniture carving techniques using golden-thread betel wood (金丝黄榔木).

Personal Background

• Year of Birth: 1941
• Ethnicity: Zhuang (壮族)
• Hometown: Nawei Village (纳尾村), Bangchang Village Office (蚌常村公所), Pingzhai Township (平寨乡), Qiubei County (丘北县), Wenshan Prefecture (文山州), Yunnan Province (云南省)
• Early Experience: After graduating from junior high school, he engaged in farming and worked as a carpenter, gaining local fame before specializing in woodcarving techniques.

Inheritance of Skills and Achievements

Lineage of Learning

Quan Wankui’s (全万魁) carving skills mainly originate from studying the works of the late woodcarving artist Wang Xiaomao (王小貌) from the same village. Wang Xiaomao was highly skilled but passed away without taking on apprentices, leaving behind only a golden-thread betel wood (金丝黄榔木) ancestral altar.

Through studying Wang Xiaomao’s remaining work, Quan Wankui taught himself carving techniques, repeatedly practicing the blade techniques for petals and leaves’ yin and yang sides, eventually mastering the essence of golden-thread betel wood carving.

Artistic Characteristics

Quan Wankui excels at creating carved furniture from golden-thread betel wood (金丝黄榔木), known for its exquisite craftsmanship, practicality, and antique charm. His works are popular not only in Wenshan Prefecture (文山州) but also in nearby areas such as Honghe (红河) and Qujing (曲靖).

Contribution to Cultural Transmission

He has trained six apprentices and is committed to preserving this traditional craft from extinction.

Social Impact

Quan Wankui’s (全万魁) works hold significant artistic value and have contributed to the development of the local woodcarving industry. His craft has become one of the key examples of intangible cultural heritage preservation in Qiubei County (丘北县).

In recent years, Qiubei County (丘北县) has strengthened its efforts in intangible cultural heritage protection, with Quan Wankui’s craftsmanship recognized as an important component of the region’s ethnic culture.

Quan Wankui’s (全万魁) story reflects the perseverance and dedication of folk artists in preserving and passing down traditional craftsmanship. His golden-thread betel wood (金丝黄榔木) carving skills not only carry forward a nearly lost art but also contribute significantly to the development of the local cultural industry.

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Yang Jiali – Artisan of Zhizha Paper Art in Kaiyuan City, Honghe

Background and Artistic Journey

• Early Life: Yáng Jiālǐ was born in 1922 in Wǔmiào Street, Kāiyuǎn City. Due to poverty, he did not attend school and was illiterate. He began working as a helper at a young age.
• Learning Craft: While working for a family skilled in paper扎, Yáng Jiālǐ learned the craft through observation and practice. Impressed by his dedication and talent, the master eventually took him as an apprentice. After three years of training, he became independent and started his own practice.

Artistic Achievements

• Versatility: Yáng Jiālǐ is known for his versatility in creating paper扎 works for various occasions, including funerals, festivals, and celebrations. His works range from traditional paper figures to colorful lanterns, boats, and animals.
• Recognition: His contributions to the preservation and promotion of paper扎 art have earned him recognition as a provincial-level representative inheritor of intangible cultural heritage.

Heritage and Challenges

• Current Status: Due to his advanced age, Yáng Jiālǐ now focuses on simpler paper扎 projects. Unfortunately, his children are not interested in learning the craft, leaving him without direct heirs.
• Cultural Impact: Despite the challenges of modernization and changing cultural practices, Yáng Jiālǐ’s work continues to inspire appreciation for traditional paper扎 art.

Zhizha: Taoist paper art, is a type of traditional craft, mainly used as offerings in Taoist festive celebrations and funerals.

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Ang Junkui – Inheritor of Yi Folk Arts and Crafts in Mile County, Honghe

Personal Experience

• Early Life and Learning: Born in 1957, Ang Junku started learning to make traditional Yi ethnic musical instruments such as the big three-string, small three-string, three-stringed fiddle, and flute after graduating from middle school and working as a farmer. At the age of 25, he began studying under Yi ethnic teachers.
• Skill Development: In addition to mastering musical instrument making, Ang Junku also learned the craft of building traditional rural earthen structures and studied the art of making animal-shaped dough sculptures (e.g., lions, oxen, deer, elephants, and horses) used in Yi ethnic sacrificial rituals. His dedication and hard work quickly elevated his skills, earning him high regard among the local Yi community.
• Contributions to Tradition: Ang Junku has made hundreds of big three-string instruments for the local cultural center and produced various smaller musical instruments for his village. His expertise in animal dough sculptures and his ability to design over 20 traditional earthen houses for local farmers have made him a versatile and respected folk artist in the Yi community.

Craft Features

• Musical Instrument Making: Ang Junku’s craftsmanship in making musical instruments is exceptional. His instruments, such as the big three-string and small three-string, are not only of high sound quality but also beautifully crafted. These instruments play a vital role in local folk activities and contribute significantly to preserving Yi ethnic musical culture.
• Dough Sculpture Art: His dough sculptures are lifelike and artistically valuable, often used in Yi ethnic sacrificial rituals. These works reflect rich cultural significance and are an essential part of Yi traditions.

Legacy and Recognition

• Position as a Heritage Bearer: Ang Junku is a key inheritor of Yi ethnic folk crafts in Xisan Township, Mile County. His work has had a wide-reaching impact within the local Yi community, playing a critical role in preserving and promoting Yi folk traditions.
• Awards and Honors: In 2017, Ang Junku was recognized as a provincial-level representative inheritor of intangible cultural heritage in Honghe Prefecture, specializing in dough sculpture and traditional musical instrument making. This honor acknowledges both his skills and his contributions to the preservation of Yi ethnic crafts.

Current Status and Influence

• Continuing Legacy: Ang Junku actively engages in passing down his skills by teaching apprentices and participating in cultural activities. He strives to cultivate a new generation of Yi folk craftsmen, injecting fresh vitality into the preservation and development of Yi culture.
• Cultural Impact: His works and craftsmanship have not only gained recognition in Xisan Township but have also had a positive influence beyond the region. They showcase the unique charm of Yi folk crafts and play an important role in promoting and preserving the excellent traditional culture of the Yi people.

Bai Xiaobai – Master of Yi Embroidery and Paper-cut in Honghe County, Honghe

Personal Background

Craft Features

• Embroidery Skills: Her embroidery works are known for their unique design concepts, exquisite layout, and vibrant colors. They retain the traditional characteristics of the Yi Nisu people while incorporating innovative elements, making them widely popular.
• Paper-Cutting Skills: She can create vivid patterns of landscapes, flowers, birds, dragons, and phoenixes without pre-designed templates, showcasing her exceptional artistic talent.

Legacy and Contributions

• Skill Transmission: Bai Xiaobo actively organizes free embroidery training sessions to cultivate a new generation of embroiderers and encourages more young women to join the effort to preserve embroidery culture.
• Cooperative Development: In 2014, she initiated the establishment of Honghe County’s first hand-embroidery cooperative, adopting a “company + cooperative + embroiderers” business model. This initiative has enabled rural women to achieve flexible employment and has turned embroidery into a prosperous industry for local villagers.
• Cultural Promotion: She has introduced embroidery skills to schools multiple times, allowing teachers and students to experience the charm of Yi embroidery and paper-cutting. Through cultural exchange activities, she has also helped Yi embroidery reach broader markets.

Influence and Honors

• Bai Xiaobo has been named a provincial-level folk art craftsman and representative inheritor of intangible cultural heritage by the Yunnan Provincial Department of Culture and Tourism.
• Her works have been showcased and awarded at various provincial and prefectural cultural industry expos.
• Through six decades of dedication, she has revitalized Yi embroidery in the modern era, making significant contributions to rural revitalization and cultural preservation.

Personal Background

Craft Features

• Material Selection: Chen Shiming carefully selects bamboo that is three to five years old, as it has the optimal density, strength, and flexibility. The bamboo is harvested between winter and early spring to ensure quality.
• Bamboo Processing: He skillfully splits the bamboo into narrow strips, shaves off the outer green layer, and uses heat to shape the bamboo pieces to the required forms.
• Weaving Techniques: Using various techniques such as lifting, pressing, twisting, and interlocking, Chen Shiming weaves the bamboo strips into intricate patterns and diverse shapes.
• Finishing and Polishing: After weaving, he trims excess strips and polishes the piece with sandpaper or small tools to achieve a smooth, polished finish.

Weaving Techniques and Patterns

• Warp and Weft Technique: This foundational method weaves bamboo strips in a cross pattern, providing a base structure. Chen Shiming enhances this basic method by adding other techniques such as sparse weaving, locking, and lacing, creating complex and diverse patterns.
• Color Matching: For colorful creations, he uses dyed bamboo strips, interweaving them to produce vivid, striking designs.

Styles and Regional Characteristics

• Local Style: Chen Shiming’s works reflect the local characteristics of Jinsuihe Town, incorporating traditional patterns and modern elements to create unique bamboo products.

Legacy and Contributions

• Skill Transmission: Chen Shiming actively organizes training sessions to teach the younger generation bamboo-weaving skills, ensuring the continuation of this cultural heritage.
• Local Industry Development: He has played a key role in promoting the local bamboo-weaving industry, helping to create employment opportunities and increase the income of local residents.
• Cultural Promotion: Through participation in various exhibitions and cultural activities, Chen Shiming has increased the visibility of Jinsuihe Town’s bamboo-weaving craft, attracting more attention and support.

Influence and Honors

• Chen Shiming’s works have gained wide recognition and have been showcased at various cultural exhibitions and fairs.
• His dedication and contributions to the preservation and promotion of bamboo-weaving craft have earned him respect and honor within the local community and beyond.

Pu Qingying – Master of Yi Embroidery and Paper-cut in Gejiu City, Honghe 

个旧市大屯镇彝族刺绣、剪纸能手 – 普庆英

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Personal Background

Craft Features

• Material Selection: Yang Zhanben carefully selects high-quality wood, stone, bamboo, or tree roots as his materials. His works are known for their durability and fine texture.
• Techniques: He employs various carving techniques such as round carving, relief carving, and openwork carving to create intricate and detailed designs. His works often feature traditional patterns like “Dragon and Phoenix Presenting Auspiciousness” and “Magpies Contending for Plum Blossoms,” as well as his own creative designs.
• Artistic Style: Yang Zhanben’s woodcarving works are highly regarded for their lifelike appearance and unique style. His ability to blend artistry with practicality has made his works both aesthetically pleasing and functional.

Legacy and Contributions

• Skill Transmission: Yang Zhanben has been actively involved in passing down his woodcarving skills to the younger generation. He has trained his two sons, ensuring the continuation of this cultural heritage.
• Cultural Promotion: His works have gained widespread recognition and have been showcased at various exhibitions and cultural events. Through his art, he has helped to raise awareness of traditional woodcarving techniques and their cultural significance.
• Economic Impact: By selling his woodcarving works, Yang Zhanben has not only supported his family but has also contributed to the local economy. His efforts have inspired other community members to engage in this craft, creating additional income opportunities.

Influence and Honors

• Yang Zhanben’s dedication and exceptional skills have earned him numerous honors. In 1999, he was awarded the title of Yunnan Provincial Folk Artisan by the Yunnan Provincial Department of Culture.
• His works have been featured in various publications and exhibitions, further cementing his status as a respected figure in the realm of woodcarving arts.

Personal Background

Craft Features

• Material and Techniques: Yang Zhengfan excels in various classical painting techniques, including “堆金” (gold stacking) and “沥粉” (powder application), which involve creating three-dimensional patterns using paper pulp and mud. His works often feature intricate designs such as figures, flowers, birds, and landscapes.
• Artistic Style: His paintings are known for their vibrant colors, delicate brushwork, and a blend of traditional and innovative elements. His ability to integrate artistic beauty with practical functionality has made his works both visually stunning and culturally significant.

Legacy and Contributions

• Skill Transmission: Yang Zhengfan has actively passed down his painting skills to younger generations. He has taken on several apprentices, ensuring the continuation of this cultural heritage.
• Cultural Promotion: His works have been showcased in various exhibitions and cultural events, raising awareness of classical painting techniques and their cultural significance. Through his art, he has helped to preserve and promote the rich cultural traditions of Jianshui County.
• Economic and Social Impact: By selling his paintings, Yang Zhengfan has not only supported his family but also contributed to the local economy. His efforts have inspired other community members to engage in this craft, creating additional income opportunities and fostering a sense of pride in local cultural heritage.

Influence and Honors

• Yang Zhengfan’s dedication and exceptional skills have earned him numerous honors. His works have been featured in various publications and exhibitions, further cementing his status as a respected figure in the realm of classical painting arts.
• His contributions to the preservation and promotion of classical painting have been widely recognized, and he is considered one of the most influential artists in the region.

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Dao Yongguang – Inheritor of Dai Bamboo-weaving Craft in Jinggu County, Puer 

Dao Yongguang – Inheritor of Dai Bamboo-weaving Craft in Jinggu County, Puer  普洱市景谷县永平镇傣族竹编技艺传承人 – 刀永光 http://www.ynich.cn/view-ml-13111-2643.html...

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• Honghe
• Honghe County
• Inheritors of Intangible Cultural Heritage in Honghe
• Yi Ethnic Minority

Cheng Shiming – Bamboo-weaving Craftsman in Jinping County, Honghe 

Chen Shiming is a bamboo-weaving craftsman from Jinsuihe Town, Jinping County, Yunnan Province. He is highly skilled in bamboo weaving and has made significant contributions to preserving and promoting...

Culture    Veiw

• Honghe
• Inheritors of Intangible Cultural Heritage in Honghe
• Jinping County
• Yi Ethnic Minority

Pu Qingying – Master of Yi Embroidery and Paper-cut in Gejiu City, Honghe

Pu Qingying – Master of Yi Embroidery and Paper-cut in Gejiu City, Honghe  个旧市大屯镇彝族刺绣、剪纸能手 – 普庆英 http://www.ynich.cn/view-ml-13111-2633.html...

Culture    Veiw

• Gejiu
• Honghe
• Inheritors of Intangible Cultural Heritage in Honghe
• Yi Ethnic Minority

Yang Zhanben – Inheritor of Wood -carving Craft in Mengzi County, Honghe

ang Zhanben is a woodcarving craftsman from Xin’ansuo Town, Mengzi County, Yunnan Province. Below is a detailed introduction about him: Personal Background Yang Zhanben was born in 1941 in...

Culture    Veiw

• Han Chinese
• Honghe
• Inheritors of Intangible Cultural Heritage in Honghe
• Mengzi

Yang Zhengfan – Master of Color Painting in Jianshui County, Honghe

Yang Zhengfan is a classical painting craftsman from Jianshui County, Honghe Prefecture, Yunnan Province. Below is a detailed introduction about him: Personal Background Yang Zhengfan was born in 1922...

Culture    Veiw

• Han Chinese
• Honghe
• Inheritors of Intangible Cultural Heritage in Honghe
• Inheritors of Intangible Cultural Heritage in Jianshui
• Jianshui County