Shen Jie – Representative Inheritor of Hani Ethnic Costume-making Skill Project in Gasa Town, Jinghong

西双版纳州景洪市嘎洒镇哈尼族服饰项目代表性传承人- 申杰

http://www.ynich.cn/view-ml-13111-3165.html

Li Heniu – Representative Inheritor of Hani Ethnic Costume-making Skill Project in Honghe County, Honghe

Li Heniu is recognized as a representative inheritor of the Hani ethnic costume project in Yangjie Village, Honghe County, Honghe Prefecture, Yunnan Province. He plays a vital role in preserving the traditional methods and aesthetic features of Hani clothing, ensuring that the cultural identity and artistic heritage of the Hani people are maintained and passed on to future generations.

Key Aspects and Cultural Significance

• Preservation of Tradition:
  Li Heniu safeguards the unique techniques and intricate designs characteristic of Hani ethnic costumes. His work involves traditional embroidery, fabric dyeing, and tailoring practices that have been refined over generations, embodying the spirit and history of the Hani community.

• Cultural Innovation:
  While firmly rooted in tradition, Li Heniu also explores creative adaptations that resonate with contemporary audiences. His efforts help bridge the gap between historical practices and modern cultural expressions, ensuring the relevance of Hani costumes in today’s society.

• Community Impact:
  As a key figure in the Hani costume project, Li Heniu not only contributes to cultural preservation but also inspires local youth and artisans. His work promotes cultural tourism and education, drawing attention to the rich heritage of the Hani people and fostering pride within the community.

Li Heniu’s dedication to the craft of Hani costume making makes him an indispensable cultural ambassador for the Hani ethnic group. Through his skillful artistry and commitment to preserving traditional techniques, he continues to play an essential role in maintaining the cultural legacy of Yangjie Village and the broader Hani community in Honghe Prefecture.

http://www.ynich.cn/view-ml-13111-3167.html

Zhang Yueqiu – Representative Inheritor of Jianchuan Wood-carving Project in Jianchuan County, Dali 

大理州剑川县甸南镇剑川木雕技艺项目代表性传承人 – 张月秋

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The news was updated on June 3, 2019. 

The 5th International Lacquerware Exhibition (Yunnan province, China) opened on May 29 in Kunming. It is jointly held by Yunnan Provincial Museum and Tianxue Lacquerware Art Academy of Yunnan. 

Themed “coming from Hemudu,” the exhibition sees 100 lacquer art pieces from China, the US, the UK, France, Japan and Korea on display this year. The event will last until June 9, with free admission for Kunming citizens. 

A number of “fusion lacquer artworks” hybridized with wood, cloth, porcelain, clay, feather, metal or even glass have come into sight. Most of them are made by artists with international fame, including the combing Dai girl by Qiao Shiguang, wishing boat by Onishi Nagatoshi, and the tray by Kim Sungsoo.

The exhibition calls for the use of natural lacquer material, as a means to promote the ideas of green life, health, and environmental protection.

Those lacquer artists from Japan, Korea, France and the US will arrive in Kunming on June 9 to attend a symposium, which covers topics such as the application of green lacquer material, fashion and lacquer, lacquer in modern art, and so forth.

The lacquer arts in Yunnan province, marked by some distinctive features, can be traced back to the Qin Dynasty (221-206 BC). 

A group of lacquer works made by the Yi minority people hundreds of years ago are now collected by the Palace Museum of the Forbidden City in Beijing.

“Yunnan’s lacquer and textile craftsmanship are the best in China,” according to Shen Defu, a writer of the Ming Dynasty who lived about 400 years ago. Lacquer artisans also held a special position in the history of Yunnan.

Zhang Qingchang – Representative Inheritor of Jianchuan Wood-carving Project in Jianchuan County, Dali 

大理州剑川县金华镇剑川木雕技艺项目代表性传承人 – 张庆昌

http://www.ynich.cn/view-ml-13111-3158.html

Yang Benlei – Representative Inheritor of Yi Traditional Medicine Project in Lucheng Town, Chuxiong 

楚雄州鹿城镇彝族医药项目代表性传承人 – 杨本雷

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Yu Huixiang – Representative Inheritor of Yi Traditional Medicine Project in Lufeng County, Chuxiong 

楚雄州禄丰县舍资镇彝族医药项目代表性传承人 – 余惠祥

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Yin Nong – Representative Inheritor of Dai and Naxi Manual Paper-making Craft Project in Gengma County, Lincang 

临沧市耿马县孟定镇傣族、纳西族手工造纸技艺项目代表性传承人 – 引弄

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Yu Nannan (玉喃囡), born in 1956 in Manyan Village (曼燕村), Mengzhe Town (勐遮镇), Menghai County (勐海县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), is a representative inheritor of Dai slow-wheel pottery making (傣族慢轮制陶技艺). Growing up in a traditional pottery-making family, she mastered the craft in her teens and has become one of the most skilled Dai pottery artisans in Menghai County.

Technical Characteristics

The Art of Slow-wheel Pottery

This ancient technique features:

• Hand-building on slow-turning wheels
• Textured surfaces created with patterned wooden paddles
• Clay mixed with sand for improved workability

The complete process includes:

1. Pounding and sifting clay
2. Mixing with sand and water
3. Installing the turntable
4. Coiling and shaping
5. Paddling to create patterns
6. Drying and firing

Preservation Efforts

Passing the Legacy

As a master artisan, Yu Nannan:

• Maintains authentic traditional methods
• Trains new generations of potters
• Supports the construction of a Slow-wheel Pottery Experience Center

This upcoming center will:

• Exhibit traditional Dai pottery
• Offer hands-on workshops for visitors
• Promote cultural tourism

Recognized as a National Intangible Cultural Heritage, Dai slow-wheel pottery embodies the Dai people’s cultural memory and aspirations for a beautiful life.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3153.html

Yu Nan’en (玉南恩), provincial representative inheritor of Dai slow-wheel pottery (傣族慢轮制陶技艺), hails from Manfeilong Village (曼飞龙村), Menglong Town (勐龙镇), Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州). Beginning her pottery journey at 19, she has dedicated over 30 years to preserving this ancient craft. Married into a 10-generation pottery family where both her grandmother-in-law and mother-in-law were master potters, Yu continues their legacy by producing thousands of functional wares and decorative pieces annually using traditional methods.

The Artisan’s Craft

Time-Honored Techniques

This Neolithic-era pottery method features:

• Hand-building on manually-rotated wheels
• Distinctive textured surfaces created with carved wooden paddles
• Reinforced clay bodies using local sand mixtures

The complete 10-step process:

1. Clay preparation (pounding/sifting)
2. Material mixing (clay/sand/water)
3. Turntable setup
4. Coil construction
5. Pattern imprinting
6. Sun drying
7. Kiln preparation
8. Wood-firing

Cultural Stewardship

Passing the Wheel

Yu Nan’en’s preservation efforts include:

• Training 2,000+ apprentices
• Pioneering “Intangible Heritage + School” programs
• Hosting student workshops to raise awareness
• Improving family income through cultural production

Her pottery bridges:

• Generations (teaching youth)
• Ethnic groups (adopted by Han, Blang, and Hani communities)
• Nations (exported to Thailand/Myanmar)

Socioeconomic Impact

Clay That Builds Communities

In 2023 alone, Manfeilong Village (曼飞龙村) saw:

• 10,000+ cultural tourists
• 600,000+ RMB dining revenue
• 2,000,000+ RMB collective income growth

Yu’s works combine:

• Modern functionality
• Ethnic artistry
• Economic viability

As this provincial-level intangible cultural heritage inheritor continues her mission, each hand-shaped vessel carries forward a millennium of Dai wisdom into the future.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3154.html

Yan Wenhanzai (岩温罕在), born in 1951 in Manxiao Village (曼校村), Manda Village Committee (曼达村委会), Gasa Town (嘎洒镇), Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), is the provincial-level representative inheritor of Dai traditional rocket (高升) making techniques.

Technical Mastery

The Rocket Maker’s Journey

Apprenticed in 1980 under master Yan Xianghe (岩香贺) from Gasa Manda Village (嘎洒曼达村), Yan Wenhan mastered:

• Precise gunpowder formulation
• Secure powder packing techniques
• Traditional bamboo binding methods
• Ornamental decoration skills

Innovations in Tradition

Modernizing an Ancient Craft

Yan’s groundbreaking improvements include:

Material revolution – Replacing bamboo powder chambers with lightweight paper tubes

Safety enhancements – Refined construction for stable launches

Pyrotechnic optimization – Customized gunpowder mixtures for:

• Stronger thrust
• Stable trajectories
• Future multicolor effects

Aesthetic upgrades – Vibrant decorations complementing the rockets’ thunderous ascent

Cultural Impact

Rockets That Unite Communities

During Water Splashing Festival (泼水节):

• Yan’s rockets sell out immediately
• Buyers travel from distant villages
• Six apprentices continue his legacy since 1990

His creations are celebrated for:

• Brilliant chromatic displays
• Powerful vertical ascent
• Resonant sonic booms

Preservation Legacy

Passing the Flame

Yan Wenhanzai’s dual mission:

Technical innovation to advance the craft

Intergenerational transmission through:

• Hands-on apprenticeships
• Community demonstrations
• Cultural promotion

Through these efforts, this provincial intangible cultural heritage inheritor ensures Dai rocketry remains both a living tradition and evolving art form.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3156.html

Wang Lizhu is recognized as the inheritor of the production techniques of Mengzi “Crossing Bridge Rice Noodles” in Honghe Prefecture, Yunnan Province. This traditional culinary art is renowned for its meticulous preparation process and the distinctive flavor that sets it apart as a local specialty.

Key Aspects and Cultural Significance

• Artisanal Craftsmanship:
  Wang Lizhu has mastered the unique techniques involved in making Crossing Bridge Rice Noodles. This process typically involves carefully preparing a steaming hot, rich broth, freshly made rice noodles, and a variety of ingredients that are combined at the table. The delicate balance of these components creates a dish that is both aromatic and satisfying.

• Cultural Preservation:
  As an inheritor of this traditional culinary technique, Wang Lizhu plays a vital role in preserving an important part of Yunnan’s gastronomic heritage. Her expertise ensures that the authentic methods passed down through generations are maintained, contributing to the continuity of local culture.

• Local and Regional Impact:
  The art of making Crossing Bridge Rice Noodles is not only a culinary tradition but also a cultural symbol in the region. By continuing this practice, Wang Lizhu helps promote local tourism and cultural pride, enabling both residents and visitors to appreciate the rich history and flavor of Honghe cuisine.

Conclusion

Through her dedication and skill, Wang Lizhu ensures that the art of making Mengzi Crossing Bridge Rice Noodles remains vibrant and true to its roots. Her contributions are a testament to the importance of preserving traditional culinary techniques and highlight the unique cultural heritage of Honghe Prefecture in Yunnan Province.

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Shen Jie – Representative Inheritor of Hani Ethnic Costume-making Skill Project in Gasa Town, Jinghong

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Zhang Yueqiu – Representative Inheritor of Jianchuan Wood-carving Project in Jianchuan County, Dali 

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Yang Benlei – Representative Inheritor of Yi Traditional Medicine Project in Lucheng Town, Chuxiong  楚雄州鹿城镇彝族医药项目代表性传承人 – 杨本雷 http://www.ynich.cn/view-ml-13111-3159.html...

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Yin Nong – Representative Inheritor of Dai and Naxi Manual Paper-making Craft Project in Gengma County, Lincang 

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Yu Nannan (玉喃囡), born in 1956 in Manyan Village (曼燕村), Mengzhe Town (勐遮镇), Menghai County (勐海县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), is a representative inheritor of Dai slow-wheel pottery...

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