Bao Edao – Representative Inheritor of Wa Wood-carving Project in Cangyuan County, Lincang 

临沧市沧源县勐董镇佤族木雕制作技艺项目代表性传承人 – 鲍俄到

http://www.ynich.cn/view-ml-13111-3116.html

Bo Konglun – Representative Inheritor of Pattra-leaf Scriptures Project in Menghan Town, Jinghong 

西双版纳州景洪市勐罕镇贝叶经制作技艺项目代表性传承人 – 波空论

http://www.ynich.cn/view-ml-13111-3113.html

Bo Yinghan (波应罕) serves as the representative inheritor of Dai Pāla-leaf manuscript (贝叶经) production techniques in Mengla Town (勐腊镇), Mengla County (勐腊县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州).

Pu Jinliang – Representative Inheritor of Yi-style Wrestling Project in Yuanmou County, Chuxiong 

楚雄州元谋县凉山乡彝族式摔跤项目代表性传承人 -普金亮

http://www.ynich.cn/view-ml-13111-3106.html

Sha Yingxiang – Representative Inheritor of  Spinning Top Project in Shuangjiang County, Lincang

临沧市双江县沙河乡打陀螺项目代表性传承人 – 沙应详

http://www.ynich.cn/view-ml-13111-3108.html

Pu Qinghua – Representative Inheritor of Yi Paper-cut Project in Shiping County, Honghe

http://www.ynich.cn/view-ml-13111-3109.html

Learning and Inheritance

Yang Taimin, a Zhuang (壮族) man born in 1955, hails from Xiaba Village (下坝村), Jiejie Township (鸡街乡), Xichou County (西畴县), Wenshan Zhuang and Miao Autonomous Prefecture (文山壮族苗族自治州).
At the age of 13, he began learning the Zhuang (壮族) fish-drum (渔鼓) art and the “Niutou Dance” (牛头舞), along with other Zhuang folk dances, under the guidance of master Yang Peiquan (杨佩全). He also learned how to make and play musical instruments such as flutes and erhus.
After the death of Yang Peiquan in 1988, Yang Taimin took on the responsibility of inheriting Zhuang traditional culture. He began organizing young villagers to rehearse and perform traditional Zhuang fish-drum (渔鼓) acts, “Nong Ya Wai” (弄娅歪), “Handkerchief Dance” (手巾舞), and other folk arts and performances, forming a rural amateur art troupe.

Inheritance and Innovation

Yang Taimin frequently led the troupe to participate in various performances organized by the prefecture, county, and township levels, earning numerous awards and widespread acclaim. He is widely recognized by local people as a key representative figure of traditional Zhuang (壮族) culture.
Moreover, he has passed down his skills to his son Yang Xianhui (杨先辉) and to cultural talents such as Lu Daikui (陆代葵).

Cultural Significance

The Zhuang (壮族) Fish-Drum “Zhuang Ba” (庄巴) is a form of folk art passed down among the Zhuang people in Xichou County (西畴县), Wenshan Zhuang and Miao Autonomous Prefecture (文山壮族苗族自治州), Yunnan Province (云南省). It embodies strong local ethnic cultural characteristics and was listed by the People’s Government of Yunnan Province in June 2005 as part of the first batch of provincial intangible cultural heritage protection programs.

Innovations by Yang Taimin to Revitalize the Fish-Drum Art

Innovating Performance Forms

Enriching Performance Content:
Yang Taimin not only preserves traditional forms such as mourning tunes but also integrates themes from modern life and the spirit of the times. He and his troupe created fish-drum programs reflecting modern rural life, making the content more relatable to contemporary audiences and enhancing emotional resonance.

Integrating Multiple Art Forms:
In performances, Yang Taimin combines the Zhuang (壮族) fish-drum with folk dances like “Niutou Dance” (牛头舞) and “Handkerchief Dance” (手巾舞), creating more colorful and diverse stage presentations. This fusion enriches performance expression and draws greater audience attention.

Cultivating Successors

Forming an Art Troupe:
Starting in 1988, Yang Taimin organized local youth to rehearse and perform traditional Zhuang (壮族) fish-drum and other folk arts, establishing a rural amateur art troupe. Through the “master-apprentice” model, he taught his skills to his son Yang Xianhui (杨先辉) and cultural talents like Lu Daikui (陆代葵), ensuring the continuity of the tradition.

Conducting Training Activities:
Yang Taimin actively participated in training courses organized by local cultural departments, teaching fish-drum making and performance skills. These activities broadened the influence of the fish-drum and inspired more people to engage with this traditional art form.

Integrating Modern Elements

Creating New Pieces:
Working with cultural workers, Yang Taimin composed modern fish-drum pieces such as “Leading the Way in Mountain-Splitting and Water-Diverting” (劈山引水带头人), “Five Songs for Democratic Elections” (五唱民主选举), and “Five Brothers Burying Their Father” (五兄弟葬父). These new compositions retain the traditional style of fish-drums while incorporating modern musical elements and the spirit of the times, diversifying artistic expression and meeting modern aesthetic tastes.

Using Modern Instruments:
In addition to the traditional fish-drum and simple clappers, he incorporated modern instruments such as flutes, erhus, jinghus, cymbals, and gongs. This innovation enriched the musical layers and made performances livelier and more engaging.

Expanding Dissemination Channels

Participating in Performance Activities:
Yang Taimin regularly led his troupe to perform at cultural events at the prefecture, county, and township levels, winning multiple awards. Through these performances, he showcased the charm of Zhuang (壮族) fish-drums and increased their visibility and influence.

Using New Media Platforms:
With the rise of new media, Yang Taimin actively used platforms like Douyin (抖音) to promote the Zhuang (壮族) fish-drum. Through short videos and livestreams, he demonstrated the making process and performance techniques, attracting large numbers of followers and likes, thus spreading Zhuang (壮族) fish-drum culture to a broader audience.

Through these innovative initiatives, Yang Taimin has injected new vitality into the Zhuang (壮族) fish-drum tradition, allowing it to flourish in modern society and making significant contributions to the preservation and development of this invaluable intangible cultural heritage.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3101.html

Luo Hongming, born in 1970, is a representative inheritor of the provincial-level intangible cultural heritage project of Blowgun (吹枪) craftsmanship. Since childhood, he learned the blowgun skills from his elders. Luo Hongming has repeatedly achieved excellent results in blowgun competitions. In the 12th Yunnan Provincial Ethnic Games (云南省第十二届民族运动会), he won second place in the men’s standing blowgun competition. Additionally, he has represented Wenshan Prefecture (文山州) in numerous provincial and national competitions, making significant contributions to promoting the blowgun sport.

Inheritance and Promotion

Luo Hongming actively participates in the transmission of blowgun skills. He not only teaches in his hometown, Malin Village (马林村) of Donggan Town (董干镇), but also takes part in many intangible cultural heritage practice activities, showcasing the charm of the blowgun to a broader audience. His cousin, Luo Hongfu (罗洪福), is also a prefecture-level inheritor of the blowgun project. As both competitors and family members, they jointly promote the development of blowgun sports.

Cultural Significance

The blowgun is a traditional sports item of the Miao ethnic group (苗族) with a long history and deep cultural significance. It serves not only as a hunting tool but also plays an essential role in competitions and festivities like the Huashan Festival (花山节). As an inheritor, Luo Hongming has contributed greatly to raising awareness and love for this traditional craft through competitions and teaching, helping to protect and pass on this intangible cultural heritage.

Innovative Transmission Methods of Luo Hongming

Bringing Blowgun Skills into Schools

Luo Hongming actively participates in the “Intangible Cultural Heritage into Schools” (非遗进校园) program, bringing blowgun skills into classrooms. In collaboration with local schools, he regularly teaches students about the history, crafting techniques, and shooting skills of blowguns. This approach allows students to engage closely with blowgun culture and sparks their interest in traditional craftsmanship.

Establishing Training Bases for Systematic Training

A blowgun training base has been established in Malipo County (麻栗坡县), providing a professional training ground for enthusiasts. Here, Luo Hongming and other coaches offer systematic training on basic operations, aiming techniques, and competition rules. Through regular training and competitions, trainees have significantly improved their skills.

Organizing Competitions to Provide Practical Opportunities

Luo Hongming actively organizes various blowgun competitions, ranging from local to provincial and national levels. Through these competitions, young people not only get opportunities to showcase their skills but also learn from other participants, greatly enhancing their technical proficiency. This “learning through competition” model has significantly fueled their enthusiasm for learning.

Integrating Modern Teaching Methods to Improve Learning Outcomes

During his teaching, Luo Hongming integrates modern educational tools such as multimedia presentations to showcase the history and crafting process of blowguns. He also uses live demonstrations and interactive teaching to help students intuitively grasp blowgun techniques. This diversified teaching approach has improved learning outcomes and attracted more young participants.

Cultivating Inheritors and Expanding the Transmission Team

Luo Hongming places great emphasis on cultivating new generations of inheritors. Besides teaching technical skills, he also instills the cultural significance and historical value of blowguns in his students. Through a “master-apprentice” system, he has trained a group of young blowgun enthusiasts, laying a solid foundation for the future transmission of the craft.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3104.html

Mu Tianguang – Representative Inheritor of  Spinning Top Project in Shuangbai County, Chuxiong 

楚雄彝族自治州双柏县大麦地镇打陀螺项目代表性传承人 – 木天光

http://www.ynich.cn/view-ml-13111-3105.html

Luo Ying  – Representative Inheritor of Yi Meige Folk Song Project in Yao’an County, Chuxiong 

楚雄彝族自治州姚安县屯乡彝族梅葛项目代表性传承人 – 罗英

http://www.ynich.cn/view-ml-13111-3097.html

Yi Xiang (依香) is the recognized inheritor of Dai Zhangha (傣族章哈), a traditional singing/storytelling art form, in Mengla Town (勐腊镇), Mengla County (勐腊县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州).

Artistic Mastery

Preserving an Oral Tradition

Specializing in:

• Traditional epic narration (Dai historical poems)
• Improvisational singing
• Ceremonial performance (weddings, festivals)
• Instrumental accompaniment (usually with bamboo flute or string instruments)

Performance Characteristics

The Art of Zhangha

Key elements of Yi Xiang’s artistry:

Vocal Techniques

• Distinctive nasal resonance
• Complex melodic ornamentation

Repertoire

• 30+ traditional epic poems
• Contemporary compositions

Cultural Context

• Buddhist themes
• Agricultural cycle celebrations
• Life passage rituals

Transmission Efforts

Teaching the Next Generation

Yi Xiang’s preservation work includes:

Community Workshops

• Vocal training for youth
• Instrument making seminars

Academic Collaborations

• Documentation with ethnologists
• University lecture-demonstrations

Innovative Presentations

• Festival performances
• Digital media projects

Cultural Significance

More Than Entertainment

As a living repository of:

• Dai oral history
• Buddhist philosophy
• Traditional aesthetics

Yi Xiang ensures this UNESCO-listed intangible heritage continues to resonate with both Dai communities and global audiences.

For Chinese version please go to:
http://www.ynich.cn/view-ml-13111-3099.html

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Bao Edao – Representative Inheritor of Wa Wood-carving Project in Cangyuan County, Lincang 

Bao Edao – Representative Inheritor of Wa Wood-carving Project in Cangyuan County, Lincang  临沧市沧源县勐董镇佤族木雕制作技艺项目代表性传承人 – 鲍俄到 http://www.ynich.cn/view-ml-13111-3116.html...

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Guo Junhua – Representative Inheritor of Tibetan Black Pottery Firing Techniques Project in Shangri-la, Diqing 

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Bo Konglun – Representative Inheritor of Pattra-leaf Scriptures Project in Menghan Town, Jinghong 

Bo Konglun – Representative Inheritor of Pattra-leaf Scriptures Project in Menghan Town, Jinghong  西双版纳州景洪市勐罕镇贝叶经制作技艺项目代表性传承人 – 波空论 http://www.ynich.cn/view-ml-13111-3113.html...

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Bo Yinghan – Representative Inheritor of Pattra-leaf Scriptures Project in Mengla County, Xishuangbanna

Bo Yinghan (波应罕) serves as the representative inheritor of Dai Pāla-leaf manuscript (贝叶经) production techniques in Mengla Town (勐腊镇), Mengla County (勐腊县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州). The Artisan’s...

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Pu Jinliang – Representative Inheritor of Yi-style Wrestling Project in Yuanmou County, Chuxiong 

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• Chuxiong
• Inheritors of Intangible Cultural Heritage in Chuxiong
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Sha Yingxiang – Representative Inheritor of  Spinning Top Project in Shuangjiang County, Lincang

Sha Yingxiang – Representative Inheritor of  Spinning Top Project in Shuangjiang County, Lincang 临沧市双江县沙河乡打陀螺项目代表性传承人 – 沙应详 http://www.ynich.cn/view-ml-13111-3108.html...

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Pu Qinghua – Representative Inheritor of Yi Paper-cut Project in Shiping County, Honghe 

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Yang Taimin – Representative Inheritor of Miao Yugu Drum Dance Project in Xichou County, Wenshan 

Learning and Inheritance Yang Taimin, a Zhuang (壮族) man born in 1955, hails from Xiaba Village (下坝村), Jiejie Township (鸡街乡), Xichou County (西畴县), Wenshan Zhuang and Miao Autonomous Prefecture...

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Luo Hongming – Representative Inheritor of Miao Blowing-gun Activity Project in Malipo County, Wenshan

Luo Hongming, born in 1970, is a representative inheritor of the provincial-level intangible cultural heritage project of Blowgun (吹枪) craftsmanship. Since childhood, he learned the blowgun skills from his...

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Mu Tianguang – Representative Inheritor of  Spinning Top Project in Shuangbai County, Chuxiong 

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Yi Xiang – Representative Inheritor of  Dai Zhangha Project in Mengla County, Xishuangbanna

Yi Xiang (依香) is the recognized inheritor of Dai Zhangha (傣族章哈), a traditional singing/storytelling art form, in Mengla Town (勐腊镇), Mengla County (勐腊县), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州). Artistic...

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