The Pengjin Wenchang Palace (朋晋文昌宫) is located in Dongyu (东隅), Pengjin Town (朋晋镇), Mile County (弥勒县), in the Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州) of Yunnan Province (云南省). It was originally built during the Ming Dynasty (明朝) and was rebuilt in the early Qing Dynasty (清朝).
The construction of the Pengjin Wenchang Palace (朋晋文昌宫) dates back to the Ming Dynasty (明朝), with significant renovations occurring during the early Qing Dynasty (清朝). The Guixiang Pavilion (桂香阁) within the palace was established in the 9th year of the Qianlong Era (乾隆九年), which corresponds to 1744. The architectural complex includes the main gate, front hall, two wings, and the main hall.
The main hall features a double-eave hip roof and measures 23 meters wide and 14 meters deep, with a platform height of 1.45 meters. The front hall has a single-eave hip roof and a bracketed beam structure, measuring 17 meters in width and 13 meters in depth. The entire Wenchang Palace complex covers an area of 2,500 square meters. In 1981, it was designated as a cultural heritage site by Mile County (弥勒县).
Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州) is situated in the Yunnan-Guizhou Plateau (云贵高原), characterized by diverse geological formations, including limestone mountains, plateaus, valleys, dam areas, and hills. The elevation varies significantly, resulting in a complex topography. The region receives ample precipitation, enjoys abundant sunlight, has a small annual temperature variation, and features a humid climate influenced by the monsoon, primarily classified as a subtropical plateau monsoon climate.
Due to the Tropic of Cancer passing through the prefecture, temperatures and humidity generally increase from north to south, resulting in a hot and humid climate. The rainy season in Honghe typically occurs from May to October, while frost periods are observed from late November to the following January and February. Therefore, the best times to visit Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州) are in March to April and September to November, avoiding the hot and rainy summer and autumn months.
The Tomb of Cao Gui (曹士桂墓) is located in Mingjiu Village (鸣鹫村), Mingjiu Township (鸣鹫乡), Mengzi City (蒙自市). This tomb is constructed from bluestone and is a burial mound measuring 3 meters in diameter and 1.8 meters in height. The tombstone stands at 1.38 meters and was established in the 21st year of the Guangxu Era (光绪二十一年), which corresponds to 1895.
Cao Gui (曹士桂), who lived from 1800 to 1848, was known by his courtesy name Dan Nian (丹年) and his literary name Fu Tang (馥堂). He was recognized as a juren (举人) in the second year of the Daoguang Era (道光二年) and served as the county magistrate in places such as Guangchang (广昌) in Jiangxi Province (江西). In the 27th year of the Daoguang Era (道光二十七年), he was appointed to the position of Tongzhi (同知) in Lugang (鹿港) and Tamsui (淡水), Taiwan. He conducted extensive investigations into Taiwan’s mountainous areas, and his work titled “Diaries from the Bureaucratic Sea (宦海日记)” serves as an important resource for studying Taiwan’s historical geography and local customs. The tomb was designated as a cultural heritage site by the Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州) in 1983.
A bronze statue honoring Cao Gui (曹士桂), a notable figure from Mengzi City (蒙自市), was unveiled at the National Unity Square (民族团结广场) in Mingjiu Town (鸣鹫镇). The ceremony was attended by over 40 people, including local government officials and village representatives.
Cao Gui (曹士桂) was a native of Mingjiu Village (鸣鹫村), Mengzi City (蒙自市). He excelled academically, passing the xiucai (秀才) examination at the age of 18 and achieving the juren (举人) degree at 22, which marked the beginning of his bureaucratic career. In 1845, he was appointed as Tongzhi (理番同知) in Northern Taiwan (北路) (Lugang), and later became the principal of the Xuehai Academy (学海书院). He passed away in 1848 while in office at the age of 47. The local residents of Tamsui (淡水) honored him posthumously with the plaque titled “Tamsui’s Pure Breeze (淡水清风)”.
Cao Gui (曹士桂) was known for his diligence in governance and his love for poetry and literature, producing a significant body of written work during his tenure. One of his poems vividly describes the local conditions in Taiwan: “竹篱茅舍结村居,半饱薯芋半饱鱼,漫向台阳夸富庶,萧条满眼欲嘘欷!”
(“Bamboo fences and thatched cottages form the village dwellings, half-fed on taro and fish; casually boasting prosperity under the sun, yet desolation fills the eyes with sighs!”)
His work, “Diaries from the Bureaucratic Sea (宦海日记)”, chronicles his experiences and observations during his tenure in Taiwan from 1846 to 1847, reflecting the social conditions, natural scenery, and local customs of the time. It is infused with sentiments of patriotism and aspirations for the development of the island.
Today, the “Diaries from the Bureaucratic Sea (宦海日记)” is preserved at the Yunnan Provincial Museum (云南省博物馆) and stands as a primary source documenting the political, economic, and cultural landscape of late Qing Dynasty Taiwan, holding significant historical and literary value. It has become a testament to the historical connections between Yunnan and Taiwan.
Gehao Summer Resort (戈浩避暑山庄) is located 3 kilometers northeast of Nanxi Town (南溪镇), Hekou Yao Autonomous County (河口瑶族自治县), in Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州), Yunnan Province (云南省). This resort combines folk culture, dense forests, and stunning underground caverns, creating a unique travel destination.
Gehao Summer Resort is composed of three main parts:
This area showcases traditional Yao (瑶族) housing and cultural practices, allowing visitors to immerse themselves in the local customs and lifestyle of the Yao people.
This forest park features lush greenery and a diverse range of exotic flowers and plants. Visitors can stroll through the scenic trails, enjoying the beauty and tranquility of nature.
Located at the foot of Longge Mountain (龙戈山), this underground cavern stretches 1,000 meters and boasts breathtaking views. The spectacular rock formations and unique landscapes make it a must-see for adventurers and nature lovers alike.
The resort offers a refreshing retreat from the summer heat, allowing visitors to experience the coolness and mystery of nature. It is an ideal location for those looking to escape the hustle and bustle of urban life and enjoy a serene environment.
To reach Gehao Summer Resort, visitors can drive or take public transportation to Hekou County. From the county center, head northeast towards Nanxi Town. Local taxis and buses are available for convenience.
Gehao Summer Resort is a perfect getaway for anyone looking to connect with nature and learn about the rich cultural heritage of the Yao people while enjoying the unique beauty of Yunnan.
The Xizai Filial Piety Archway (息宰节孝坊) is located 500 meters northeast of Xizai Village (息宰村), Xizai Township (息宰乡), Mile City (弥勒市), Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州), Yunnan Province (云南省). It is a memorial archway dedicated to the virtuous character of Yan’s wife, the wife of the Qing dynasty scholar Zhang Erhe (张尔翮).
The archway is made of blue stone, measuring 6.3 meters wide, 6 meters high, and 1.5 meters deep. It features a heavy eave, four columns, and three openings, with crouching lions on either side. The central plaque bears the inscription “圣旨旌表” (Imperial Edict Honor). The intricate carvings of the archway were designated a cultural heritage unit in 1983.
Honghe Prefecture is situated on the Yunnan-Guizhou Plateau, characterized by its limestone mountains, plateaus, valleys, basins, and hills. The region experiences significant altitude variations and complex terrain, with ample precipitation and sunlight. The climate is primarily subtropical highland monsoon, with humid conditions and minimal temperature variation throughout the year.
Due to its location on the Tropic of Cancer, temperatures and humidity levels increase from north to south. The rainy season occurs mainly from May to October, while the frost period lasts from late November to February. Therefore, the best times to visit Honghe Prefecture are in March-April and September-November when the weather is milder and drier.
The Yan Family Filial Piety Archway (闫氏节孝坊) is also located in Xizai Village and was erected in the ninth year of the Daoguang Emperor’s reign (道光九年) by Yan, the wife of local scholar Zhang Erhe. This structure features blue stone architecture, a three-gable roof with stone brackets under the eaves.
The main hall originally displayed an imperial plaque inscribed with “圣旨旌表” (Imperial Edict Honor), which has since been stolen. The archway features a pair of stone lions and four pairs of drums at its base. The front and back of the main beam have inscriptions celebrating filial piety and virtue, with high artistic value. Aside from the stolen plaque, the rest of the stone carvings remain well-preserved.
This archway is one of only three ancient stone archways remaining in Mile City, alongside the Hongxi “Three Generations, One Product” arch and the “Benevolent and Charitable” arch in Wushan Township (五山乡).
To reach the Xizai Filial Piety Archway, you can drive or take public transportation to Mile City. From the city center, head northeast towards Xizai Village, which is a short drive away. Local taxis are also available for convenience.
Visiting the Xizai Filial Piety Archway offers a unique glimpse into the rich history and cultural significance of filial piety in Chinese society.
Chinese Name: 归圣寺 (Guisheng Si)
Location: Xishizishan, Xiaolongtan Township, Kaiyuan City, Yunnan Province, China (云南省开远市小龙潭乡西狮子山)
Type: Temple
Guisheng Temple is an ancient Buddhist site with a rich history. While the exact date of its establishment remains unclear, it underwent significant renovations in the sixth year of the Kangxi reign (1667) and the sixteenth year of the Qianlong reign (1751). The temple complex includes several key structures: the front hall (前殿), main hall (大殿), and side halls (厢房), making it one of the principal Buddhist temples on Shishan Mountain (狮山). The temple is enveloped by towering cypress trees and flowing streams, creating a tranquil environment that attracts numerous visitors. In 1983, it was designated as a cultural relic protection unit in Kaiyuan City.
Within the temple, a notable stele inscribed with “Shishan Travel Poem” by the Qing Dynasty scholar Yin Zhuantu (尹壮图) adds to its cultural significance. The stele, carved in the second year of the Jiaqing reign (1797), measures 94 cm in length and 60 cm in width, made of blue stone. It features four seven-character poems composed by Yin Zhuantu during his visit to Shishan Mountain, beautifully describing the landscape and spiritual experiences.
The Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州) is located in the Yunnan-Guizhou Plateau, characterized by limestone mountains, plateaus, valleys, plains, and hilly terrains. The region has significant altitude variations, resulting in complex topography. The area experiences abundant rainfall, ample sunlight, and a mild temperature range, primarily exhibiting a subtropical highland monsoon climate.
Due to the Tropic of Cancer crossing through the prefecture, temperatures and humidity levels increase from north to south, leading to a humid and hot climate. The rainy season predominantly occurs from May to October, while frost typically appears from late November to January or February of the following year. Therefore, it is advisable to visit the Honghe Hani and Yi Autonomous Prefecture during the mild months of March to April and September to November when rainfall is less frequent.
Entering Guisheng Temple, visitors are greeted by the majestic Daxiong Baodian (大雄宝殿), the temple’s main hall. This hall houses three revered golden Buddha statues:
Each statue showcases distinct characteristics, inviting devotees to offer prayers and incense in hopes of attaining peace and blessings.
As you proceed along the ancient stone path, you will encounter numerous halls and pagodas, each telling stories of the temple’s historical significance. The temple is adorned with exquisite Buddhist art, including statues, murals, and decorative motifs that reflect the spiritual heritage of the region.
In a corner of the temple complex lies a scripture hall (藏经楼), which houses a vast collection of Buddhist texts and historical documents. This library is invaluable for scholars and those interested in studying Buddhist culture and history.
During your visit, you may observe monks and devotees engaging in various rituals—performing prostrations, chanting scriptures, or meditating in serene areas of the temple. This environment of devotion fosters a deep sense of peace, allowing visitors to connect spiritually. Feel free to engage in conversations with the monks or local practitioners to gain insights into their beliefs and practices.
In addition to exploring the temple, you can savor vegetarian meals offered by nearby eateries. The local vegetarian cuisine emphasizes fresh, light ingredients, providing a delightful dining experience. Additionally, the surrounding area features unique snacks and handcrafted souvenirs, perfect for remembering your visit.
Overall, visiting Guisheng Temple is an unforgettable experience that offers profound insights into Buddhist culture and provides a space for spiritual reflection and relaxation. If you have an interest in Buddhism or cultural heritage, Guisheng Temple is undoubtedly a must-visit destination.
Transportation Options:
Local Transportation: Within Kaiyuan City, local taxis and ride-sharing services are available to reach Guisheng Temple from the city center.
Miyang Wenchang Palace (弥阳文昌宫) is a historically significant structure located in the former County Committee compound in Mile City (弥勒市), Yunnan Province, China. It faces south and originally served as an educational institution starting in the third year of the Ming Dynasty’s Tianqi era (1623). The current building was rebuilt in the fifteenth year of the Guangxu era of the Qing Dynasty (1889) and occupies an area of 214 square meters, showcasing a traditional wooden architectural style.
Miyang Wenchang Palace is located in the downtown area of Mile City, within the original premises of the former county committee. Facing south, it was first built during the Ming Dynasty in the 3rd year of the Tianqi reign (1623). Originally serving as the Mile Prefecture School, the current structure of Wenchang Palace was reconstructed in the 15th year of the Guangxu reign of the Qing Dynasty (1889). Covering an area of 214 square meters, the building is a wooden structure showcasing traditional Chinese architectural style.
The architectural design of Wenchang Palace is grand, measuring 17.4 meters in width and 12.3 meters in depth. It rests on a raised platform that is 1.9 meters high, giving it a commanding presence. The central hall features a seven-tiered stairway, enhancing the building’s layered appearance. In front of the hall, there is an approximately 80-square-meter platform known as the Tianzi Tai (天子台), providing a unique viewpoint for visitors.
The details of the building’s carvings are exquisite, showcasing the craftsmanship and dedication of the artisans. Each brick and tile reflects the artisans’ skill and respect for traditional culture. Miyang Wenchang Palace stands not just as an architectural marvel but as a historical witness, showcasing the allure of ancient Chinese architecture. It attracts numerous visitors and history enthusiasts eager to experience its profound historical influence and cultural richness.
The palace is a grand three-tiered structure with hipped roofs. It spans a total width of 17.4 meters and has a depth of 12.3 meters. The building is set on a raised platform 1.9 meters high, with a seven-step central stairway leading to the hall. In front of the hall, there is an 80-square-meter Tianzi (Emperor’s) platform.
Wenchang Palace is remarkable for its grand scale and exquisite craftsmanship. The structure’s intricate carvings and expansive layout embody the artistic excellence of Chinese architecture. The building, with its towering presence, stands as a testimony to the skill and artistry of ancient builders.
Wenchang Palace has a long history, dating back to its original construction in the Ming Dynasty. Over the years, it has undergone several renovations, with the most notable reconstruction occurring during the Guangxu reign in 1889. The palace’s current form reflects this Qing Dynasty restoration, with a triple-eaved hipped roof design. Measuring 20.1 meters in width, 11.9 meters in depth, and 24 meters in height, the building covers an area of 256 square meters. In 1998, it was designated as a provincial-level cultural heritage site.
After its construction, the palace became a central location for local scholars and gentry to worship the Wenchang Emperor, the deity of culture and literature in Chinese mythology. It also served as an academic institution for generations of Mile scholars. During the mid-to-late Republic of China era, the palace was repurposed as a school. Today, it stands as a historic site for tourists, representing a key cultural landmark in Mile City.
Wenchang Palace holds a prominent place in the cultural landscape of Mile City. As a symbol of the area’s rich history and cultural traditions, it offers insight into the development of the region’s educational and religious practices over the centuries. The palace is an essential venue for understanding Mile’s history, culture, and the spiritual beliefs that have shaped the local community.
Located beside Wenchang Palace, Jianguo Tower is another historic structure with profound cultural significance. The tower was originally constructed during the 22nd year of the Hongwu reign (1389) of the Ming Dynasty. The current building was reconstructed in 1947, based on the original architectural plans from the Guangxi Prefecture Records. The tower faces south and is also built in a three-tiered hipped roof style. It has a width of 21 meters, a depth of 15 meters, and a height of 21 meters, covering an area of 315 square meters. Like Wenchang Palace, Jianguo Tower was also designated a provincial-level cultural heritage site in 1998.
Jianguo Tower is a grand structure that exemplifies the fusion of traditional Chinese craftsmanship with modern elements. Its design is a reflection of the ingenuity of Chinese artisans, with detailed decorative elements both inside and outside the building. The combination of local ethnic aesthetics with timeless architectural traditions makes the tower a distinctive symbol of Mile City.
Jianguo Tower represents the soul of Mile City. More than just a building, it embodies the city’s rich history and cultural evolution. The tower’s design and structure speak to the city’s growth over the centuries, with each brick and tile narrating the story of Mile’s past. Today, Jianguo Tower stands as a prominent landmark, serving as a tangible link to the city’s historical and cultural identity.
To reach Miyang Wenchang Palace:
Miyang Jianguo Tower (弥阳建国楼, Míyáng Jiàn Guó Lóu) is situated within the courtyard of the People’s Government of Mile County (弥勒县, Mílè Xiàn), located in Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州, Hónghé Hānízú Yízú Zìzhìzhōu), Yunnan Province (云南省, Yúnnán Shěng). Constructed in 1946 (the 35th year of the Republic of China), this tower is a significant architectural and cultural landmark.
The central building of Jianguo Tower features a four-tier eave, while the eastern and western sides are adorned with three-tier hip roofs. The structure utilizes a traditional penetrated beam framework (穿斗式梁架, chuān dǒu shì liáng jià), with columns around the eaves wrapped in green bricks. The eave tiles are imprinted with the words “建国” (Jiàn Guó), meaning “establishing a nation,” symbolizing the post-war victory and the construction of a new country.
The tower is adjacent to Wenchang Palace (文昌宫, Wénchāng Gōng) and holds deep historical and cultural value. Originally built in the 22nd year of the Hongwu era of the Ming Dynasty (1389 AD), the existing structure was reconstructed in 1947, following the original design as documented in the Guangxi Prefectural Records (《广西府志》, Guǎngxī Fǔzhì).
In 1998, Jianguo Tower was designated as a provincial-level cultural relic protection unit, further emphasizing its importance as a landmark and witness to the city’s history.
The tower stands as a testament to the evolution and development of the region. Its grand design showcases the pinnacle of traditional Chinese architectural art, reflecting the exceptional craftsmanship of Chinese artisans. Both the interior and exterior are adorned with exquisite decorations that blend ethnic charm with modern elements, making it a hallmark of Mile City (弥勒市, Mílè Shì).
Jianguo Tower is not just a building; it embodies the spirit of Mile City, quietly narrating the stories of its past. Each brick and tile seems to recount the passage of time, bearing witness to the city’s growth and transformation.
Visitors can ascend Jianguo Tower using wooden staircases that spiral up from both the east and west sides. The building features a unique layout with corridors wrapping around, creating a distinct architectural experience. It was also recognized as a cultural heritage unit by Yunnan Province in 1998.
Honghe Prefecture is located in the southern Yunnan-Guizhou Plateau, characterized by diverse landforms including limestone mountains, plateaus, valleys, basins, and hills. The region features a significant altitude variation, resulting in complex terrain.
Due to the Tropic of Cancer passing through the region, temperatures and humidity generally increase from north to south, creating a warm and humid environment.
For optimal travel experiences in Honghe Prefecture, it is advisable to avoid the rainy and hot summer and autumn months. The best times to visit are March to April and September to November when the weather is mild and rainfall is minimal.
The Jianyang Assembly Hall (建阳会馆, Jiàn Yáng Huì Guǎn) is an important historical site located on People’s West Road (人民西路, Rénmín Xī Lù) in Mengzi City (蒙自市, Méngzì Shì), which is part of the Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州, Hónghé Hānízú Yízú Zìzhìzhōu) in Yunnan Province (云南省, Yúnnán Shěng). Built by the prominent gentry merchants from Jianshui (建水, Jiànshuǐ), this assembly hall stands out as one of the largest and most significant gathering places in Mengzi.
Originally, the assembly hall comprised several architectural features, including:
The architectural design reflects the traditional style of Qing Dynasty (清代, Qīng Dài) wooden structures, characterized by intricate woodwork and a harmonious layout.
The Jianyang Assembly Hall is not only an architectural gem but also a cultural landmark that symbolizes the historical presence of the gentry class in the region. It was a venue for various social, cultural, and political activities, allowing for the exchange of ideas and fostering community bonds among merchants and residents. The hall’s preservation as a cultural relic since its designation in 1983 further emphasizes its importance in local heritage.
To reach Jianyang Assembly Hall:
The Former Residence of Yi Zhuangtu (尹壮图故居) is located at 12-15 Ge Xue Street (阁学街), Mengzi City (蒙自市), Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州). The residence faces east and includes over 40 buildings, including the main house and study, showcasing traditional wooden structure architecture from the Qing Dynasty (清代木结构民居建筑).
Yi Zhuangtu (1738-1808), styled Wánqǐ (万起), and also known as Chùzhēn (楚珍), was a prominent official in Qing Dynasty (清朝) Yunnan. He became a Jinshi (进士) in the 31st year of the Qianlong reign (乾隆三十一年, 1766) and later served in the Hanlin Academy (翰林院), eventually rising to the position of cabinet scholar and Vice Minister of Rites (礼部侍郎). Due to conflicts with court authorities, he was demoted but later returned to his hometown to focus on education, founding several schools including Kunming Wuhua Academy (昆明五华书院) and Jian Shui Chongwen Academy (建水崇文书院).
Yi Zhuangtu’s contributions to education and governance were significant. Known for his calligraphy and literary works, his writings include “Píngpī Gānglán Xìnglǐ Yǔlù Wéngǎo” (评批纲褴性理语录文稿) in four volumes and “Shīgǎo” (诗稿) in two volumes. His residence remains a testament to his legacy, with the street name Ge Xue Street continuing to honor him.
Serving during the late Qianlong period, Yi Zhuangtu witnessed the decline of the Qing Dynasty. He criticized corrupt practices, particularly the “guilty silver” system (议罪银), where officials could pay fines for serious offenses. His outspoken nature often put him at risk, but he remained steadfast in his beliefs, ultimately resigning from his post to care for his mother.
In the years that followed, Yi Zhuangtu revitalized local education, teaching at various academies and significantly impacting his students. His dedication to teaching continued even into his old age, where he encouraged diligence and integrity among his students.
Despite not being as famous as contemporaries like Liu Yong (刘墉) or Ji Xiaolan (纪晓岚), Yi Zhuangtu is remembered for his moral integrity and willingness to confront corruption. His life serves as an example of dedication to both education and the welfare of the people.
To reach the Former Residence of Yi Zhuangtu:
Dayanzi Cliff Painting (大岩子崖画, Dàyánzi Yáhuà) is an ancient rock art site located approximately 1 kilometer south of Gaodian Village (高甸村, Gāodiàn Cūn) in Mile City (弥勒市, Mílè Shì), part of Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州, Hónghé Hānízú Yízú Zìzhìzhōu), Yunnan Province (云南省, Yúnnán Shěng). The cliff rises 25 meters high and stretches over 70 meters in length. Discovered in November 1986, the cliff paintings contain a central image measuring 1.5 meters in height and 3 meters in length, positioned 2 meters above the ground.
The Dayanzi Cliff Painting features a diverse array of 46 identifiable figures, predominantly human figures, with animals and other symbols appearing as well. Notably, one figure is depicted as particularly tall and adorned with tail decorations. Another figure has a hollow triangular head, characterized by bold lines, which may indicate its significance, possibly as a leader or shaman.
The painting employs pigments made from a blend of red iron ore powder (赤铁矿粉, Chì Tiě Kuàng Fěn) mixed with animal blood, showcasing ancient artistic techniques. The style and methods used in these paintings are similar to those found at Jinzidong (金子洞, Jīnzǐ Dòng), highlighting a shared cultural heritage in rock art across the region.
The Dayanzi Cliff Painting not only serves as an artistic expression but also provides valuable insights into the lives, beliefs, and social structures of ancient communities in the area. The themes depicted suggest a connection to rituals, social hierarchies, and the natural environment, contributing to the understanding of the cultural evolution of the region.
To visit Dayanzi Cliff Painting, travelers can start from Kunming (昆明, Kūnmíng). Regular bus services run from Kunming to Mile City, and from there, visitors can take local transport or rent bicycles to reach Gaodian Village. The cliff painting site is a short hike from the village.
By following these guidelines, visitors can have a fulfilling experience at Dayanzi Cliff Painting, deepening their understanding of Yunnan’s rich cultural and historical tapestry.
Shanjue Temple (善觉寺, Shànjué Sì) is a significant historical temple located in Yilong Town (异龙镇, Yìlóng Zhèn), Shiping County (石屏县, Shípíng Xiàn), Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州, Hónghé Hānízú Yízú Zìzhìzhōu), Yunnan Province (云南省, Yúnnán Shěng). Facing east, the temple spans an area of 2,588 square meters, with a width of 52 meters and a depth of 50 meters. In 1991, it was designated as a cultural relic protection unit in Shiping County.
Shanjue Temple is situated at the foot of Qianyang Mountain (乾阳山, Qiányáng Shān) and is approximately 1 kilometer north of Yilong Town. Historical records, particularly from the “Shiping Prefecture Annals” (《石屏州志》, Shípíng Zhōu Zhì), indicate that the temple was originally established during the Tang Dynasty (唐, Táng). After falling into disrepair, it was rebuilt in the fifth year of the Guangxu era (光绪, Guāngxù) of the Qing Dynasty (清, Qīng) in 1879.
The temple complex consists of several key structures, including:
The most prominent feature of the temple is the rear hall. This structure exhibits a clever combination of bracket-style (抬梁式, Tái Liáng Shì) and pier-style (穿斗式, Chuān Dǒu Shì) architectural techniques. It features a single-eave, sloping roof and is constructed on a solid stone platform. The front of the hall is embellished with decorative false brackets (假斗拱, Jiǎ Dǒu Gǒng) under the eaves, enhancing its elegance. The hall is supported by eight columns (檐柱, Yán Zhù) at the front, showcasing the craftsmanship of ancient builders.
Shanjue Temple holds immense cultural and historical importance. It serves not only as a religious site for local devotees but also as a cultural landmark that documents the historical evolution of Shiping County and the broader southern Yunnan region. The temple embodies the region’s rich cultural heritage and traditional values, making it an essential destination for both pilgrims and tourists.
Shanjue Temple can be easily accessed from various locations within Yunnan Province. Travelers can take long-distance buses from major cities, such as Kunming (昆明, Kūnmíng), to Shiping County. Upon arrival, local transportation options, including taxis or rideshare services, can be utilized to reach the temple.
By following these recommendations, visitors can fully appreciate the historical and cultural richness of Shanjue Temple while enjoying a memorable experience in Yunnan Province.
The Nangu Pillbox (南古碉堡, Nán Gǔ Diāo Bǎo) is a significant historical structure located on a small hill approximately 300 meters south of the Daping Township Government (大坪乡政府, Dàpíng Xiāng Zhèngfǔ) in Yuanyang County (元阳县, Yuányáng Xiàn), part of the Honghe Hani and Yi Autonomous Prefecture (红河哈尼族彝族自治州, Hónghé Hānízú Yízú Zìzhìzhōu) in Yunnan Province (云南省, Yúnnán Shěng). Built in 1900 during the 26th year of the Guangxu era (光绪, Guāngxù) of the Qing Dynasty (清, Qīng), this ancient pillbox was established as a military fortification for border defense.
The architectural design of the Nangu Pillbox is characterized by its diamond shape, constructed entirely from stone slabs except for the flooring. Here are its key dimensions:
Atop the pillbox is a decorative pagoda (宝顶, Bǎodǐng) that stands 1.1 meters tall. The northeast wall features a strategically placed door for access, flanked by two gun ports on each level aimed toward the main road. Above the entrance, a stone plaque is inscribed with the words “雄镇南” (Xióng Zhèn Nán), meaning “Heroically Guarding the South,” highlighting its defensive purpose. The pillbox is further protected by a robust stone wall that is 2.4 meters high, 1.2 meters thick, and 110 meters long. In 1990, the Nangu Pillbox was recognized as a cultural relic protection unit by the local government of Yuanyang.
The Honghe Hani and Yi Autonomous Prefecture is located in the southern part of Yunnan Province and features diverse geographical formations, including limestone mountains, plateaus, valleys, basins, and hills. This region is characterized by:
The Tropic of Cancer passes through this prefecture, resulting in a gradual increase in temperature and humidity from north to south, creating a humid and warm climate. The rainy season spans from May to October, while the frost period lasts from late November to February of the following year. To enjoy the best weather conditions, it is recommended to visit the region in March-April or September-November, avoiding the hot, rainy summer months.
Yuanyang County is approximately 326 kilometers from Kunming (昆明, Kūnmíng). Travelers can take advantage of several bus services available at Kunming’s various long-distance bus stations, which offer direct routes to Yuanyang.
The culinary scene in Honghe is vibrant and diverse, featuring notable local dishes such as:
By following these tips, travelers can enjoy a rich cultural experience and the natural beauty that Yuanyang and its historic Nangu Pillbox have to offer.
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