Mohan is a small border town situated in very south end of Yunnan province in China. If you are planning to go to Laos from China or vice versa, you’ll be passing through this small town, because the immigration (border control) is here. 磨憨 Mohan is in Mengla County 勐腊县, in Xishuangbanna Dai Autonomous Prefecture 西双版纳傣族自治州, in Yunnan Province 云南省, in China 中国.
Chinese Name:西双版纳勐腊县磨憨口岸
English Name: Mohan Border in Mengla County, XishuangBanna
By Bus
It’s about 50 min ride from Mengla by bus (van). ¥17 There are frequent buses to/from Mengla every 20 min (52km away).
From Laos
From Luang Namtha 25,000 Kip (to the Lao side of the border). There are vans leave from the Namtha City Bus Station every morning. But they don’t leave until they have at least 5 passengers, so you might have to wait for a while. It’s better to go to the bus station in the morning and ask how many passenger they have at the moment. You can also catch a bus from Luang Namtha’s new bus station, 7km away from the town. There are buses going to Jinghong every morning. They charge 30,000 Kip to the border.
Location:
Peacock Mountain Villa (孔雀山庄) is a scenic spot located within the Xishuangbanna Primitive Forest Park (西双版纳原始森林公园) in Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), Yunnan Province (云南省). As part of the Peacock Mountain Villa, visitors can explore a 10,000-square-meter Peacock Garden, home to over 3,000 peafowls, including green, blue, and white peacocks. Xishuangbanna is known as the “Hometown of Peacocks,” and this location offers one of the best spots to admire these majestic birds. At the beautiful Golden Lake (金湖) in the Primitive Forest Park, visitors can witness the daily peacock flight displays at designated times.
Peacock Mountain Villa is distinguished by its unique architecture and fully equipped facilities, reflecting the tropical rainforest characteristics of Xishuangbanna. Built in the form of a resort, the villa offers luxurious accommodation and modern amenities. In 2007, 51 deluxe standard rooms, 2 deluxe single rooms, 6 deluxe suites, and 1 presidential suite were renovated to meet three-star hotel standards. The resort includes a restaurant that can accommodate 500 people, featuring ethnic-style barbecue, an advanced dance hall, a multifunctional conference hall, and various leisure and entertainment facilities, making it an ideal place for visitors to relax, dine, and enjoy their stay.
Peacock Mountain Villa embodies the distinctive tropical rainforest features of Xishuangbanna. The villa is designed with a unique architectural style and modern amenities, creating a refreshing and pleasant environment. The luxurious accommodations, including standard rooms, suites, and the presidential suite, are complemented by a restaurant capable of seating 500 guests. The restaurant specializes in ethnic-style barbecue, and the villa also boasts a state-of-the-art dance hall and multifunctional conference hall, offering a comprehensive experience for relaxation, dining, and entertainment.
Golden Lake is a picturesque body of water surrounded by dense tropical forest, with typical Dai-style buildings hidden among the trees. The lake is known for its tranquil beauty, where peacocks spread their feathers, and ostriches sing joyfully to greet visitors. Deer can often be seen playing by the lakeside, illustrating the harmony between nature and wildlife.
Two charming pavilions, the Prince Pavilion (王子亭) and the Princess Pavilion (公主阁), stand on the shores of Golden Lake. According to legend, these were the meeting and courtship locations of Zhaoshutun (召树屯) and Peacock Princess Nanmunuona (孔雀公主喃木诺娜). Today, flocks of peacocks soar across the skies above the lake, foraging and playing by the water’s edge, as if reenacting the ancient and romantic love story of the past.
Within the 10,000-square-meter Peacock Garden, visitors can admire more than 3,000 peacocks, including green peafowls, blue peafowls, and white peafowls. The park is Southeast Asia’s largest peacock breeding base. Peacocks generally inhabit open, sparse woodlands or grasslands at elevations below 2,000 meters. They are often found near streams or open areas of trees and vegetation, particularly preferring the proximity of rivers and clearings.
The peacocks here are trained from a young age through whistle-based conditioning by park staff. When the trainers blow their whistles, hundreds of peacocks glide down from the mountain forest, swooping across the surface of Golden Lake to the shore, where they gather to forage. This breathtaking sight is a hallmark of the park, providing an unforgettable experience for visitors.
Peacock Mountain Villa’s architectural style reflects the ethnic charm of the region, showcasing typical Dai-style buildings nestled among the trees. The villa was designed around a 100-meter-long relief sculpture depicting the love story of the Peacock Princess, created by Shanghai Jiao Tong University. The harmonious blend of architecture and nature highlights the theme of peaceful coexistence between humans and nature.
In addition to the main attractions, the villa’s advanced entertainment facilities, including the dance hall and conference hall, make it a comprehensive destination for leisure, meetings, and cultural immersion.
In 2007, the resort was renovated to include 51 deluxe standard rooms, 2 deluxe single rooms, 6 deluxe suites, and 1 presidential suite, all upgraded to meet three-star standards. The villa offers a range of facilities, including:
Peacock Mountain Villa captures the essence of Xishuangbanna’s natural and cultural beauty, combining it with modern amenities and a unique tropical rainforest atmosphere. The Prince Pavilion and Princess Pavilion, set by Golden Lake, are particularly known for the romantic legend of Zhaoshutun and Peacock Princess Nanmunuona, whose story adds a magical aura to the scenic surroundings. As visitors explore the villa, they can feel as if they are stepping into an ancient love tale brought to life.
By Air: The closest airport is Xishuangbanna Gasa International Airport (西双版纳嘎洒国际机场), located in Jinghong City (景洪市). From the airport, visitors can take a taxi or shuttle bus to Xishuangbanna Primitive Forest Park.
By Bus: Jinghong City has regular bus services to Xishuangbanna Primitive Forest Park, making it convenient to reach the villa. Buses depart from the central bus station in Jinghong.
By Car: For visitors driving from nearby cities, the park is easily accessible via the G213 highway, which runs through Xishuangbanna Prefecture. Parking is available at the park entrance.
Xishuangbanna Wanda Theme Paradise (万达西双版纳国际度假区) is located in Jinghong City (景洪市), Xishuangbanna Prefecture (西双版纳州), covering an area of 5.3 square kilometers. This comprehensive cultural tourism project, developed by Wanda Group (万达集团), features an amphibious theme park capable of accommodating 50,000 visitors, a cluster of three star-rated mountain resort hotels, a cultural stage show with a capacity of 1,183, a Wanda Plaza designed like a peacock feather (孔雀翎羽), a tertiary hospital, and educational facilities for kindergarten through high school. The total investment for this resort is approximately 16 billion yuan.
The project officially opened on September 26, 2015, marking Wanda’s first cultural tourism initiative.
Following its grand opening, Xishuangbanna Wanda Theme Paradise attracted attention from various government officials and media outlets. Notable visits include the Prime Minister of Laos, the Minister of Tourism from Queensland, Australia, and the Minister of Industry from India. The resort has also hosted popular television programs like “Running Man” (奔跑吧,兄弟) and “Accelerating Everyone” (全员加速中), along with high-profile events such as the “Tourism + Internet” summit and the first Southern Buddhist Ascension Ceremony.
The resort stands as a landmark for Yunnan’s tourism transformation and is poised to become a new representative for the region.
Jinghong City is the political, economic, and cultural center of Xishuangbanna Prefecture. It serves as a crucial hub for water, land, and air connections between Yunnan Province (云南省) and Southeast Asia and South Asia, holding significant potential for development as an information and logistics center.
The Pan-Asian high-speed railway is under construction, promising a swift journey from Kunming (昆明) to Xishuangbanna in just 2.5 hours, which will greatly facilitate the construction of the region as a strategic gateway.
The resort comprises seven major functional areas: the theme park, high-end hotel cluster, Dai Show Theatre, commercial center, tertiary hospital, and a new tourist city. The layout is structured around a “core and two wings” model:
The theme park spans 61 hectares, designed by FORREC, a globally recognized firm. It incorporates elements of Dai culture and features five themed areas: Butterfly Kingdom, Jungle Adventure, Ancient Tea Horse Road, Fisherman’s Wharf, and Water Park. The family-oriented design caters to diverse visitor needs and aims to enhance cultural tourism in the region.
This commercial center covers 77,500 square meters and integrates shopping, dining, entertainment, and leisure activities. The multi-level structure includes a supermarket, various retail shops, a cinema, and themed restaurants. The design incorporates local peacock motifs, promising a striking architectural presence in Xishuangbanna.
Occupying 3.64 hectares with a building area of 19,500 square meters, the theatre showcases the rich natural and cultural landscape of Yunnan’s ethnic minorities. Led by the renowned Frank DiGiacomo, known for the famous “O” show in Las Vegas, the theatre features cutting-edge design by Mark Fisher, enhancing its appeal as a top-tier performance venue.
Located on the eastern wing of the resort, the hotel cluster includes a six-star Mandarin Oriental Hotel and a four-star Hilton Garden Inn. The luxurious accommodations offer a variety of options, with 165 upscale villas nestled in lush tropical gardens.
Situated near the wetland park, Bar Street combines local architectural styles with modern elements, providing a unique nightlife experience in Xishuangbanna.
The planned tertiary hospital will serve as an ASEAN International Hospital, significantly enhancing the medical services available in the region with 500 beds and modern facilities.
The resort encompasses a complete education system with a kindergarten, primary school, and secondary school, offering high-quality education to local residents and visitors.
The development of a new tourist city includes educational facilities and residential areas designed to create a harmonious living environment, blending architecture with the natural landscape.
Initiated in 2012, the resort aims to revolutionize tourism in Xishuangbanna, making it a new highlight for tropical tourism in China. With high-quality planning, construction, and facilities, the Xishuangbanna International Resort is set to become a premier destination in Southeast Asia.
Xishuangbanna Wanda Theme Paradise is the third large-scale cultural tourism project by Wanda Group, following the Changbai Mountain Resort and Wuhan Central Cultural District, covering approximately 7,950 acres (about 40% of the urban area) with an investment of 16 billion yuan.
The project is now known as Sunac Wanda Xishuangbanna International Resort (融创万达西双版纳国际度假区).
The resort is about 6.5 kilometers from the airport, 5 kilometers from the old town, and approximately 4 kilometers from the Lancang River (澜沧江).
Binjiang Park (滨江公园) is situated on the southern bank of the Lancang River (澜沧江) in Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州). The park is infused with rich ethnic culture, presenting a stunning tapestry of beautiful landscapes that feel almost magical. It offers a tranquil escape amidst the city’s hustle and bustle, combining comfort and serenity with winding paths that lead to secluded corners.
Binjiang Park is an ideal place for both locals and tourists to relax, enjoy leisure activities, and take leisurely walks. About 20 meters in front of the main entrance, visitors can find a brass plaque featuring a map of Xishuangbanna (西双版纳), which adds a fresh touch to the park’s ambiance.
The park is particularly vibrant during the evening when the nearby Binjiang Night Market (滨江夜市) comes alive. Here, visitors can indulge in a variety of local barbecues, unique souvenirs, Dai clothing, and jade items. The abundance of sights and sounds can be quite dazzling. Nearby, there is a café where many people like to rest and enjoy a drink, and a stage at the front provides entertainment for visitors. When there are no performances, resident singers keep the atmosphere lively. Overall, the ambiance here is quite enjoyable.
Located next to the Xishuangbanna Bridge (西双版纳大桥), Binjiang Park is not very large and lacks substantial entertainment facilities, which often results in fewer visitors. It is primarily frequented by local residents seeking a place to stroll and relax.
The park is characterized by sculptures, pavilions, fountains, and related leisure facilities, though most of these have fallen into disrepair, leaving the park somewhat quiet. Despite this, the local community greatly appreciates the park for walking and relaxation.
The area referred to as Binjiang Park extends beyond the park itself, encompassing the banks of the Lancang River, the Xishuangbanna Bridge, and the riverside night market. These surrounding areas are the true highlights that attract visitors.
Around 5 or 6 PM, crowds begin to gather along the banks of the Lancang River. Some come to fish, while others stroll, but many locals simply enjoy soaking their feet in the river to cool off from the intense summer heat. Some brave souls even venture into the water for a swim.
As the sun sets, the nearby riverside night market becomes lively. Compared to the Starlight Night Market (星光夜市) at Gaozhuang Xishuangjing (告庄西双景), this market primarily caters to local residents with affordable prices. For those who enjoy nightlife, the nearby bar street offers plenty of options, with Dai Di (傣迪) being highly recommended for its vibrant atmosphere and exceptional live music.
By Public Transport:
Take Bus No. 2 (内环 or 外环) and get off at the State Hospital (州医院) stop, then walk to the park.
Manyangguang Village (曼养广村) is located in Jinghong City (景洪市), within the Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), Yunnan Province, China. It is managed by the Man Nong Feng Village Committee (曼弄枫村委会) under the Xishuangbanna Tourism District Authority. This village is situated in the lowland area, known for its rich Dai ethnic culture and well-preserved traditional Dai architecture. The homes in this village are typical “ganlan-style” bamboo houses (干栏式竹楼), each with its own courtyard, surrounded by bamboo fences. Visitors to Manyangguang can immerse themselves in the traditional lifestyle and customs of the Dai people, and after touring the village, they can purchase local handicrafts such as Dai brocade (傣锦), bamboo weaving products, and wood carvings.
By the end of 2008, Manyangguang Village consisted of 68 households, with a total population of 295 residents. Among them, there were 144 men and 151 women, 292 of whom were engaged in agriculture, with 201 people forming the village’s labor force. The Dai people make up the majority of the population, with 291 Dai residents and 4 Han residents.
The village is a typical Dai ethnic settlement, where the houses are built in the traditional “ganlan-style,” raised on stilts with bamboo walls and roofs. Each household is surrounded by bamboo fences, creating a distinct and intimate courtyard environment. The village is small, making it easy to explore and enjoy within a short visit.
In addition to experiencing the traditional Dai lifestyle, visitors can purchase unique ethnic crafts such as Dai brocade (傣锦), wooden carvings, bamboo weavings, and pottery. Dai girls, known as sao duo le (搔多勒), will guide visitors into their homes and explain the customs, traditions, and daily life of the Dai people. For example, in Dai culture, young women are called sao duo le (搔多勒), and young men are called mao duo le (猫多勒).
One of the most fascinating aspects of visiting this village is observing how the Dai people live. Upon entering the village, you are welcomed by a beautiful Dai girl who introduces the local customs. The Dai people are very particular about privacy, and taking photos inside their homes is generally not allowed. Inside the houses, their living rooms are spacious, and you might notice that Dai women have very slim waists, comparable to willow branches. Interestingly, the elderly Dai women are known for their lustrous black hair, which they maintain by washing it with rice water.
By Car:
From downtown Jinghong City, you can drive along Galan Zhong Road (嘎兰中), continue on Xuanwei Avenue (宣慰大道), turn onto Menghai Road (勐海路), and finally head down Mengle Avenue (勐泐大道) to reach Manyangguang Village.
Plan your Xishuangbanna Ethnic Villages Tour to Xishuangbanna? Visit Mandiu Village in Jinghong City, Xishuangbanna which is one of the most fascinating ethnic villages in Xishuangbanna. Explore the local folk ethnic culture including History, Food and Dining, Clothing, Customs and Traditions, Architecture, Festivals, Crafts, Religion, Language of local ethnic people in Mandiu Village in Jinghong City, Xishuangbanna.
Chinese Name:景洪市嘎洒镇曼掌宰村曼丢村寨
English Name: Mandiu Village in Jinghong City, XishuangBanna
Location:
The Xishuangbanna Nationalities Museum (西双版纳民族博物馆) is located in the tourism resort area of Man Nong Feng (曼弄枫) on Rainforest Avenue (雨林大道) in Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), Yunnan Province (云南省). Covering an area of 100,000 square meters, with a construction area of over 20,000 square meters, the museum features an exhibition area of 4,300 square meters and serves as a comprehensive local museum.
The museum officially opened on November 11, 2010, showcasing a vast collection of artifacts predominantly consisting of stone tools, bronze ware, pottery, porcelain, silverware, bamboo and wooden utensils, currency, folk artifacts, and memorabilia from the “Sent-Down Youth” movement. According to the Chinese Museum Guide, the museum houses a total of 2,400 items divided into categories of ancient, folk, and “Sent-Down Youth” artifacts.
The museum occupies 100,000 square meters, with over 20,000 square meters of building space and 4,300 square meters of exhibition area.
The Xishuangbanna Nationalities Museum consists of a main hall, five permanent exhibition halls, and two temporary exhibition halls. The five permanent exhibitions include:
The History and Contemporary sections display Xishuangbanna’s historical culture through physical artifacts from different periods. The Ethnic section showcases diverse ethnic artifacts, including tools, clothing, and musical instruments. The Nature section uses three-dimensional models, photographs, and specimens to demonstrate Xishuangbanna’s unique natural environment, renowned as a “Kingdom of Animals,” “Kingdom of Plants,” and “Gene Pool of Species.”
The Xishuangbanna Nationalities Museum’s collection comes from various sources, including artifacts transferred from the Xishuangbanna Political Consultative Conference, existing collections from the Xishuangbanna Cultural Relics Management Office, archaeological finds, and folk donations. The museum primarily houses stone tools, bronze ware, pottery, porcelain, silverware, bamboo and wooden utensils, currency, folk artifacts, and “Sent-Down Youth” memorabilia. The total number of artifacts is 2,400, categorized into ancient, folk, and “Sent-Down Youth” collections.
To ensure systematic, scientific, and standardized management of collections, the museum has installed preservation equipment in its storage facilities, incorporating security and fire prevention measures, as well as controlled ventilation, temperature, and humidity. Surveillance cameras and alarm systems are installed in exhibition areas to protect artifacts.
The museum organizes various educational activities and community engagement programs. Through official announcements from the Xishuangbanna Party Committee and the People’s Government, the museum invites local officials, military personnel, students, and community members to visit. These initiatives promote patriotism and awareness of Xishuangbanna’s rich historical and cultural heritage.
The museum actively celebrates events such as International Museum Day (5.18) and Cultural Heritage Day, engaging in legal awareness campaigns about cultural relics protection. Museum staff distribute informational materials and conduct live explanations of relic knowledge, utilizing media such as radio and newspapers to raise public awareness of cultural relic protection.
The Xishuangbanna Nationalities Museum serves as a comprehensive institution reflecting the unique characteristics of the Dai ethnic group and aiming to promote the cultures of various ethnicities in Southeast Asia. It holds responsibilities in cultural relic management, scientific research, and educational outreach. The museum oversees several key cultural heritage sites, including the Manfeilong Pagoda (曼飞龙白塔), Jingzhen Octagonal Pavilion (景真八角亭), and the Manduan Temple (曼短佛寺).
The Xishuangbanna Nationalities Museum is located at Rainforest Avenue in the Man Nong Feng area of Jinghong City, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province.
To reach the Xishuangbanna Nationalities Museum, visitors can use public transportation such as buses or taxis from Jinghong City center. For those driving, there are designated parking areas nearby.
Manchunman Temple (曼春满佛寺), also known as Menghan Chunman Temple (勐罕春满大佛寺), is located on the west side of Manchunman Village in Menghan Town (勐罕镇), Jinghong City (景洪市), Xishuangbanna Dai Autonomous Prefecture (西双版纳傣族自治州), Yunnan Province (云南省). The existing structures were built during the Qing Dynasty (清朝).
Manchunman Temple covers an area of approximately 38,678 square meters and consists of various buildings, including the main hall, precepts hall, pagoda, scripture library, drum tower, and monk quarters. The main hall, named Weihan (维罕), features a scripture room Hongtan (哄坦), monk quarters Hongnuan (哄暖), and a golden pagoda. There are corridors connecting the main hall, scripture room, and monk quarters. The structure of the main hall is divided into two parts: the central hall and the side wing. There are over 30 columns between the side walls, and beams connect these columns, creating four sloping side wings that form an extended eave. Numerous religious artifacts and ancient bamboo weapons are displayed on both sides. The hall is adorned with many long banners and scrolls depicting Buddhist stories. The beams, columns, and other wooden elements are decorated with patterns resembling gold leaf designs.
On March 5, 2013, the Manchunman Temple was announced as a key cultural heritage site by the State Council of the People’s Republic of China.
According to legend, Manchunman Temple was the first Buddhist temple built in Xishuangbanna after Buddhism was introduced to the region. It was established in the Buddhist year 1126 (583 AD) by Dikaban (底卡班), a disciple of Shakyamuni (释迦牟尼). This means it has a history of over 1,400 years.
Another account states that the temple was established in the sixth year of the Qing Emperor Qianlong (1741 AD). Before founding the temple, Dikaban entered Jinghong from Myanmar, spreading teachings in Menghan. At that time, there were no other temples in the Xishuangbanna region, so he founded Manchunman Temple through alms-giving.
The temple was destroyed in the 1960s, and the existing buildings were rebuilt during the Qing Dynasty.
Manchunman Temple encompasses an area of approximately 38,678 square meters and consists of several main structures. The main hall Weihan (维罕), scripture room Hongtan (哄坦), monk quarters Hongnuan (哄暖), and a golden pagoda are all present. The main hall, scripture room, and monk quarters are interconnected by corridors. The main hall is composed of two parts: the central hall and side wings. The walls feature over 30 columns, and beams connect the columns to create four sloping wings that serve as extended eaves. The hall is adorned with various religious artifacts and ancient bamboo weapons, and it features long banners and scrolls illustrating Buddhist tales. The beams, columns, and wooden frameworks are decorated with intricate gold patterns.
The temple features two unique gates. The main entrance is a three-tiered gatehouse topped with sculptures of auspicious birds. On either side of the gate stand sculptures of guardians holding wooden staffs. The gate’s facade is inscribed with the temple’s name in both Dai and Chinese characters.
The second gate resembles a pagoda, which is distinctive among various Buddhist sects. The gatehouse is adorned with a peacock spreading its feathers, and two stone sculptures of guardian beasts, known in Dai as Laga (拉嘎), guard the entrance.
The main hall is located directly in front of the main entrance and is spacious and magnificent. It serves as the central building of the complex, covering an area of 490 square meters, with a length of 23.5 meters and a width of 21 meters, forming a rectangular shape. The hall is supported by 44 red columns decorated with gold patterns, with long banners hanging around it. In the center stands a golden statue of Shakyamuni Buddha (释迦牟尼佛祖), which is over 4 meters tall, flanked by five smaller Buddhas. The hall also features a platform for monks to sit and chant scriptures.
Located in the northeast corner of the main hall, the scripture library houses various Buddhist texts and other ancient Dai cultural works. These texts are not written on ordinary paper but rather on palm leaves, hence referred to as “palm leaf scriptures.”
The Manchunman Golden Pagoda is situated on the northwest side of the temple. It consists of a main tower and four smaller towers, all erected on a square base, dating from the same period as the temple’s construction. The main tower reaches a height of approximately 12 meters and features a base resembling a “Y” shape, topped with a bell-shaped structure. The finial comprises a circular lotus pedestal, a spire, an umbrella, and silver bells. Small altars are placed beneath the smaller towers, and stone sculptures of the guardian beast Laga (拉嘎) stand at the four corners of the base.
The drum tower is located to the right of the main hall and features a unique design, with a small tower built atop its four roofs. A large drum is placed on top. In front of the drum tower, three white elephant sculptures are depicted lifting a golden Four-faced Buddha (四面佛).
The Four-faced Buddha is a unique representation in Theravada Buddhism, known as the “Wish-fulfilling Buddha.” It governs all affairs on Earth. The four faces of the Buddha represent love, career, health, and wealth. It is said that the Four-faced Buddha possesses extraordinary spiritual efficacy and is one of the most revered icons in Southeast Asia and Xishuangbanna. Theravada Buddhism and Mahayana Buddhism differ in their practices regarding the placement of Buddha images: the former often displays them outdoors in temples for worship, while the latter keeps them inside halls for reverence.
On November 13, 1998, the Manchunman Temple was designated as a provincial-level key cultural heritage site by the Yunnan Provincial Government. On March 5, 2013, it was recognized as a national key cultural heritage site by the State Council of the People’s Republic of China.
Manchunman Temple is located on the west side of Manchunman Village in Menghan Town, Jinghong City, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province.
Manchunman Temple, Dai Garden Road 1, Menghan Town South, Jinghong City, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province.
Manchunman Temple is approximately 29 kilometers from the Jinghong Municipal Government. It takes about 40 minutes by car to reach the temple.
The Jinglong Black Pagoda (勐龙黑塔) is a significant cultural landmark located in Jinghong City (景洪市), Xishuangbanna (西双版纳). It serves as an important spiritual site for the Dai people (傣族) and is believed to bring joy and prosperity to the local community. The pagoda is steeped in legend, connected to Shakyamuni (释迦牟尼) Buddha, whose left foot is said to bless the nearby Manfeilong White Pagoda (曼飞龙白塔) with happiness, while the right foot blesses the Jinglong Black Pagoda with wealth. Clear spring water in the area is thought to have borrowed the Buddha’s staff, providing continuous blessings to the Dai people.
The Jinglong Black Pagoda was originally constructed in 784 AD and underwent significant reconstruction in the second year of the Southern Song Dynasty (南宋嘉泰二年, 1202 AD). There are two prevailing theories about its origin: one claims it started in 1202 AD, while another suggests it was built even earlier than the Manfeilong White Pagoda, which dates to before 1204 AD.
The term “龙” in Dai language translates to “large,” and “篮” means “grandchild.” Thus, it is also referred to as the “Grandfather-Grandson Pagoda” (爷孙大塔), honoring the two ancestors who contributed the most to its construction. Originally adorned with colorful glass, the entire structure was primarily black, leading to its nickname “Black Pagoda.”
The Jinglong Black Pagoda features a square base measuring 17.9 meters on each side and stands at over 18 meters in height. The pagoda is hexagonal in shape and resembles a gourd, made from grey bricks and featuring a solid inner structure. Over time, it has been whitewashed multiple times, resulting in its current silver-white appearance.
Each tier of the main pagoda has copper bells hanging from its corners. Additionally, four decorative pillars are located at the corners, standing over two meters tall, designed for devotees to place offerings such as food, flowers, and incense.
The architecture is rich in symbolism, with eight colorful dragon sculptures encircling the pagoda’s base, enhancing its grandeur and sacredness. The base is adorned with four lotus flowers, under which are sculptures of various creatures: a golden turtle, a crab, a python, and a peacock, each symbolizing different virtues in local culture.
The Black Pagoda has withstood the test of time for over 800 years. It has been a site of worship and cultural significance for the Dai community. In 1978, repairs included widening access roads and constructing a small pavilion to enhance visitor experience. A nearby temple houses a bronze statue of Buddha, gifted by friends from Thailand, and a 160 cm-long footprint, believed to have been left by the deity Pajao Gotama during his journeys to bless the people.
In 2002, the Jinglong Black Pagoda was designated as a second-class municipal cultural heritage site, highlighting its importance in local history and culture.
The Jinglong Black Pagoda is situated in Menglong Town (勐龙), about 60 kilometers from the southern edge of Jinghong City. This area is notable for its vast flatlands and dense population, making it one of the largest townships within Xishuangbanna.
To reach the Jinglong Black Pagoda, visitors can choose from several transport options:
The Mengyang Wild Butterfly Breeding Base (勐养野生蝴蝶饲养场) is located approximately 30 kilometers from Jinghong City (景洪市) along the Kunluo Highway (昆洛公路) toward Kunming (昆明). This area was originally known for observing wild elephants.
In 1989, the World Wildlife Fund collaborated with the Xishuangbanna (西双版纳) Protected Area Management Bureau to establish the first wild butterfly breeding base on the Chinese mainland. This base is a beautifully designed butterfly viewing area that cleverly combines artificial and natural environments. From mid-March to mid-October each year, visitors can enjoy a large number of butterflies.
In the circular netting butterfly garden, visitors can see a variety of tropical and subtropical butterfly species fluttering about, resting by the water, feeding on nectar, mating, laying eggs, or emerging from their chrysalises. Guests are free to observe and photograph the butterflies in their natural behavior.
The garden has also introduced various parasitic plants, such as Aristolochia (马兜铃), from the mountains, which serve as hosts for butterfly larvae. Additionally, numerous nectar-producing flowers have been planted along the butterfly viewing paths to attract butterflies. Currently, this site is the most ideal and conveniently accessible butterfly viewing area in Xishuangbanna.
There is also a butterfly specimen exhibition room on-site. Besides displaying specimens, it sells real butterfly encapsulations with guide maps as souvenirs.
Location: Mengyang Wild Butterfly Breeding Base, Jinghong City, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province (云南省西双版纳傣族自治州景洪市勐养野生蝴蝶饲养场)
To reach the Mengyang Wild Butterfly Breeding Base, take a bus or taxi from Jinghong City (景洪市) along the Kunluo Highway (昆洛公路) toward Kunming (昆明). The journey takes about 30 minutes. The entrance to the butterfly base is well-marked, making it easy for visitors to find.
Lancang River Battle Monument(渡澜沧江作战纪念碑) is situated at the Lancang River (澜沧江) ferry terminal in Menghan Town (勐罕镇), Jinghong City (景洪市). The monument stands 5 meters tall, topped with a vibrant five-pointed star that shines brightly under the sun. The body of the monument is inscribed with summaries of the crossing operations in both Chinese and Dai scripts.
On February 10, 1950, the People’s Liberation Army (PLA) 13th Army’s 37th Division Vice Division Commander Wu Xiaomin (吴效闵) and the 38th Division’s 114th Regiment Political Commissar Zhao Peixian (赵培宪) led over 600 soldiers in an operation alongside more than 300 troops from the 9th Brigade, directed by the Political Department Director Tang Dengmin (唐登岷), to advance southward and eliminate enemy forces in Menghan. Supported by local ethnic militia leader Zhao Cunxin (召存信) and local civilians, the operation commenced on the evening of February 14 and successfully crossed the river by dawn on February 15, defeating the defending forces on the southern bank. This critical battle laid the foundation for liberating the entirety of Xishuangbanna (西双版纳).
During the crossing, the enemy was on high alert and had set up machine guns to block the river. Unfortunately, a deputy squad leader and a soldier tragically drowned in the process. The operation at Menghan was a significant battle in liberating Xishuangbanna and marked the first shot fired by the advancing PLA in the region.
To commemorate this historic event, the Xishuangbanna Prefectural Committee and the People’s Government established the monument at the Menghan ferry terminal in September 2003. In February 2010, it was designated as one of the first provincial-level patriotic education bases by the Xishuangbanna Prefectural Committee of the Communist Party of China (CPC) and the People’s Government. In September 2019, it was recognized as one of the first party history and party character education bases.
The monument serves to honor the fallen soldiers from the PLA stationed in Menghan and the local ethnic militia who joined forces to defeat the enemy on the southern bank during the river crossing battle. While the monument may not be considered a traditional tourist attraction, its historical significance related to the Lancang River and the events surrounding it is profound. The monument silently records the stories of the Lancang River and watches over the construction of a new bridge and the impending disappearance of the last ferry terminal in Yunnan, Xishuangbanna.
Duration: 1-3 hours
Ticket Price: Please consult the scenic area for specific details.
Opening Hours: Open all day (January 1 – December 31, Monday – Sunday)
Location: Lancang River ferry terminal, Menghan Town, Jinghong City, Xishuangbanna Dai Autonomous Prefecture, Yunnan Province (云南省西双版纳傣族自治州景洪市勐罕镇澜沧江渡口)
To reach the Lancang River Battle Monument, you can take public transportation or a taxi from Jinghong City (景洪市). The ferry terminal is approximately a 20-minute drive from the city center. Alternatively, if you are driving, follow the signs to Menghan Town (勐罕镇), and you will find the monument at the ferry crossing.
The Site of Dai Palace (傣王宫遗址) is located within Manting Park (曼听公园) in Jinghong City (景洪市), Xishuangbanna (西双版纳). A portion of this site has been converted into a museum. Unfortunately, my visit was too late for a tour, but the museum mainly chronicles the history and origins of Manting. For those interested in learning more, the site is open from 10 AM to 5 PM. Surrounding the area are a lotus pond (荷花池) and a statue of Premier Zhou Enlai (周总理纪念人像).
The Dai Palace resembles a cultural innovation park for the Dai people (傣族), showcasing a variety of Dai cultural presentations. It is undoubtedly an excellent place to experience Dai clothing, which fits harmoniously into the environment. The site displays Dai architecture, murals, and textiles, vividly depicting the daily lives and activities of the Dai people. The diverse cultural decorations of the Dai people provide wonderful photo opportunities. Additionally, there are Dai restaurants in the park where visitors can relax and savor Dai cuisine after a long walk.
Located four kilometers from Jinghong City (允景洪城), the ancient name was Yun Pakan (允帕钪). This site was once the residence of the highest rulers of Xishuangbanna, known as the Chao Pien Ling (召片领), meaning “the lord of a territory” or “the king of a local dynasty.” Yun Pakan, also known as Xuanwei Street (宣慰街), was the capital of the prosperous Jinglong Golden Hall Kingdom (景陇金殿国), also referred to as the Mengle Kingdom (勐泐国).
According to historical records, during the Song Dynasty (宋朝), the area of Xishuangbanna was governed by the Dali Kingdom (大理国). At that time, many tribes referred to as “Bang” in the Dai language existed in the region, with tribal leaders constantly fighting for territory. To restore peace, the Dali Kingdom issued a call for capable and brave warriors to quell the tribal conflicts, promising to grant them titles as local kings.
A skilled and intelligent leader from the Mengjingzhen tribe (今勐海县勐遮乡景真), named Payazhen (帕雅真, meaning “the leader with outstanding martial arts”), volunteered to answer the call. By employing methods of appeasement, military conquest, and annexation, he successfully quelled the tribal conflicts and formed an alliance among the tribes. After unifying them, he was appointed as a general by Emperor Xiaozong of the Song Dynasty. Subsequently, he was authorized to establish the Jinglong Golden Hall Kingdom, receiving ceremonial weapons and attire from the emperor, and was recognized as the supreme ruler, known as the Golden Crown King (金帽大王).
It is said that after his appointment, Payazhen first established the capital in Jinglan (今景洪市景洪镇曼景兰) due to its central location and flat terrain. However, this site was difficult to defend against foreign attacks, prompting him to relocate the capital to Yun Pakan, surrounded by water on three sides and backed by green mountains—a strategically advantageous site, making Yun Pakan the center of feudal rule in Xishuangbanna.
A street approximately two kilometers long and 30 meters wide was constructed in the area known as Xuanwei Street (宣慰街), named after the Mengle king who was appointed as the Xuanwei Envoy. Nearby, eight villages—Mangangjing (曼岗景), Manlongdong (曼龙东), Mankongzhang (曼空章), Manpasa (曼帕萨), Manle (曼勒), Manwa (曼瓦), Mangga (曼嘎), and Kongke (空柯)—were established. Five Buddhist temples, including Walong (瓦龙), Wazhuangdong (瓦庄董), Wazhangpei (瓦章配), Wazai (瓦宰), and Wamanle (瓦曼勒), along with several stupas, were also built. The riverside was adorned with lawns for recreational activities and horse racing, where local chieftains often gathered. Xuanwei Street experienced a prosperous period.
However, after the Lancang River (澜沧江) flooded, the markets, lawns, roads, and villages were destroyed, leading Xuanwei Street into decline. During the chaotic decade of the Cultural Revolution (十年动乱), the Dai Palace was severely damaged, resulting in the loss of centuries-old cultural relics.
Mengle Garden (勐泐文化园) is located in the eastern suburbs of Jinghong City, at the confluence of the Lancang River and Liusha River (流沙河), alongside the Jinghong to Ganlanba Highway, just 4 kilometers from the city center. The scenic area encompasses the Dai Palace site, Mengle Museum (勐泐博物馆), and the remnants of the Dai Palace and artifacts, as well as rare monkeys from the tropical rainforest.
Time Needed: 1-3 hours
Opening Hours: 08:00 – 18:00 (January 1 – December 31, Monday to Sunday)
Location: 140 meters west of the intersection of Jingkuang Lane (景匡巷) and Manting Road (曼听路), Jinghong City, Xishuangbanna, Yunnan Province (云南省西双版纳傣族自治州景洪市景匡巷与曼听路交叉口西140米)
After the rain, the Dai Palace (傣王行宫) appeared especially beautiful; the sky was a clear blue, and the golden architecture gleamed magnificently in the sunlight. The exquisite utensils inside showcased the wealth of the Dai royal family. Outside the railing, I noticed a young photographer mesmerized by the scene before him, completely forgetting to press the shutter; I inadvertently captured him in my frame.
Suddenly, I was drawn to the sound of elephant foot drums. Following the sound, I found a grand welcoming ceremony taking place in the square in front of the main gate. Dai girls opened flower umbrellas, performing the peacock dance, while the girls in front sprinkled water from a silver bowl, offering their sincere blessings to the visiting guests.
On the other side, young men from the Aini ethnic group arranged bamboo poles, with eight long poles placed in parallel in four rows. Opening and closing rhythmically to the music’s beat, the girls danced gracefully, skillfully leaping through the crossing poles. As the poles separated, they deftly landed with both feet or one foot, quickly jumping back up before the poles could close, continuously changing their dance steps to perform various graceful movements. Curious children also wanted to try; after several attempts, they finally succeeded and joyfully posed for pictures with the Aini girls.
In front of the Zhou Enlai Water-Splashing Memorial Square (周总理泼水纪念广场), a group of performers recreated the grand scenes of the Dai king’s outings.
It is thanks to the efforts of elder leaders like Premier Zhou Enlai (周总理) that we have today’s harmonious atmosphere of ethnic unity, and we must cherish this hard-won ethnic sentiment, allowing it to continue to thrive.
To reach the Site of Dai Palace in Jinghong City, you can take a taxi or local public transport from Jinghong City center. The journey takes about 10-15 minutes. Alternatively, you can walk if you’re staying nearby, as it’s only about 4 kilometers from the city center.
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